Creative COW SIGN IN :: SPONSORS :: ADVERTISING :: ABOUT US :: CONTACT US :: FAQ
Creative COW's LinkedIn GroupCreative COW's Facebook PageCreative COW on TwitterCreative COW's Google+ PageCreative COW on YouTube
FORUMS:listlist (w/ descriptions)archivetagssearchhall of famerecent posts

Creative COW Tags

Top rated posts around Creative COW
Re: Text along 3D path in AE CS3
by Brian Maffitt in the Adobe After Effects Forum
An interesting puzzle, but you can pull it off. You'll need to take advantage of text on a path, plus the ability to make a layer rotate in 3d space, plus the ability make individual letters rotate in 3D space. As an example, type some text, add a circular mask...

6 years ago   read more
Image quality loss (banding) in any video compression-full quality PhotoJPG, Prores, NTSC (After Effects preview and Image Sequence fine)
by Rosa Gaia in the Adobe After Effects Forum
I made an SD video in After Effects that simulated fog/ smoke using fractal noise. The preview in AE looks great, and I exported it lossless and full quality. But I've tried basically every compression type at the highest quality/ largest data rate and it looks very low quality no...

5 months ago   read more
Re: Can't get GeForce GTX 560 Ti card CUDA to work with new Premiere Pro CC 2014 version
by Sean Kendall in the Adobe Premiere Pro Forum
Okay, I figured it out. I installed the latest graphics driver and then opened the NVIDIA control panel. In there I selected "Manage 3D settings" and went to the "program settings" tab. I selected Adobe Premiere (adobe premiere pro.exe) from the list and under the "CUDA - GPUs" feature, I...

4 months ago   read more
NVIDIA Card with Yosemite and Premiere causing major graphics failure
by Chip Burns in the Adobe Premiere Pro Forum
For the past few months I have been experiencing extreme graphics failures, primarily when running Adobe Premiere Pro CC 14. This photo is the start of what I'm talking about: The video display begins to distort and carry over into other applications and OS windows throughout the machine. Eventually the...

2 months ago   read more
Re: What is the difference between Stereo, 2 Channels and Dual Stereo?
by Brian Reynolds in the Audio Professionals Forum
Let me try and explain it to you.... Mono , A single track of audio. Stereo , 2 Tracks of audio that are similar in content (think of a music track that has both Left and Right content). In the editing process normally the audio tracks are ganged and if...

5 months ago   read more
Article: Sexism in Post: Sometimes It's What You Think, Sometimes Not
by Kylee Wall in the COW - Tutorials Forum
Adobe After Effects Sexism in Post: Sometimes It's What You Think, Sometimes Not Sexism in video production is making work environments hostile and keeping women away, but the most damaging sexist actions aren't what you think. Editorial, Feature, People / Interview 11/06/2014 Author: Kylee Wall...

4 months ago   read more
Article: Don't Fight the Magnetic Timeline!
by Charlie Austin in the COW - Tutorials Forum
Apple FCPX Techniques Don't Fight the Magnetic Timeline! One of the biggest issues people coming from other NLE's still seem to have with FCP X is how the Timeline works. Magnetism! No Tracks! Weird Snorkel Things! Storylines?! It's Crazytown! If you fall into this category, we have two suggestions for...

4 months ago   read more
Re: Article: Don't Fight the Magnetic Timeline!
by Andy Field in the COW - Tutorials Forum
excellent well documented article.....still seems like a lot of pretzle contortions to do what you're used to..but glad it's working for you and others. Andy Field FieldVision Productions N. Bethesda, Maryland 20852...

4 months ago   read more
Video: Bruce Branit's World Builder short film in 720p
by Creative COW in the COW - Videos Forum
Bruce Branit's World Builder short film in 720p Bruce Branit's World Builder short film in 720p. watch short film...

4 years ago   read more
Video: Color Grading Reel - Benoit Cote - 2014
by Benoit Cote in the COW - Videos Forum
Color Grading Reel - Benoit Cote - 2014 2014 color grading reel. Edit by Emeline Declerck Music by Jack White - High Ball Stepper cote-b.com watch demo reel...

10 months ago   read more
Video: Into the Storm VFX Breakdowns
by Creative COW in the COW - Videos Forum
Into the Storm VFX Breakdowns Method Studios created the storm and its aftermath for "Into the Storm; here are the breakdowns. watch video...

7 months ago   read more
Video: Color Grading Breakdown
by Roman Zinaenkov in the COW - Videos Forum
Color Grading Breakdown Software: Davinci Resolve 11 All videos are taken from open sources watch demo reel...

3 months ago   read more
Video: Show Reel
by Jimmy Sahlin in the COW - Videos Forum
Show Reel A summary of my work so far, containing both modeling, visual effects and animations. watch demo reel...

3 months ago   read more
And I fold.
by Aindreas Gallagher in the Adobe Creative Cloud: The Debate Forum
I fold. transferred job from lappie to client machine - went from AE CS6 to AE CC 2014 - client machine suddenly had to go away. There followed a variety of mad glitches installing previous AE CC version to get back to CS6... twas magical delivery day with revisions a...

6 months ago   read more
Re: And I fold.
by David Lawrence in the Adobe Creative Cloud: The Debate Forum
[Aindreas Gallagher] "Fight on you crazy diamonds, but I think they might get us all in the end." https://www.youtube.com/watch?v=WWaLxFIVX1s _______________________ David Lawrence art~media~design~research propaganda.com publicmattersgroup.com http://lnkd.in/Cfz92F facebook.com/dlawrence twitter.com/dhl vimeo.com/dlawrence/albums...

6 months ago   read more
Re: And I fold.
by Chris Pettit in the Adobe Creative Cloud: The Debate Forum
Hmmm: https://www.youtube.com/watch?v=jwXxxniIeQs...

6 months ago   read more
Re: And I fold.
by Gabe Strong in the Adobe Creative Cloud: The Debate Forum
[Aindreas Gallagher] "Fight on you crazy diamonds, but I think they might get us all in the end." Maybe a lot of us. Not all of us. Have fun with 'your' new software. Gabe Strong G-Force Productions www.gforcevideo.com...

6 months ago   read more
Re: And I fold.
by Aindreas Gallagher in the Adobe Creative Cloud: The Debate Forum
that I only downloaded AE after I paid for CC - that's the one I needed on the spot. I was joking about muse - my understanding is that its a staggeringly unsuccessful product, hence little seen. http://vimeo.com/user1590967/videos www.ogallchoir.net promo producer/editor.grading/motion graphics...

6 months ago   read more
Re: And I fold.
by Lance Bachelder in the Adobe Creative Cloud: The Debate Forum
Haha - I just unfolded. After 2 years on CC monthly I just reduced to Photoshop only and have no plans of returning to Premiere (unless it's a well paid gig where I have no say in the NLE of course). After 3 years of love/hate it's actually FCPX that...

6 months ago   read more
Re: the modern corporation (like adobe)
by Andrew Kimery in the Adobe Creative Cloud: The Debate Forum
[Ricardo Marty] "Historically in the US, corporations had responsibilities to their customers, employees, communities, and owners. In recent years this has been changed. Today corporations only have responsibilities to their shareholders. If profits go up, executives receive performance bonuses for serving shareholders. " Serendipitous that you posted this as I'd...

6 months ago   read more
Re: Great nuts and blots look at Premiere improvements
by Ricardo Marty in the Adobe Creative Cloud: The Debate Forum
no, just his soul. acutally he sold it. but he still has to pay 40 bucks per month for eternity....

6 months ago   read more
Re: Great nuts and blots look at Premiere improvements
by Aindreas Gallagher in the Adobe Creative Cloud: The Debate Forum
guys. come on now. guys. we're all friends here. guys. What's that in your hand? now wait. remember all those diatribes I posted? Guys put that down. there's no need for that. guys?? http://vimeo.com/user1590967/videos www.ogallchoir.net promo producer/editor.grading/motion graphics...

6 months ago   read more
Re: Great nuts and blots look at Premiere improvements
by Chris Pettit in the Adobe Creative Cloud: The Debate Forum
I have to admit, I watched the new features video. Project manager Render and replace Media browser improvements Multi-Project GoPro Codec All unquestionably improvements. Not so sure about other apps yet, but PPro looks great. No intentions of submitting to Adobe slavery, but I am jealous....

6 months ago   read more
Re: Great nuts and blots look at Premiere improvements
by David Lawrence in the Adobe Creative Cloud: The Debate Forum
[Chris Pettit] "All unquestionably improvements. Not so sure about other apps yet, but PPro looks great." Yep, would love to give Adobe my money. Too bad they don't want it. _______________________ David Lawrence art~media~design~research propaganda.com publicmattersgroup.com http://lnkd.in/Cfz92F facebook.com/dlawrence twitter.com/dhl vimeo.com/dlawrence/albums...

6 months ago   read more
Re: .blackmagic buys eyeon fusion
by Chris Pettit in the Adobe Creative Cloud: The Debate Forum
[Ricardo Marty] "i wonder where they are heading?" Prediction: This is not going to be a viable replacement for Adobe Video offerings. Yet. Is it the first shift towards significant competition for Adobe product offerings? Maybe. And for the first time since we have debating this issue, I sincerely HOPE...

5 months ago   read more
Re: Adobe Revenue Forecast Misses, Shares Slip
by Ricardo Marty in the Adobe Creative Cloud: The Debate Forum
how long can wall street prop up this company before the investors dump it. now they are making at least 8 times less than before the cloud. ricardo marty...

5 months ago   read more
Re: Adobe Revenue Forecast Misses, Shares Slip
by Chris Pettit in the Adobe Creative Cloud: The Debate Forum
"He added that Adobe had harvested a lot of the “low-hanging fruit” in shifting its existing customer base to the cloud, but the challenge now was to convince the more “resistant” customers, such as small businesses and individuals." Good luck with that Adobe. With the "take it or leave it"...

5 months ago   read more
Another David...
by David Miller in the Adobe Creative Cloud: The Debate Forum
I have been lurking on this site for several months. I have noted that there are a number of people already here whose first name is David, so excuse me while I add yet another one into the mix. I also note that this site appears to be primarily for...

5 months ago   read more
Re: Academy of Art University student's CS6 licenses canceled
by Chris Pettit in the Adobe Creative Cloud: The Debate Forum
[David Lawrence] "I don't know if the Facebook link was deemed out-of-bounds but this is a very real issue that has the attention of the local news. The student is smart, articulate and pissed. If she has documentation to back up her claim that a CS6 perpetual license was included...

