Gosh is color calibration annoying. I've got a Premiere / After Effects Dynamic Link project shot on the RED Scarlet, with the gamma currently set to RedGamma2. In preparation for output to Resolve, I'm going into each clip and setting the gamma as RedLogFilm.
For the After Effects projects, should I be setting "Linearize Working Space"? If so, what Working Space is appropriate for the footage? Should I check "Preserve RGB"?
Also, is Prores 4444 enough to preserve all the latitude of the RED, or should I export as DPX? If so, what bit depth? Should I choose Logarithmic export?