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Why the big dogs skipped 'full frame' when going from super-35 to 70mm

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Mathew Farrell
Why the big dogs skipped 'full frame' when going from super-35 to 70mm
on Aug 11, 2017 at 4:11:11 am

As a cinematographer, I'm of an age where I'm more used to working in "full frame" of 8-perf 35 than Super-35. I'm not here to bang on about its superiority or flaws, but I find it interesting that while super-35 has been the main stay of big budget studio productions for ages, there is a lot of hype lately in that arena about 70mm, and the attendant cameras and glass that go with it. Well and good, but I find it interesting that full-frame has been all but skipped over by that part of the industry, leaving 35mm full frame firmly in the indie market.
Has anyone got any thoughts or insights as to why that is?

Mathew Farrell
flowstate.com.au


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