5 months ago   read more
Re: Academy of Art University student's CS6 licenses canceled
by Tim Wilson in the Adobe Creative Cloud: The Debate Forum
re: disappearing post, I have no idea about that. Virtually all external links I've seen posted in the COW are legit, and this certainly meets any of our standards in that regard. Just to articulate that a little more fully, the external link would need to meet the same criteria...

5 months ago   read more
Re: Academy of Art University student's CS6 licenses canceled
by Gary Huff in the Adobe Creative Cloud: The Debate Forum
[Tim Wilson] "I have no idea about that. Virtually all external links I've seen posted in the COW are legit, and this certainly meets any of our standards in that regard." It went to the same place that the text message I sent via Siri the other day went...into the...

5 months ago   read more
Re: Academy of Art University student's CS6 licenses canceled
by David Lawrence in the Adobe Creative Cloud: The Debate Forum
[Oliver Peters] "While you may be absolutely right, this situation doesn't seem to have happened anywhere else in the world. Have you heard of any other examples? Clearly there's something odd going on here, beyond what's obvious." Apparently it also happened at George Brown College in Ontario. But in this...

5 months ago   read more
Re: Academy of Art University student's CS6 licenses canceled
by Andrew Kimery in the Adobe Creative Cloud: The Debate Forum
I agree that the students are getting shafted and either Adobe or AAU needs to step up and make it right. [Chris Pettit] "Wow, there's a remarkable conflict of interest, you'd think they'd be embarassed. I can see why AAU has the reputation as you've described David. Unbelievable. " For...

5 months ago   read more
Re: Academy of Art University student's CS6 licenses canceled
by David Lawrence in the Adobe Creative Cloud: The Debate Forum
Sarah Ryan, the AAU student leading efforts to make Adobe return deactivated CS6 perpetual licenses posted this message to Facebook this morning outlining the facts of the AAU student case. Assuming this is documented and true, they're pretty damning of both AAU and Adobe. An announcement is expected later this...

5 months ago   read more
Adobe: All your e-books are belong to us
by Herbert van der wegen in the Adobe Creative Cloud: The Debate Forum
You would think Adobe would have learned its lesson after the encryption blunder they made during the stolen Adobe ID database - unfortunately it seems they have not. Worse, they thought it was a great idea to invade the privacy of every e-book customer: http://the-digital-reader.com/2014/10/06/adobe-spying-users-collecting-data-ebook-libraries/ 1) invading your device/machine by...

5 months ago   read more
Re: CC Subscription increase
by Dave LaRonde in the Adobe Creative Cloud: The Debate Forum
I guess the phrase to use here is "caveat emptor"... or "caveat renter" in your case. The rent just went up. You can move elsewhere or you can pay it. Nice how Adobe made that perfectly clear about the introductory offer, isn't it? Not that Adobe is any different from...

4 months ago   read more
Re: CC Subscription increase
by Andy Field in the Adobe Creative Cloud: The Debate Forum
They actually do make it clear about introductory first year offer....it's not a surprise Andy Field FieldVision Productions N. Bethesda, Maryland 20852...

4 months ago   read more
Re: CC Subscription increase
by David Lawrence in the Adobe Creative Cloud: The Debate Forum
[Andy Field] "and the cost (if you upgrade every year) is virtually the same as upgrading every year..on a monthly basis....this is a tool we use every day (like our phone carrier plan...or internet provider...they don't sell to us to own the plan or the equipment) With all the upgrades...

4 months ago   read more
Re: CC Subscription increase
by David Mathis in the Adobe Creative Cloud: The Debate Forum
[David Lawrence] "Glad it works for you, but the big problem many of us have with CC is still not about money." I like to have choice and control. I would not mind subscribing if there was some buyout option. I am glad to see Adobe making significant and meaningful...

4 months ago   read more
Re: CC Subscription increase
by Florian Sepp in the Adobe Creative Cloud: The Debate Forum
If you purchase CS you still can sell it in the end. with cc you are left alone with nothing. (no money, no access). I woukd love to have the coice. I most propably would rent once in a while ore maybe even for me (with off ramp) but as...

4 months ago   read more
More EDU sector software rental joy
by Chris Pettit in the Adobe Creative Cloud: The Debate Forum
http://m.collegiatetimes.com/news/article_ac92dd80-53f6-11e4-af0c-001a4bcf6878.html?mode=jqm If you have time, read and research for yourself how Adobe is "handling" students, but some choice selections from recent article: "All students must buy the software regardless of grade level, meaning students that already own the Creative Suite software will still have to purchase the Creative Cloud software....

4 months ago   read more
Re: More EDU sector software rental joy
by Chris Pettit in the Adobe Creative Cloud: The Debate Forum
[Walter Soyka] "Isn't it the school that's requiring the students to subscribe?" Adobe is of course actively seeking, in conjunction with universities and colleges to force as many students as possible, as quickly as possible into subscriptions whether they like it or not, and clearly many students don't like it...

4 months ago   read more
Re: More EDU sector software rental joy
by Tim Wilson in the Adobe Creative Cloud: The Debate Forum
Sorry, been away for a bit, so replying to a bunch of posts at once.... [Oliver Peters] "What's the difference between requiring software and requiring textbooks?" Exactly. I just looked this up . The average cost of textbooks for a year is $1200, and $200 for a single title is...

4 months ago   read more
Re: More EDU sector software rental joy
by Chris Pettit in the Adobe Creative Cloud: The Debate Forum
[Andrew Kimery] "Why do colleges choose to force students to buy certain software for certain classes to begin with?" For the same reason that a motorcycle engineering school might require that you purchase wrenches to work on motorcycles I suppose. The fact is they do. I am WAY past the...

4 months ago   read more
Re: More EDU sector software rental joy
by Walter Soyka in the Adobe Creative Cloud: The Debate Forum
[Chris Pettit] "Really? Are you saying Adobe is simply not involved in this process?" Are you saying that Adobe shouldn't be free to market their products and services as they see fit? If you want them to sell something differently than they do because you won't buy something differently than...

4 months ago   read more
Re: Why isn´t there a Super-Hero
by Herbert van der wegen in the Adobe Creative Cloud: The Debate Forum
That's what the current consumerist society offers us: quick sound bites, quick and easily digestible little apps, the latest, the greatest, newest toys that last a month, and interest wanes. Gotta get that new rush of adrenaline, the newest phone, quick: take a selfie! Is my bum big? Is my...

4 months ago   read more
Black Magic: Fusion 7 - (basic package released free)
by Chris Pettit in the Adobe Creative Cloud: The Debate Forum
Black Magic continues to amaze me (cameras especially for example), getting increasingly encouraged that I'll have alternatives to AE when CS6 finally dies and I can leave Adobe in my rear view mirror: https://www.blackmagicdesign.com/products/fusion They are apparently releasing the basic version for free, with the Studio version for $995.00: https://news.creativecow.net/story/877682...

4 months ago   read more
Re: Black Magic: Fusion 7 - (basic package released free)
by Dave LaRonde in the Adobe Creative Cloud: The Debate Forum
Hey, thanks for the info, Chris. I just downloaded the user manual. I too may want to wrap my head around nodes and such. Imagine that: a real manual. Brings a tear of nostalgia to my eye. Dave LaRonde Promotion Producer KGAN (CBS) & KFXA (Fox) Cedar Rapids, IA...

4 months ago   read more
Re: Black Magic: Fusion 7 - (basic package released free)
by Dave LaRonde in the Adobe Creative Cloud: The Debate Forum
[Florian Sepp]: "...with this blackmagic starts to rip adobe apart. like adobe did it once with quark. and they are to vain to recognice it. black magic now stated to be the competitor..." Indeed! Competition! A radical concept! It will certainly be interesting to watch how Fusion fares against After...

4 months ago   read more
I Wonder How Things Are in CC Paradise?
by Dave LaRonde in the Adobe Creative Cloud: The Debate Forum
This morning I checked on Adobe's After Effects forum. Normally it's full of posts with titles like, "How do I make this effect?" or "How can I make shapes from Illustrator paths?" Not this morning! Check out these titles, all posted in the first 9 hours of Thursday, December 4:...

3 months ago   read more
CNET running a survey about CC...
by David Miller in the Adobe Creative Cloud: The Debate Forum
If you want to take part in a survey that CNET is running about CC then you can check out their story (and survey link in 3rd paragraph) here: http://www.cnet.com/news/survey-why-are-you-still-using-adobes-old-cs6-products/ This article was posted today (12/4/14) so it appears that they are trying to get a year-end look at where...

3 months ago   read more
Re: CNET running a survey about CC...
by Chris Pettit in the Adobe Creative Cloud: The Debate Forum
Key passage from the article: ...But don't expect the company to break out how many subscriptions were for the full CC suite, how many were for the less expensive Photoshop Photography Program and how many for other single products. Another question is how many are individual subscriptions compared with the...

3 months ago   read more
Re: CNET running a survey about CC...
by Chris Pettit in the Adobe Creative Cloud: The Debate Forum
BTW from the 2013 CNET poll (old data but still relevant)...

3 months ago   read more
Re: CNET running a survey about CC...
by David Mathis in the Adobe Creative Cloud: The Debate Forum
As of now I only need Final Cut Pro X and Motion. Waiting for Fusion to make it over to the Mac platform and seeing how it might integrate with Resolve, time will tell. I think once Resolve becomes a better and more viable option for an NLE as well,...

3 months ago   read more
Re: CNET running a survey about CC...
by Rainer Schubert in the Adobe Creative Cloud: The Debate Forum
Hi Chris They are hiding it very well, but you can have a look at the numbers (Page 9 from this PDF): Script of Q3/2014 PDF In Q3/FY13 81% of the 1,037 m Subscriptions were Full Products (= 839,000). In Q3/FY14 64% of the 2,810 m Subscriptions were Full Products...

3 months ago   read more
Re: CNET running a survey about CC...
by Ricardo Marty in the Adobe Creative Cloud: The Debate Forum
most of us would not mind a subscription if at the end ee could keep a full funcioning suite, granted with no upgrade option without subscribing again as a new user. but since greed is more important to the moderen business i wont be part of it. if i wanted...

3 months ago   read more
Re: CNET running a survey about CC...
by Rainer Schubert in the Adobe Creative Cloud: The Debate Forum
Let´s say, you bought your wonderful, glorious, pinky, so overwhelming Cow 2.0. Are happy, with the milk, that´s only healthy, if you don´t stop to pay for Cow 2. Regardless what the Vendor will take for it in the future. Regardless, that he can take some of the ingredients out....

