on Jan 19, 2020 at 6:02:16 pm Last Edited By Peter Robertson on Jan 19, 2020 at 7:45:35 pm
ProRes used to be recommended as an editing codec. The reason being that real time playback in an nle was possible. I am now editing all my multicam projects directly in the native camera codec with Resolve 16 Studio. There is no need to transcode to ProRes. In fact the extra file size is a real problem with 20 cameras!
Many new cameras now offer ProRes as the acquisition format. Is this an advantage today?