Shooting for compositing
by Karl Lidh on Sep 17, 2013 at 7:16:34 pm
Hi! Im looking to learn the workflow and process when filming for compositing. Since I dont know the termonology it would be much appreciated if I was pointed to some more or less extensive information on the subject.
A concrete example: I would like to composite a stopmotion teddybear on top of footage of a skyline, since it will be moving towards the camera how do I keep the perspective "realistic"? I guess focal length and distance to objects is key here but Im not sure how to apply it.