3 months ago   read more
Re: CNET running a survey about CC...
by Shane Ross in the Adobe Creative Cloud: The Debate Forum
That survey was too broad. Too few questions for too broad a user base. They needed to narrow it to the Photographers, graphic designers, motion graphics, video editors, web designers...etc. And I still find it VERY odd that if you are a video editor, and get the CC, you get...

3 months ago   read more
Re: CNET running a survey about CC...
by Chris Pettit in the Adobe Creative Cloud: The Debate Forum
[Andy Field] "Adobe saw that there's no future in a finite set of users who aren't consistent return customers." Finite? You're kidding right? New art students being generated like Doritos every day, until recently bred on a steady diet of Adobe "milk". Adobe has (over time) established themselves as the...

3 months ago   read more
Re: CNET running a survey about CC...
by Ricardo Marty in the Adobe Creative Cloud: The Debate Forum
whan adobe was finite it had 12 million users now its infinite and has maybe 3.2 million users. its only making money with cs6 continuing purchases and the marketing cloud. so what kind of finite is better? had they continued to be finite the woulld have probably added many millionsmore...

3 months ago   read more
Re: CNET running a survey about CC...
by Jim Wiseman in the Adobe Creative Cloud: The Debate Forum
In short, access to your files and projects, and an off ramp with working software that doesn't break the bank. Something we had with perpetual licensing. It really is quite simple. Jim Wiseman Sony PMW-EX1, Pana AJ-D810 DVCPro, DVX-100, Nikon D7000, Final Cut Pro X 10.1.1, Final Cut Studio 2...

3 months ago   read more
Re: CNET running a survey about CC...
by Mike Parfit in the Adobe Creative Cloud: The Debate Forum
The sad thing about this is how much of it is about perceptions of risk that may only graze the edge of reality. I count myself among those who make choices based on those perceptions. For me, if the CC package turns out to be as good as many are...

3 months ago   read more
Re: CNET running a survey about CC...
by Andrew Kimery in the Adobe Creative Cloud: The Debate Forum
[Mike Parfit] " But the perception that I risk being caught in a backwater eddy in which Adobe holds me hostage for much higher rent if I want to continue using a program in which I have worked hard to become proficient, is simply too big a concern right now....

3 months ago   read more
Innovation = Buying Companies
by Rainer Schubert in the Adobe Creative Cloud: The Debate Forum
Together with their financial data Adobe announced today, that it´s willing to acquire fotolia. Hurrah? I don´think so. Like most of The Cloud-Vendors Creative & Marketing Apps they were simply bought. Innovation isn´t made inhouse and to the needs of customers. Seems that Software-Market will be dominated by the Big...

3 months ago   read more
Re: Innovation = Buying Companies
by Jim Wiseman in the Adobe Creative Cloud: The Debate Forum
Yes, Microsoft has destroyed much previously very good software by buying out companies. iView Media Pro photo cataloging software for instance. Microsoft bought it and renamed it Expression. Never worked properly ever after. It even spoiled the functionality of my iView version so thoroughly that I had to reinstall the...

3 months ago   read more
Re: CNET running a survey about CC...
by David Lawrence in the Adobe Creative Cloud: The Debate Forum
[Gary Huff] "Plus, you don't lose access to your "files"...the raw data you used to craft your work. I think that's where the argument has its popularity, helping to convince lurkers that they would lose access to their actual footage who haven't looked into it enough to know what a...

2 months ago   read more
Re: Article on why more software companies now offer Subsription only
by David Miller in the Adobe Creative Cloud: The Debate Forum
Well, there are some companies that are taking the opposite tack. They are positioning themselves to be the go-to destination for those customers who do NOT want to go the "software subscription" route. Here are 2 of them: ------------- http://www.quark.com/2015/?gclid=CM-D96qs0sICFSyZMgod5FEAnA In the first roll-up on that page there is a...

2 months ago   read more
Re: Users moaned about Adobe PRo CC 2014.1
by Rainer Schubert in the Adobe Creative Cloud: The Debate Forum
Wow!!!! Soooo many BugFixes. To correct all the fast delivered updates. Happy New Year & Peace on earth (ok, on clouds also)...

2 months ago   read more
Re: Users moaned about Adobe PRo CC 2014.1
by Rainer Schubert in the Adobe Creative Cloud: The Debate Forum
Nice. And - if that´s what you are usually doing - I think I understand, why you don´t have any concern against that "cloud". As you wrote "finished". Seems, your work mostly gets to an end. Things are done & the projects will never come on the table again. No...

2 months ago   read more
Re: Users moaned about Adobe PRo CC 2014.1
by Rainer Schubert in the Adobe Creative Cloud: The Debate Forum
Sure. Think of Catalogues, which are update year by year. But big parts are based on former years. Fair Trailers, which only get new subtitels or modified sequenzes (Because there is another fair in a different region). Adds which remain the same, but are translated to other countries. Websites, whose...

2 months ago   read more
Re: Users moaned about Adobe PRo CC 2014.1
by Chris Pettit in the Adobe Creative Cloud: The Debate Forum
[Andy Field] "Does your client pay when you redo or update the project?" So we're not entitled to simply be artists in addition to business people? We are only entitled to edit video if we have a fully funded and currently paying client? I cant edit video for a pro-bono...

2 months ago   read more
Re: Users moaned about Adobe PRo CC 2014.1
by Chris Pettit in the Adobe Creative Cloud: The Debate Forum
[Rainer Schubert] " Nice Christmas Time to you and your Family!" And to you Rainer my friend, and everyone else! Merry Christmas...

2 months ago   read more
Profit before and after Creative Cloud?
by Jim Wiseman in the Adobe Creative Cloud: The Debate Forum
Post deleted from previous thread before posting in new thread. Jim Wiseman Sony PMW-EX1, Pana AJ-D810 DVCPro, DVX-100, Nikon D7000, Final Cut Pro X 10.1.4, Final Cut Studio 2 and 3, Media 100 Suite 2.1.5, Premiere Pro CS 5.5 and 6.0, AJA ioHD, AJA Kona LHi, Blackmagic Ultrastudio 4K, Blackmagic...

2 months ago   read more
Re: Profit before and after Creative Cloud?
by Chris Pettit in the Adobe Creative Cloud: The Debate Forum
This from 3 months ago, but similar conclusions: http://www.pcpro.co.uk/news/390835/dark-clouds-for-adobe-as-profits-slide-by-46...

2 months ago   read more
Re: Adobe CFO: our way or....
by David Miller in the Adobe Creative Cloud: The Debate Forum
I think that the thing that will be most telling will be if Adobe begins missing their subscription projections. So far, they have managed to add the numbers they were expecting to. But if those numbers begin to fall short of projections, then it will likely be the case that...

1 month ago   read more
Re: Adobe CFO: our way or....
by David Lawrence in the Adobe Creative Cloud: The Debate Forum
Here's the link from Google News. It worked for me and may still work for others: http://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=newssearch&cd=6&ved=0CEEQqQIoADAF&url=http%3A%2F%2Fblogs.wsj.com%2Fcfo%2F2015%2F01%2F16%2Fadobe-systems-cfo-managing-business-model-transformation%2F&ei=Scy5VMDHKonxoASek4DgAw&usg=AFQjCNHQdj_4fss0Mq7CnDNjNqGKO3nW7A&sig2=e8M8hnfxUKV1Zb6aDua-jA&bvm=bv.83829542,d.cGU Thanks for pointing to this article. It's fascinating to read these words from the CFO himself. The self-righteousness is pretty spectacular. ‘Like it or leave.’ Well, OK then. One last key set of...

1 month ago   read more
Re: Adobe CFO: our way or....
by Mads Nybo Jørgensen in the Adobe Creative Cloud: The Debate Forum
[Ricardo Marty] "yes i want cc only, to fail" I think that really sums up your opinions - it sounds sad and bitter. But hey, every person their point of view. You are right, there are nothing that I can say, suggest or argue that will change your mind. But...

1 month ago   read more
Re: Adobe CFO: our way or....
by David Lawrence in the Adobe Creative Cloud: The Debate Forum
[Andrew Kimery] "It's worked out pretty well for Apple. ;)" Yes it certainly did. Why is that? I'd say that's because Apple has the exact opposite attitude and business strategy from Adobe. Here's a recent quote from Tim Cook: “We design our products to surprise and delight everyone who uses...

1 month ago   read more
Re: Adobe CFO: our way or....
by Dave LaRonde in the Adobe Creative Cloud: The Debate Forum
It sounds like Mr. Garrett assumes that Adobe won't face any kind of new competition. All takes is a nudge. New competitors to key Adobe products could be a massive push. Dave LaRonde Promotion Producer KGAN (CBS) & KFXA (Fox) Cedar Rapids, IA...

1 month ago   read more
Re: Adobe CFO: our way or....
by Dave LaRonde in the Adobe Creative Cloud: The Debate Forum
I don't beleve for a minute that this Garrett guy takes his own words to heart. "Burn the boats.." If the guy actuslly believed it, CS6 wouldn't still be availabe for purchase. I wouldn't be surprised to learn that two-versions-old suite of applications is helping Adobe stay profitable. Helping a...

1 month ago   read more
Re: Adobe CFO: our way or....
by Andrew Kimery in the Adobe Creative Cloud: The Debate Forum
[Mads Nybo Jørgensen] "Adobe Story CC + 28 apps (incl PPro, AE, Scout, Speedgrade, Photoshop, Acrobat Pro to mention a few) + Behance + Typekit + market - do you have that in your CS6? " Nothing has reached 'killer app' status though. Behance, cloud storage, Typekit and the Market...

1 month ago   read more
Re: Adobe CFO: our way or....
by David Lawrence in the Adobe Creative Cloud: The Debate Forum
[Steve Connor] "None! the "Cloud" name, at present is mostly just that - a name. Adobe aren't pushing the Creative Cloud as actual cloud technology, surely?" That's my point. Creative Cloud is currently a marketing name and revenue model. This revenue model clearly benefits Adobe and for some customers, it's...

1 month ago   read more
Re: Adobe CFO: our way or....
by Steve Connor in the Adobe Creative Cloud: The Debate Forum
[David Lawrence] "This revenue model clearly benefits Adobe and for some customers, it's a good fit. But there's no technical reason why it couldn't be offered as desktop software as well. In order to get more than just the "low hanging fruit" subscribers, " They have taken a gamble on...

1 month ago   read more
Re: Adobe CFO: our way or....
by David Lawrence in the Adobe Creative Cloud: The Debate Forum
[Steve Connor] "He said "From a customer point of view, you have to nudge them to the new model, slowly but surely, by not giving them a new option any more." that's why there's no other option so if there's no perpetual licenses available in a couple of years we'll...

