This question is specifically aimed at anyone working as an assistant editor on feature films: what is your dailies syncing workflow? This assumes you are working with professional cameras and multitrack recorders using timecode on the set, and editing using Premiere Pro CC. NOT short films or commercials or promos but projects with 20 or so shoot days with thousands of clips to sync. Are you using one of Premiere's many ways to sync BUT STILL doing them one clip at a time? Are you using Pluraleyes with some type of Wave Agent workaround so you can batch sync with multitrack audio?