I'm rather new to video however I am well versed in photography and photoshop. Recently, I've been working with a lot more video and am noticing a huge quality falloff.
We are shooting with a D800 and a 50mm prime.
I believe the issue is derived from our poor workflow. We have been color correcting and keying the H.264 files. After some looking around I have found that it would be better to use a field recorder but for now that is not an option.
So my question is what is the best container and codec to convert our files to so we can do our grading and keying.
Re: Editing Codec by Richard Herd on Nov 15, 2014 at 5:52:45 pm
The "trick" is to import the media from the Media Browser and not import from the file menu, drag and drop, nor short cut CMD-I (ctrl-I) because you want Media Browser to make a new AVCHD content file.
Moreover -- and here's the grading issue -- the camera is not only heavily compressed but also aliased, meaning 4:2:0, so any missing information simply does not exist and the computer will have to interpolate that information.
The field recorder is only a benefit if the output signal is better than 4:2:0.
Having said that, another great workflow is to use Prelude to ingest the footage. In there, you can choose from a variety of codecs. For example, Apple Pro Res 422 or Avid DNxHD and so on. The difference here is that these codecs are intraframe, so they will take up more space on your drive, but they are easier to process for the computer in the timeline. If you are moving from your compressed video to APR422, you will not gain color dynamics by using HQ setting, so stay with LT to gain computing efficiency.
For me, I usually transcode to APR422 if I have a lot of footage to wade through, and I know I do not want all of it. There are a several Prelude tutorial videos on adobe tv and you can find a workflow for you.