1 month ago   read more
Re: Adobe CFO: our way or....
by Chris Pettit in the Adobe Creative Cloud: The Debate Forum
[Dave LaRonde] ""Burn the boats.." If the guy actuslly believed it, CS6 wouldn't still be availabe for purchase. I wouldn't be surprised to learn that two-versions-old suite of applications is helping Adobe stay profitable. Helping a LOT. Burn the boats? Yeah, right....." This particular point seemed obvious to me long...

1 month ago   read more
Re: Adobe CFO: our way or....
by Chris Pettit in the Adobe Creative Cloud: The Debate Forum
[Andrew Kimery] ". I'm just poking fun at the fact that no matter what Adobe does some in this forum will give the flak." Some people just hate Adobe. Agenda. Gotcha Funny how that started right when they announced mandatory subscriptions. I'm having trouble finding all the posts slamming Adobe...

1 month ago   read more
Re: Adobe CFO: our way or....
by David Lawrence in the Adobe Creative Cloud: The Debate Forum
[Andrew Kimery] "Isn't your agenda (as well as David's, Jim's, etc.,) to generate enough consumer backlash against Adobe that Adobe has no choice but to start offering PLs again in some capacity?" I wouldn't frame it that way Andrew. Speaking only for myself, my agenda is to get Adobe to...

1 month ago   read more
Re: Adobe CFO: our way or....
by Billy Payn in the Adobe Creative Cloud: The Debate Forum
Interesting use of language on the CFO's part, 'burn' the boats - no way back. This conjures up images for me of war time, desperate measures, destroy it so that your enemy can't use it. Then...'nudge' I'm being nudged! but the CEO of the company said they were 'aggressively' moving...

1 month ago   read more
Re: Adobe CFO: our way or....
by David Miller in the Adobe Creative Cloud: The Debate Forum
I think David Lawrence's earlier comments are right on. Adobe's decision to go sub-only has alienated millions of their customers and also left millions of dollars on the table. Had they decided to allow both avenues (i.e. subscription as well as perpetual) they could have had the best of both...

1 month ago   read more
Re: Adobe CFO: our way or....
by David Miller in the Adobe Creative Cloud: The Debate Forum
[Mads Nybo Jørgensen] "The statement is unproven superstitions on behalf of a small angry mob ;-) " Yup....a "small angry mob" that currently resides within a population numbering approximately 9 million! ;) As noted earlier, time will tell which side is correct. Adobe started this CC thing about 2 years...

1 month ago   read more
Re: Adobe CFO: our way or....
by David Lawrence in the Adobe Creative Cloud: The Debate Forum
[Andrew Kimery] "So they fall into the middle ground between "too greedy" and "not quite greedy enough"? ;)" No, what I think we're saying is well described in this little story ;) http://en.wikipedia.org/wiki/The_Goose_That_Laid_the_Golden_Eggs _______________________ David Lawrence art~media~design~research propaganda.com publicmattersgroup.com http://lnkd.in/Cfz92F facebook.com/dlawrence twitter.com/dhl vimeo.com/dlawrence/albums...

1 month ago   read more
Re: Adobe CFO: our way or....
by David Mathis in the Adobe Creative Cloud: The Debate Forum
Another number of things can happen between now the 2020 forecast. There has been much change recently. Fusion has been recently acquired by BMD and no more subscription plan. It could be bundled with Resolve in another package. Resolve could be a NLE and finishing tool, heading that direction. Need...

1 month ago   read more
Re: Adobe CFO: our way or....
by David Miller in the Adobe Creative Cloud: The Debate Forum
[Andrew Kimery] "In 2010 Apple execs cashed in over 1 million shares of APPL. http://www.macrumors.com/2010/03/26/apple-executives-cash-in-over-1-million.. . In 2013 execs (including Cook) cashed in over 100,000 shares. http://www.tuaw.com/2013/06/27/numerous-apple-executives-sell-millions-wort.. . They must not have any confidence in Apple... ;) " Naww, Andrew....it's more of a case that Tim and company are running...

1 month ago   read more
Windows 10 - Here we go
by Chris Pettit in the Adobe Creative Cloud: The Debate Forum
When Adobe started this crazy ride, my friend Charles Reilly made a video about why the move by Adobe to mandatory subscriptions was such a ominous development. Among many reasons was his questions about where it might lead us if the other software giants follow suit, as they were certainly...

1 month ago   read more
Re: Windows 10 - Here we go
by Chris Pettit in the Adobe Creative Cloud: The Debate Forum
[Mads Nybo Jørgensen] "However: Windows 10 will be FREE to users that has Windows 7 onwards installed. So you can't really be complaining about a free product, can you? Why is it free? Because it will, like iTunes is for Apple, be a Window where Microsoft can offer you other...

1 month ago   read more
Re: Windows 10 - Here we go
by Chris Pettit in the Adobe Creative Cloud: The Debate Forum
[Andrew Kimery] "I share the same concerns as Walter Soyka about the long term viability of the 'software as a freebie' business model. Is BM buying up established players and then giving them away for peanuts (while tying them to BM hardware of course) really that great of a solution?...

1 month ago   read more
Apple Posts Biggest Quarterly Earnings of any Company EVER
by Jim Wiseman in the Adobe Creative Cloud: The Debate Forum
Top Ten Largest Corporate Quarterly Earnings Of All Time: 1. Apple, 2015 1Q – $18.04 billion 2. Gazprom, 2011 1Q – $16.24 billion 3. Royal Dutch Shell, 2008 2Q – $16.18 billion 4. ExxonMobil, 2008 3Q – $15.27 billion 5. Apple, 2014 1Q – $13.10 billion 6. Apple, 2013 1Q...

1 month ago   read more
Re: Autodesk to go (Mostly) Subscription Only on 2/1/2016
by Chris Pettit in the Adobe Creative Cloud: The Debate Forum
Here's a key passages from yesterdays Studio Daily post: "Aware of the general resistance to subscription-only software licensing in some corners of the industry, Autodesk is treading cautiously but deliberately. "We will partner with customers through this transition," Autodesk Senior VP of Industry Strategy and Marketing Andrew Anagnost told StudioDaily,...

3 weeks ago   read more
Re: Autodesk to go (Mostly) Subscription Only on 2/1/2016
by David Lawrence in the Adobe Creative Cloud: The Debate Forum
[Chris Pettit] ""Users with perpetual licenses will receive benefits, including software upgrades, as long as their maintenance subscriptions are active. However, multi-year maintenance subscription discounts will be discontinued. If you don't renew your maintenance subscription, you will be able to keep using the upgraded software under your existing perpetual license...

3 weeks ago   read more
Nearly $12.5 million in last 30 days...
by David Miller in the Adobe Creative Cloud: The Debate Forum
Adobe CEO has sold nearly $12.5 million worth of his Adobe shares in the last 30 days. Recently, he "unexpectedly" sold 36,762 shares and had earlier sold an additional 136,762 shares. According to this article (see link), he now owns 276,181 shares of Adobe stock: http://www.octafinance.com/warning-adobe-systems-nasdaqadbe-optimists-shantanu-narayen-just-unloaded-36762-shares/ That's a pretty fair...

3 weeks ago   read more
Re: Nearly $12.5 million in last 30 days...
by Gabe Strong in the Adobe Creative Cloud: The Debate Forum
I was always taught you shouldn't burn your bridges. Whatever. Do what you gotta do Adobe. I'll do the same. Currently, that involves putting in a lot of time learning FCP X, so when CS6 doesn't work so well anymore....... Gabe Strong G-Force Productions www.gforcevideo.com...

3 weeks ago   read more
New High End Competition for Photoshop
by Jim Wiseman in the Adobe Creative Cloud: The Debate Forum
Check this out. This looks serious. InDesign competition later this year. http://www.creativebloq.com/computer-arts/first-real-alternative-photoshop-launched-and-its-free-21514137 Jim Wiseman Sony PMW-EX1, Pana AJ-D810 DVCPro, DVX-100, Nikon D7000, Final Cut Pro X 10.1.4, Final Cut Studio 2 and 3, Media 100 Suite 2.1.5, Premiere Pro CS 5.5 and 6.0, AJA ioHD, AJA Kona LHi, Blackmagic Ultrastudio...

3 weeks ago   read more
Re: New High End Competition for Photoshop
by Chris Pettit in the Adobe Creative Cloud: The Debate Forum
In some ways it looks better than Photoshop, and I think a lot of people or more than ready for apps that are built on new code base that takes better advantage of new developments in hardware, instead of the same old stuff. And with a Windows version on the...

3 weeks ago   read more
Re: New High End Competition for Photoshop
by Chris Pettit in the Adobe Creative Cloud: The Debate Forum
I wonder who they're referring to here?...

3 weeks ago   read more
Re: New High End Competition for Photoshop
by David Miller in the Adobe Creative Cloud: The Debate Forum
Just as a reminder....when I made my first posts on this site some months ago, I made mention of the new Affinity line of applications that were under development from the English company called Serif. Affinity Designer (a vector program which is meant to ultimately be a competitor with Illustrator)...

3 weeks ago   read more
Re: New High End Competition for Photoshop
by Ricardo Marty in the Adobe Creative Cloud: The Debate Forum
lets just pray that adobe wont purchase them. ricardo marty...

3 weeks ago   read more
Re: New High End Competition for Photoshop
by Chris Pettit in the Adobe Creative Cloud: The Debate Forum
[Jim Wiseman] "Affinity also has a Facebook page. One feature that jumped out was that Designer (Illustrator competitor) and Photo will share a common file format. Designer has been getting raves and high sales numbers on the Mac App Store. Affinity Photo beta was just released and is available for...

3 weeks ago   read more
Re: New High End Competition for Photoshop
by Chris Pettit in the Adobe Creative Cloud: The Debate Forum
One of many similar posts I've seen in the last 24 hours: "....After trying this for about two hours I have just been on to Adobe to cancel my creative cloud sub (they don't make it as bloody easy to cancel as signing up do they). I've been mainly using...

2 weeks ago   read more
Re: New High End Competition for Photoshop
by David Mathis in the Adobe Creative Cloud: The Debate Forum
As soon as Fusion makes its Mac debut, looking at it to replace both Photoshop and After Effects though Motion will still have its place. The best part? Even the free version of Fusion comes with a particle emitter. Particles are fun!...

2 weeks ago   read more
Re: New High End Competition for Photoshop
by Chris Pettit in the Adobe Creative Cloud: The Debate Forum
[David Mathis] " Even the free version of Fusion comes with a particle emitter. Particles are fun!" Don't get me going!:...

2 weeks ago   read more
Re: DaVinci Resolve Count Down Timer
by Juan Salvo in the DaVinci Resolve Forum
True, and you could make a grilled cheese with an iron... but is that really the best way to go about it? http://JuanSalvo.com http://theColourSpace.com...

5 months ago   read more
Re: Feature Suggestion: a 4th picture for scene cut detection
by jake blackstone in the DaVinci Resolve Forum
As I said, if BMD just slowed down a bit and instead of introducing 150 new editing features every year, just went over all main grading operations and cleaned up the buggy mess, Resolve would become a much better color grading platform. Improving or allowing custom mapping, simplifying the caching...

4 months ago   read more
The Question - An Update On My Choices In NLEs
by Franz Bieberkopf in the Apple FCPX or Not: The Debate Forum
There have been a few (very few) updates from some participants on where they stand on the "post-revolutionary" landscape and choosing the NLE that they work in. I thought I would add my own brief contribution (as I approach a thousand posts here in the forum). It's been over 5...

6 months ago   read more
Re: The Question - An Update On My Choices In NLEs
by David Mathis in the Apple FCPX or Not: The Debate Forum
After reading the original post, I agree with very much everything that was said. Was hoping that Resolve would be a serious contender but it still needs work. Have not yet tried Lightworks, been curious about it but don't know much about the software either. For now FCP X is...

6 months ago   read more
Re: The Question - An Update On My Choices In NLEs
by David Roth Weiss in the Apple FCPX or Not: The Debate Forum
[Steve Connor] "Isn't that (i.e. creative decision making and storytelling) the primary focus for ALL Editors?" Well, you would think so, but there are just as many technicians, finishing editors, news cutters, sports cutters, VFX and Mograph pros, etc., to whom the connotation of speed may mean many different things....

6 months ago   read more
Re: The Question - An Update On My Choices In NLEs
by Chris Harlan in the Apple FCPX or Not: The Debate Forum
I'm not quite sure I understand your question or questions. But, I--as many who work like me--wear many hats. Sometimes I'm sitting in someone else's chair, sometimes my own. Sometimes its my equipment, sometimes it belongs to them. Tape is no longer a de facto delivery format, and source files...

6 months ago   read more
Re: The Question - An Update On My Choices In NLEs
by Walter Soyka in the Apple FCPX or Not: The Debate Forum
ProRes is great, but if you got to wave a magic wand and choose a standard for our entire industry to use to store our moving images on disk, would you really pick a closed and largely platform-specific codec if there were a comparable and more open one available? Apple...

6 months ago   read more
Re: The Question - An Update On My Choices In NLEs
by Mark Raudonis in the Apple FCPX or Not: The Debate Forum
[Richard Herd] "Are they putting clauses in the contract that say: here is the footage. Deliver an Avid project file. I" Yes, that is EXACTLY what can happen. Look at some of the delivery requirements from just about any network, and you'll find that there are are specific references to...

6 months ago   read more
Re: The Question - An Update On My Choices In NLEs
by Walter Soyka in the Apple FCPX or Not: The Debate Forum
[Charlie Austin] "Scratch does pro Res now as well, but it's not cheap. They do have a subscription option though, or you can rent it for a single day if needed. :-)" I am aware [link] . For the unlicensed route, there's Miraizon and ffmpeg, too. But this is all...

6 months ago   read more
Re: The Question - An Update On My Choices In NLEs
by Charlie Austin in the Apple FCPX or Not: The Debate Forum
[Bill Davis] "Replace on Playhead. Frame Matchback. Dynamic Trimming. - I hear editors all the time who just will not give up on these and other items they love and depend on, and never consider that while these things have been crucial to effectiveness in traditional timeline editing, they might...

6 months ago   read more
Re: The Question - An Update On My Choices In NLEs
by Walter Soyka in the Apple FCPX or Not: The Debate Forum
FCP7 wasn't bad at animating stills because it was 32-bit. It was bad at animated stills because it was designed to edit video, not animate. For comparison, 32-bit Motion had no trouble at all animating stacks of stills (with effects & lighting) in real-time. Walter Soyka Designer & Mad Scientist...

6 months ago   read more
Re: BBC adopts FCP X for news editing!!!!!
by Craig Seeman in the Apple FCPX or Not: The Debate Forum
Aindreas broke down and bought a Creative Cloud subscription. Hell just froze over....

6 months ago   read more
Re: BBC adopts FCP X for news editing!!!!!
by Aindreas Gallagher in the Apple FCPX or Not: The Debate Forum
I'm actually in media city at the mo - I'll only say the obvious - engineering software decisions in the BBC aren't exactly monolithic, media city is going premiere, 99% of longform is staying avid, and a lot of people have been saying for a long time that X is...

6 months ago   read more
Re: BBC adopts FCP X for news editing
by Emmanuel Tenenbaum in the Apple FCPX or Not: The Debate Forum
Maybe we can finally change this obsolete forum category............. FCPX, point. Emmanuel Tenenbaum http://emmanueltenenbaum.com...

6 months ago   read more
Re: The Question - An Update On My Choices In NLEs
by Walter Soyka in the Apple FCPX or Not: The Debate Forum
[Jeremy Garchow] "I am now getting confused as to an "open" standard. " Fair! Maybe I'm not using the right language. I don't care if a standard is free (to implement or to use), but it should be documented, and where IP is concerned, it should be able to be...

6 months ago   read more
Re: BBC adopts FCP X for news editing!!!!!
by Craig Seeman in the Apple FCPX or Not: The Debate Forum
[Steve Connor] "Perhaps we should merge both the "or not" forums! Lively discussion on here, tumbleweeds over at the CC or Not forum," It's important to consider why (I suspect) this is happening here under BBC adopts FCPX. It's possible, over time, one may want to switch... and even switch...

6 months ago   read more
Re: The Question - An Update On My Choices In NLEs
by Walter Soyka in the Apple FCPX or Not: The Debate Forum
[Jeremy Garchow] "maybe we've beat this to death." That's kind of the thesis of the Jeremy and Walter Show, though, isn't it? Some of my favorite conversations here! [image] Maybe we misunderstand each other here? I like ProRes, I just think it would be even better if it weren't proprietary....

6 months ago   read more
Re: BBC adopts FCP X for news editing!!!!!
by Andrew Kimery in the Apple FCPX or Not: The Debate Forum
[James Ewart] "Did this new Adobe subscription model appear after the poorly managed FCPX launch? Was it a "play" to bury FCP do you think? "You've got to come over to us and then we are going to own you" kind of a deal?" The subscription option first appeared in...

6 months ago   read more
Re: BBC adopts FCP X for news editing!!!!!
by Aindreas Gallagher in the Apple FCPX or Not: The Debate Forum
[Craig Seeman] "Aindreas broke down and bought a Creative Cloud subscription. Hell just froze over. " ah Seeman - to be fair I was backed right into that on a manic morning. in a figurative trash dumpster with a credit card. Adobe are creating some excellent staged hop skip impediments...

6 months ago   read more
Re: adobe begins construction on the edit media deathstar
by Walter Soyka in the Apple FCPX or Not: The Debate Forum
[Helge Tjelta] "The Adobe Anywhere seems to me just like a bunch on internaly build "remote desktops". So there is no wonder this will work on a laptop. Nor am I impressed with 5K playback, thats because there is never a 5K playback going on localy at all... Basicly, if...

6 months ago   read more
CineForm and Adobe
by Franz Bieberkopf in the Apple FCPX or Not: The Debate Forum
... of interest to all those who ever asked the question about Adobe and a mezzanine codec. ... and of particular interest to Walter and Jeremy. http://provideocoalition.com/ryoung/story/adobe-video-fall-2014 Fall CC 2014 Preview (ProVideoCoalition) "Full encode/decode support for the GoPro CineForm codec offers users a cross-platform intermediate codec, with full support for...

6 months ago   read more
Connected clip features needed
by Oliver Peters in the Apple FCPX or Not: The Debate Forum
1. Tidy-up command. Especially for connected audio clips. Automatically snugs clips up into available empty space under the primary storyline. 2. Command to automatically move connection point of a connected clip from the start frame to the middle of primary storyline clip. Should be selectable for all clips or selected...

6 months ago   read more
Re: Apple Event Livestream is kind of a disaster
by Jason Jenkins in the Apple FCPX or Not: The Debate Forum
[Jeremy Garchow] "I'm sure it's 4 bit x2. Displays are full gamut sRGB, though! They also do 1080p60 regular motion. " I heard these cameras have built in phones! That's crazy! Jason Jenkins Flowmotion Media Video production... with style! Check out my Mormon.org profile....

6 months ago   read more
Re: Did anyone see the Moviola Webinar on Resolve 11
by Oliver Peters in the Apple FCPX or Not: The Debate Forum
Resolve 11 is very good. Great color corrector. Poor NLE. Editing tools are nice, but real-time performance is sub-standard. - Oliver Oliver Peters Post Production Services, LLC Orlando, FL www.oliverpeters.com...

6 months ago   read more
Re: Great demo of all new Premiere Pro features coming next month
by Devin Crane in the Apple FCPX or Not: The Debate Forum
Getting rid of the subscription would be nice....

6 months ago   read more
Re: Blackmagic acquires Fusion
by Walter Soyka in the Apple FCPX or Not: The Debate Forum
[Oliver Peters] "I wonder if we'll see a Mac version of Fusion by next year." That timeframe would be a sign of heavy BMD investment, as the Fusion UI is highly dependent on some very old Windows code. The Linux version of Fusion runs on top of WINE. A few...

6 months ago   read more
Re: Blackmagic acquires Fusion
by Walter Soyka in the Apple FCPX or Not: The Debate Forum
[David Mathis] "I would love to see how Adobe reacts as well. This could be the tip of the iceberg. Ya mean I don't need to subscribe to get high-end tools for my studio? :-)" Indeed -- but I do think that BMD's portfolio overlaps way more with Autodesk's M&E...

6 months ago   read more
Re: Apple drops ProApps from corporate definition
by Shawn Miller in the Apple FCPX or Not: The Debate Forum
[David Mathis] "I think what could be potentially disruptive to the pro market is if Blackmagic bundles Fusion with their cinema cameras and URSA cameras much like they do with Resolve and Ultrascope. Could a Lite version be in the works with free updates? That could change the landscape. What...

5 months ago   read more
Re: Apple's Corporate Definition Part Deux
by Tim Wilson in the Apple FCPX or Not: The Debate Forum
[Charlie Austin] [Quoting someone else] "Rather, I think Apple Watch is the first product from an Apple that has outgrown the computer industry. " Wow, I think that's way off. Apple dropped "Computer" from its company name in January 2007 . Was that guy not around for that? And by...

5 months ago   read more
Re: Apple's Corporate Definition Part Deux
by Tim Wilson in the Apple FCPX or Not: The Debate Forum
[Aindreas Gallagher] "Five thousand dollar gold watches in an apple store is just wrong. there's no way around it." I disagree completely. Does this Apple store look a place to buy a $5000 watch? In fact, it looks like the best place to buy a $5000 watch in the history...

5 months ago   read more
Re: Apple's Corporate Definition Part Deux
by Andrew Kimery in the Apple FCPX or Not: The Debate Forum
[Tim Wilson] "I disagree completely. Does this Apple store look a place to buy a $5000 watch? In fact, it looks like the best place to buy a $5000 watch in the history of the world. It's insanity NOT to sell $5000 watches there." Until you get inside and are...

5 months ago   read more
Re: Apple's Corporate Definition Part Deux
by Tim Wilson in the Apple FCPX or Not: The Debate Forum
The problem I see is that you guys are using one extreme to write off the absolute mainstream of the thing. Apple isn't building a business on $5000 watches. They're building a business on extending the iOS experience for less than the cost of a pair of Beats headphones. It's...

5 months ago   read more
Re: This time next year...
by Aindreas Gallagher in the Apple FCPX or Not: The Debate Forum
[Lance Bachelder] "feel young again - like the Viagra of NLE's..." first compelling argument I've heard in two years. http://vimeo.com/user1590967/videos www.ogallchoir.net promo producer/editor.grading/motion graphics...

5 months ago   read more
Re: FCP7 is dead. Why can't there be a new FCP7?
by Shane Ross in the Apple FCPX or Not: The Debate Forum
Can't help but notice that the OP has yet to come back and reply. Seems like a troll stirring the pot needlessly. Shane Little Frog Post Read my blog, Little Frog in High Def...

5 months ago   read more
Re: FCP7 is dead. Why can't there be a new FCP7?
by Herb Sevush in the Apple FCPX or Not: The Debate Forum
[Scott Witthaus] "Personally I don't want someone to re-make FCP7. It's old and dead. Having just done a little work on Premiere, that just confirms my thoughts." Nobody wants to remake FCP7. The idea would be to make FCP8. And while I've come to like Ppro very much, it is...

5 months ago   read more
Re: FCP7 is dead. Why can't there be a new FCP7?
by Andrew Kimery in the Apple FCPX or Not: The Debate Forum
[Bill Davis] "Funny how the Adobe Mission Statement also fails to contain any mention of video editing. Guess by your "mission statement metric" - video comes in at below the after through level for that organization as well?" Both Adobe and Avid make mention of media creation which editing is...

5 months ago   read more
Re: FCP7 is dead. Why can't there be a new FCP7?
by Jeremy Garchow in the Apple FCPX or Not: The Debate Forum
[Charlie Austin] "NOOOOOOO!!!!" Obviously you meant:...

5 months ago   read more
Re: 10 Things Steve Martin wants in FCP X
by Aindreas Gallagher in the Apple FCPX or Not: The Debate Forum
I think the average editor would instinctively barf at the sight of fusion. It's a bit of an unskinned pitbull really. not quite nuke horrors but still.. [David Mathis] "I wonder if this is partly a response to Blackmagic Design acquiring Fusion by any chance" i think the adobe team...

5 months ago   read more
Re: 10 Things Steve Martin wants in FCP X
by Andrew Kimery in the Apple FCPX or Not: The Debate Forum
[Bill Davis] "Which of the major practical functions which are baked into the DNA of X (that I mentioned by specific description) do YOU think is worth trading away to get "better key framing" or one of the other elements mentioned in this thread? Is Import from iMovie baked into...

5 months ago   read more
Re: 10 Things Steve Martin wants in FCP X
by Dennis Radeke in the Apple FCPX or Not: The Debate Forum
[Bill Davis] " Talking points in Adobe demo's would be my guess?" Fanciful supposition(!) but in truth Adobe focuses on presenting what we are doing for our customers based on constant feedback from said customers as well as observations on trends, new technology, emerging workflows, etc....

5 months ago   read more
Re: 10 Things Steve Martin wants in FCP X
by Walter Soyka in the Apple FCPX or Not: The Debate Forum
[Bill Davis] "Well, except for the little "monthly rental ONLY for rest of your career - and don't dare fail to pay or you're cut off from all your work product unless you're a photographer" thing. I think it's pretty fair to point out they're kinda having a bit of...

5 months ago   read more
Re: 10 Things Steve Martin wants in FCP X
by Walter Soyka in the Apple FCPX or Not: The Debate Forum
[Bill Davis] "2. A range based key wording system. Markers in Premiere/Prelude can be named and can extend for arbitrary lengths of time. [Bill Davis] "1. An integrated database." All NLEs are databases... but announced for the next release of Premiere Pro CC 2014 at IBC, a couple of features...

5 months ago   read more
Re: 10 Things Steve Martin wants in FCP X
by Richard Herd in the Apple FCPX or Not: The Debate Forum
[Dennis Radeke] "Premiere Pro gets an "A"." A for Adobe! And also Dynamic Link: Audition, After Effects, Photoshop, Illustrator, Speed Grade, and Media Encoder are simply an amazing suite. Just screened a 5 minute video for a non-profit addiction recovery facility, and the client and agency sat in for the...

5 months ago   read more
Re: Cutting a major Hollywood Feature on FCPX
by Bill Davis in the Apple FCPX or Not: The Debate Forum
It's been all over the major FCP X sites for the past week. As much as I love the debate here,, this forum has a bit of a reputation for trashing X, so the eyeballs of the active FCP X user community have largely moved elsewhere. Multiple front page stories...

5 months ago   read more
Re: Cutting a major Hollywood Feature on FCPX
by Neil Goodman in the Apple FCPX or Not: The Debate Forum
Its been said here a bunch of times that FCPX is great for front end - AE type of work. Dailies, organizing, conforming, etc. No ones argues that and this video solidifies it in the motion picture world. Thats great I want to know how the timeline helped make the...

5 months ago   read more
Re: Cutting a major Hollywood Feature on FCPX
by Oliver Peters in the Apple FCPX or Not: The Debate Forum
There are a zillion different ways that editors and directors approach the workflow of cutting a feature film. Some editors do extensive temp mixes, while others keep the timeline very sparse. Some rely on tools like ScriptSync and others never touch them. Some feature films could and are cut on...

5 months ago   read more
Re: Cutting a major Hollywood Feature on FCPX
by Gary Huff in the Apple FCPX or Not: The Debate Forum
[Bill Davis] "As much as I love the debate here,, this forum has a bit of a reputation for trashing X, so the eyeballs of the active FCP X user community have largely moved elsewhere." Hey Bill, 2011 called, it wants its putdowns back....

5 months ago   read more
Re: Cutting a major Hollywood Feature on FCPX
by Walter Soyka in the Apple FCPX or Not: The Debate Forum
[Bill Davis] "Fair is fair. And if OR NOT means Adobe discussions in X forums, then OR NOT kinda has to suppose that X discussions in Adobe Forums are fair too." It's not like it's against the rules to post about "Or Not" software in the CC Debate forum. It's...

5 months ago   read more
Re: All about precision. PPro Gone Girl promo with a flash frame
by Daniel Frome in the Apple FCPX or Not: The Debate Forum
That isn't a Ppro issue. That's an editor issue....

5 months ago   read more
Re: All about precision. PPro Gone Girl promo with a flash frame
by Shane Ross in the Apple FCPX or Not: The Debate Forum
And producer issue...and online issue...for no one seeing that. Shane Little Frog Post Read my blog, Little Frog in High Def...

5 months ago   read more
Re: And the first major Hollywood feature to be edited in FCPX and released is...
by Oliver Peters in the Apple FCPX or Not: The Debate Forum
I think the point that FCP X's use is interesting for the workflow is very valid. However, I think it's wrong to set up Premiere as the choice because it's close to what came before. The reason Premiere Pro made the cut for "Gone Girl" was largely because of its...

5 months ago   read more
Re: All about precision. PPro Gone Girl promo with a flash frame
by Andrew Kimery in the Apple FCPX or Not: The Debate Forum
How strange that someone from a company that makes an NLE would keep an eye on a forum where people discuss NLEs......

5 months ago   read more
Re: TED Goes FCPX
by Walter Soyka in the Apple FCPX or Not: The Debate Forum
[Robin S. Kurz] "Never mind that I consider myself a "senior editor", just not that kind. I can differentiate." Robin, I read a lot of your posts here and know you to be a very smart and sincerely helpful person -- very giving of your time, and a real asset...

5 months ago   read more
Re: And the first major Hollywood feature to be edited in FCPX and released is...
by Dennis Radeke in the Apple FCPX or Not: The Debate Forum
[Robin S. Kurz] "Need I go through the list from ADOBE and AVID, so as to put yours to shame?" While certainly a bit off topic, I'd like to see the list you have with regards to video centric products from Adobe....

4 months ago   read more
Re: Houston We Have A Problem
by Chris Harlan in the Apple FCPX or Not: The Debate Forum
Yeah, see--I need an OS that goes to 11. Drumroll. Crickets....

4 months ago   read more
Re: Houston We Have A Problem
by Oliver Peters in the Apple FCPX or Not: The Debate Forum
[Charlie Austin] "Well, there's your problem. lol I can't remember the last time I did a clean install. I think if you have a decent ongoing maintenance regimen you don't really need to." I disagree. I used to feel that way, too, but since have been burned. I feel that...

4 months ago   read more
Time and Change
by Franz Bieberkopf in the Apple FCPX or Not: The Debate Forum
I've arrived somehow, somewhere over 3 years, at 1000 posts. It might be time to retire. I had intended to put together something of a "best-of" to mark the occasion, but as I have neither the time nor the coherent strategy to do so, I'll use the opportunity to thank...

4 months ago   read more
Re: Time and Change
by David Lawrence in the Apple FCPX or Not: The Debate Forum
Franz, I think you're one of the most well-considered, articulate and thought provoking voices in this forum. I've enjoyed your posts immensely and learned a lot from them. Thank you. I hope even if you don't post as often in the future, you'll continue to pop in every now and...

4 months ago   read more
Re: Time and Change
by Aindreas Gallagher in the Apple FCPX or Not: The Debate Forum
easily the most peculiarly interesting person to have posted here as long as I've been around anyway. the fact that he's a left wing weimar fictional thief scrabbling desperately across Alexanderplatz notwithstanding. great posts. http://vimeo.com/user1590967/videos www.ogallchoir.net promo producer/editor.grading/motion graphics...

4 months ago   read more
Re: Time and Change
by Jeremy Garchow in the Apple FCPX or Not: The Debate Forum
I don't know what you're retiring from Franz, but I certainly hope it's not the COW! I value your time as well as the attention you pay to language choice and diction. I also admire your near historical curation of topics and posts as they relate to the most recent...

4 months ago   read more
Re: Red Giant Offload
by Oliver Peters in the Apple FCPX or Not: The Debate Forum
The point of it is more for location work than for FCP users. But, I like to manage and control my media outside of the NLE. So, I definitely would use it long before I would do camera archives inside FCP X. That's an inherently closed system. As for PProCC...

4 months ago   read more
Re: A Sneaky Feeling...
by Walter Soyka in the Apple FCPX or Not: The Debate Forum
[Robin S. Kurz] "Good point. If it weren't for the constant massive delays on Intel's side, I'm sure the Mac Pros (i.e. Apple) would certainly already have widened the gap to the iMacs. Not something Apple has any influence over. " If Apple truly wanted a wide performance gap between...

4 months ago   read more
Re: FCPX vs PPro CC
by Dennis Radeke in the Apple FCPX or Not: The Debate Forum
[Ronny Courtens] "As a professional you seriously test the different options yourself and then you decide what works best for your particular workflow. You also should test Avid, which is still an industry standard." This right here is the best advice you can receive. You need to determine what works...

4 months ago   read more
Re: FCPX vs PPro CC
by Dennis Radeke in the Apple FCPX or Not: The Debate Forum
Oi vey... anthropomorphic subjective...

4 months ago   read more
Re: FCPX vs PPro CC
by Andrew Kimery in the Apple FCPX or Not: The Debate Forum
[Steve Connor] "Or just date both" Date both? I didn't take you for a godless heathen, polygamist, Steve. ;) If people start dating both then what are the "one daters" supposed to do with all the straw man arguments, false dichotomies and confirmation bias they've stockpiled over the years? Won't...

4 months ago   read more
Re: FCPX vs PPro CC
by Tim Wilson in the Apple FCPX or Not: The Debate Forum
[Bill Davis] "perhaps a haiku" The debate rages Albeit with some less rage Beyde zayn nitslekh Oi gevalt, nu? Mishegoss iz meshuggah Gei ga zinta hait...

4 months ago   read more
Wow, Honda, wow. Really cool use of X.
by Bill Davis in the Apple FCPX or Not: The Debate Forum
Thomas Grove Carter who apparently edited this for Honda on X just posted it in another group. Talk about adapting editing to the new web delivery realities brilliantly. Here's a quote. "Fcpx was a dream to cut this with. Such a fantastic tool which benefited me in so many ways...

4 months ago   read more
Re: The Honda Ad Timeline
by Thomas Carter in the Apple FCPX or Not: The Debate Forum
I'm here I'd anyone wants to ask or snipe away!...

4 months ago   read more
Old dogs new tricks
by Oliver Peters in the Apple FCPX or Not: The Debate Forum
This topic crops up from time to time in this forum and it did again in the “Honda” thread. It seems like a separate thread would be better than hijacking one. James brought up the concern about job security and that caused folks to trot out the tired comments about...

4 months ago   read more
Re: Eyeon Fusion now Black Magic Fusion 7.5 is out, FREE !!!!
by Simon Ubsdell in the Apple FCPX or Not: The Debate Forum
Said Grant Petty, Blackmagic Design CEO : “Now, with the free version of Fusion, everyone from individual artists to the biggest studios can create Hollywood caliber visual effects and motion graphics!" That's so true. All you need is access to free software and you're instantly a Hollywood standard visual effects...

4 months ago   read more
Re: Old dogs new tricks
by Walter Soyka in the Apple FCPX or Not: The Debate Forum
[Robin S. Kurz] "I'm sorry, but to say that an NLE that only NOW is starting to support things like 4K and resolution independence (yes, Avid) and has only very recently become 64bit when the others have had both for several years, is equally advanced? Not to mention the months...

4 months ago   read more
Re: Eyeon Fusion now Black Magic Fusion 7.5 is out, light version free, No OSX
by Simon Ubsdell in the Apple FCPX or Not: The Debate Forum
[Michael Gissing] "Will I be a Hollywood grade VFX artist by the weeks end? Hardly expect the tools to make up for experience and skill but thank you Blackmagic for making it easier to expand my toolset and skills." If Mr Petty were to buy ProTools and release it for...

4 months ago   read more
Re: Eyeon Fusion now Black Magic Fusion 7.5 is out, light version free, No OSX
by Michael Gissing in the Apple FCPX or Not: The Debate Forum
I totally understand your point. My whole career has been based on getting results from tools like Fairlight FCP Suite and now Resolve. Frankly I dont really care if powerful tools are cheap enough that there is a greater access and democratisation because that doesnt impact on any advantage I...

4 months ago   read more
Re: Eyeon Fusion now Black Magic Fusion 7.5 is out, light version free, No OSX
by Simon Ubsdell in the Apple FCPX or Not: The Debate Forum
[Michael Gissing] "Frankly I dont really care if powerful tools are cheap enough that there is a greater access and democratisation because that doesnt impact on any advantage I may have from 30 years of experience on previous more expensive tools." I think that was really my point, not so...

4 months ago   read more
Re: Eyeon Fusion now Black Magic Fusion 7.5 is out, light version free, No OSX
by Walter Soyka in the Apple FCPX or Not: The Debate Forum
[Robin S. Kurz] " Can't see using it for motion graphics, since that's certainly not one of it's strengths in comparison to others imho." Here's a bunch of motion graphics work that the Fusion community put together, counting down the days to the Fusion 7 preview webinar last year. These...

4 months ago   read more
Re: Old dogs new tricks
by Jeremy Garchow in the Apple FCPX or Not: The Debate Forum
[Walter Soyka] "I just chafe a bit at the sentiment so often expressed here that FCP X is the NLE of Destiny and that using any other is a poor choice." I don't like that sentiment either, and I'm a person who likes what X has to offer. I know...

4 months ago   read more
Re: FCPX: A Lesson in Language
by Shane Ross in the Apple FCPX or Not: The Debate Forum
One of my favorite bits of script writing lately...from the show SLEEPY HOLLOW: Ichabod: Do you know that in my day, the word "awful" meant awe inspiring And the the term "intercourse" meant conversation? Abbie: So if I went out with a guy and we had 'awful intercourse,' we'd be...

4 months ago   read more
Re: FCPX: A Lesson in Language
by Michael Gissing in the Apple FCPX or Not: The Debate Forum
I used to tease my father by saying the sure sign of getting old was complaining that language was deteriorating not evolving. To counter he would point out that forced change, common in advertising and politics was designed to obfuscate and was not evolution but subversive and undesirable. He had...

4 months ago   read more
Re: Old dogs new tricks
by Walter Soyka in the Apple FCPX or Not: The Debate Forum
[Robin S. Kurz] "Hear hear. No idea why simply expressing a personal preference and maybe a different view or experience on matters put to discussion (or NOT I guess??) is axiomatically interpreted as an attack on any and every personal preference, view or experience someone else may have. Interpreted to...

3 months ago   read more
LG Thunderbolt Monitor 21:9 UHD
by Keith Koby in the Apple FCPX or Not: The Debate Forum
So we got a couple of these new(ish) (I think they've been out for a few months) LG thunderbolt monitors. In light of the iMac 5k and no apple retina alternative for the nMP, I thought I'd post some thoughts on the LG. Here's a link to BH's page for...

3 months ago   read more
FCPX on 5K iMac
by Steve Connor in the Apple FCPX or Not: The Debate Forum
Spent the day editing on FCP X at a clients office on their new 5K iMac. (Yes I have Clients that use FCPX!) Very VERY impressed with the speed of FCP X, Zero interface lag, fast renders and that screen!!! It's convinced me to get one instead of the new...

3 months ago   read more
FCPX Dogs, New Names
by Tim Wilson in the Apple FCPX or Not: The Debate Forum
Before I get properly started, my apologies for the delay replying to the fun started on Old Dogs thread . Other parts of my job intervened, but I'm back to the fray. I've also been thinking a lot about this. Here's where I'm at right now. I've said from the...

3 months ago   read more
Re: Mark Sanger (Oscar Winner for Editing - Gravity) Avid vs FCPX
by Tim Wilson in the Apple FCPX or Not: The Debate Forum
Talking about conservatism in contexts like this is the ultimate straw man argument. There's not one person in this forum who was looking for a new NLE in April 2011. Not one. Or if there is, you haven't spoken up until now. If you COULD have stayed with a less...

3 months ago   read more
Re: Mark Sanger (Oscar Winner for Editing - Gravity) Avid vs FCPX
by Shane Ross in the Apple FCPX or Not: The Debate Forum
Sorry...he's spot on. On big budget shows, you need a proven tool that works. Most people don't want something that's very new to the field, that doesn't have a solid workflow in place yet. There are a few that are pioneers, and they didn't go into things without issues. When...

3 months ago   read more
Re: FCPX: A Lesson in Language
by Herb Sevush in the Apple FCPX or Not: The Debate Forum
[Bill Davis] "Well, so I guess when a single company actually creates something that works functionally differently from the original, they just have to keep using the same terminology?" Apple can call a color with zero luminance "white" and I'm sure you would be able to justify it. They can...

3 months ago   read more
Re: Before I buy.....
by Robin S. Kurz in the Apple FCPX or Not: The Debate Forum
I personally still preach the "never edit from the boot disk" mantra daily. For me it also never had anything to do with access speeds or the likes, at least not first and foremost. But rather due to the fact that if IT goes, it ALL goes. IOW if your...

3 months ago   read more
Re: Fcp X 10.1.4
by Jeremy Garchow in the Apple FCPX or Not: The Debate Forum
[Oliver Peters] " thing this does is improve the interoperability between FCP X and broadcast/post SANs and servers, such as Avid Isis. " Absolutely. This finally legitimizes MXF on the Apple platform. MXF4Mac has worked for a really long time, and worked really well. But now that AV Foundation seems...

3 months ago   read more
Re: Avid to relist on NASDAQ
by Tim Wilson in the Apple FCPX or Not: The Debate Forum
[Shane Ross] "...and who seem giddy when things go bad for them..." Apple FCPX or Not: The Schadenfreude....

3 months ago   read more
Re: Someone give me quaintifiable evidence of FCPX market penetration. Features. Industrials. Commercials. Weddings. Where?
by Jeremy Garchow in the Apple FCPX or Not: The Debate Forum
And apparently, I really, like the overuse, of the comma. It's highly, satisfying....

3 months ago   read more
Re: This is when it all changed ...
by Tim Wilson in the Apple FCPX or Not: The Debate Forum
[Walter Soyka] "Carlyle holds The Foundry in an investment fund...(in this case, 75 million euros to 200 million euros)...." Not euros. POUNDS. [Craig RussillRoy] "expects to realise £200m from the sale....Carlyle Group is said to want to realise its investment of the company, which employs 270" Keep an eye on...

2 months ago   read more
Re: This is when it all changed ...
by Walter Soyka in the Apple FCPX or Not: The Debate Forum
[Tim Wilson] "That's exactly my point. There are millions of people who know the actual answer to this, rather than my armchair observations, but it seeeeeems to me that a large part of the use of After Effects in mainstream movie and vfx-ish tv making ends with a handoff to...

2 months ago   read more
Re: This is when it all changed ...
by Walter Soyka in the Apple FCPX or Not: The Debate Forum
[Oliver Peters] "I think also nodes works best on a single-shot basis, while layers works best for a timeline of several shots back-to-back. That's evident by some of Stu Maschwitz's DV Rebel and ProLost posts about doing complete show grading in AE." Yes indeed! Why? Because the structure of the...

2 months ago   read more
Re: Evidently, some of this is quantified.
by Chris Pettit in the Apple FCPX or Not: The Debate Forum
[Dennis Radeke] "You're one of the few guys that still bangs on this drum quite a bit." Hi Dennis. I'm not sure that's the case. For every person who is "banging drums" (I'm a confessed drum banger) there are many more that are simply voting with their purchases. As an...

2 months ago   read more
Re: Evidently, some of this is quantified.
by Jeremy Garchow in the Apple FCPX or Not: The Debate Forum
I don't know if you are directly calling differing points of view on this forum inapt, sir, or insinuating we are not capable of making adult decisions? If so, that is pretty out of character and I'm not sure if I like the new Tim. It has been said that...

2 months ago   read more
Re: RedShark News: Opinion: Which are the best NLEs right now?
by Herb Sevush in the Apple FCPX or Not: The Debate Forum
[John Rofrano] " Editors who resist the magnetic timeline need to rethink about what they are doing when they edit." Actually, it's quite the reverse. Editors who resist the magnetic timeline don't have to rethink what they are doing, which is half the story. [John Rofrano] "They are telling a...

2 months ago   read more
Re: RedShark News: Opinion: Which are the best NLEs right now?
by Michael Gissing in the Apple FCPX or Not: The Debate Forum
[John Rofrano] " What's a track? There are no "tracks" in real life." When audio DAWs were being created (last century) I was invited to a meeting at Fairlight where they unveiled their first attempt at a DAW following on from their CMI (Computer Musical Instrument). Asked for an opinion...

2 months ago   read more
Re: RedShark News: Opinion: Which are the best NLEs right now?
by Michael Gissing in the Apple FCPX or Not: The Debate Forum
[John Rofrano] " What's a track? There are no "tracks" in real life." Actually John, it might be easier to ask where in life there aren't tracks. I see tracks everywhere from roads to the worn paths across the paddock that the cows make to the watering trough. The way...

2 months ago   read more
Re: RedShark News: Opinion: Which are the best NLEs right now?
by Charlie Austin in the Apple FCPX or Not: The Debate Forum
[Steve Connor] "I absolutely do NOT buy in to the idea that tracks in NLEs "get in the way" of storytelling or the editing process in general, it's just a different way of working." With you 100%. X isn't really a "new paradigm". You still edit just like you always...

2 months ago   read more
Re: RedShark News: Opinion: Which are the best NLEs right now?
by Walter Soyka in the Apple FCPX or Not: The Debate Forum
[Bill Davis] "Thanks for posting the entire quote in context. That I missed a single post in 2011 SHOCKS me. Clearly this is evidence of widespread "dinosaur bashing" (not) ... That one use must have STUNG some folks so hard that it became a persistent meme." I have probably contributed...

2 months ago   read more
Re: Apple has lost the functional high ground
by Walter Soyka in the Apple FCPX or Not: The Debate Forum
I feel very strongly that this is true: "The problem seems to be quite simple: they’re doing too much, with unrealistic deadlines. We don’t need major OS releases every year. We don’t need each OS release to have a huge list of new features. We need our computers, phones, and...

2 months ago   read more
Re: Apple has lost the functional high ground
by Shane Ross in the Apple FCPX or Not: The Debate Forum
This is true of any software. We ALL want the software to be made stable before new features are released. WE have this talk all the time about NLEs too. We want Avid/FCP/Adobe current feature set to be trouble free, BEFORE we add new ones. Adding new onto the troubled...

2 months ago   read more
Re: Apple has lost the functional high ground
by Phil Hoppes in the Apple FCPX or Not: The Debate Forum
While I would agree that Tim clearly does not have the same focus that Steve had I think it is too soon to tell who's management style succeeds. I worked with Apple a number of years ago as a supply vendor when Steve was there and while I do respect...

2 months ago   read more
Re: What to DO??? FCP, Premiere, still mad after all these years
by Tim Wilson in the Apple FCPX or Not: The Debate Forum
[Scott Witthaus] "ummm...it's an FCPX forum, right?" Ah, and so much more! The thread itself is a broader inquiry into what Laurie should consider add her next step. This is the most appropriate forum to ask that question. Me, I think Steve's point is well taken. Some vigorous opinions to...

2 months ago   read more
Re: What to DO??? FCP, Premiere, still mad after all these years
by Steve Connor in the Apple FCPX or Not: The Debate Forum
[Scott Witthaus] "ummm...it's an FCPX forum, right? " ....or not :)...

2 months ago   read more
Re: What to DO??? FCP, Premiere, still mad after all these years
by Steve Connor in the Apple FCPX or Not: The Debate Forum
[Scott Witthaus] "Agreed, and a good reason for "the forum name change"! :-) " Perhaps we could start a new forum to discuss the name change "FCPX or Not - or not!"...

2 months ago   read more
Re: What to DO??? FCP, Premiere, still mad after all these years
by Andrew Kimery in the Apple FCPX or Not: The Debate Forum
[Steve Connor] "Perhaps we could start a new forum to discuss the name change "FCPX or Not - or not!"" I feel like we are heading towards a Monty Python skit....

2 months ago   read more
Re: OT: Fusion Studio
by Walter Soyka in the Apple FCPX or Not: The Debate Forum
Honestly, I think that Fusion's learning curve will be a turnoff for a lot of people accustomed to the intuitiveness of FCP X and the high-floor/low-ceiling of Motion. One of the comments we see over and over here (which I will attempt to paraphrase here without comment) is that Apple...

1 month ago   read more
Re: OT: Fusion Studio
by Walter Soyka in the Apple FCPX or Not: The Debate Forum
[Eric Santiago] "To me, FCPX as the an editorial tool requires it to be simple. But when it comes to intricate compositing and grading, then apps such as Fusion and Resolve are welcome in my workflow since Ive had the experience with both and all the other head hurting apps...

1 month ago   read more
Re: Grumpy times over on the Cows Creative Cloud or Not board...
by Bob Woodhead in the Apple FCPX or Not: The Debate Forum
Why is it that this forum (and techniques) seem to be far more active than the others? Could it be that we're done editing sooner, and thus have more time to post?...

1 month ago   read more
Re: Grumpy times over on the Cows Creative Cloud or Not board...
by Herb Sevush in the Apple FCPX or Not: The Debate Forum
[Bob Woodhead] "Could it be that we're done editing sooner, and thus have more time to post?" Or that your underemployed and have more time to post? Herb Sevush Zebra Productions --------------------------- nothin' attached to nothin' "Deciding the spine is the process of editing" F. Bieberkopf...

1 month ago   read more
Re: Grumpy times over on the Cows Creative Cloud or Not board...
by David Mathis in the Apple FCPX or Not: The Debate Forum
Surely, you must be kidding? I thought it was civilized in here, no pitch forks or flaming torch. By the way did not call you Shirley! ;-) I had to throw an Airplane reference in there....

1 month ago   read more
Re: 3.5 year old blog post still relevant
by Walter Soyka in the Apple FCPX or Not: The Debate Forum
[David Mathis] "Introduce an Apple Cinema Camera with FCP X and Motion for free? ;-)" Where would the market go from there? BMD would have to slash their prices and pay you cash money to download Resolve/Fusion, just to stay competitive. Walter Soyka Designer & Mad Scientist at Keen Live...

1 month ago   read more
Tracks are Indispensable.
by Charlie Austin in the Apple FCPX or Not: The Debate Forum
I take it all back. Tracks are great! I love them. ------------------------------------------------------------- ~ My FCPX Babbling blog ~ ~"It is a poor craftsman who blames his tools."~ ~"The function you just attempted is not yet implemented"~...

1 month ago   read more
Re: Tracks are annoying as hell...
by Steve Connor in the Apple FCPX or Not: The Debate Forum
Good grief, how DID we all cope before FCPX came along!...

1 month ago   read more
Re: FCPX offers what advantages over Premiere?
by tony west in the Apple FCPX or Not: The Debate Forum
This is a good thread to show how many things Prp has copied from X A tip of the hat should go to X for that for starters. The connected clip structure of the X TL lets me move huge chunks of the story without even selecting them. In a...

1 month ago   read more
Re: Enlighten me on why Motion is better than After Effects or not
by Shawn Miller in the Apple FCPX or Not: The Debate Forum
I can't speak to Motion's strengths or weaknesses. But here's why I think AE rules the roost as a hybrid motion graphics/VFX/finishing tool. The AE community - Ae has a deep bench of smart, dedicated users who have built a knowledge base and a culture which makes it easy for...

1 month ago   read more
Re: Dynamic Trimming in X
by Jeremy Garchow in the Apple FCPX or Not: The Debate Forum
[Richard Herd] "But I need to see the tail and the head."...

1 month ago   read more
Re: Enlighten me on why Motion is better than After Effects or not
by Walter Soyka in the Apple FCPX or Not: The Debate Forum
[Herb Sevush] "To me Motion is an "editors" tool and AE is an "EFX/Compositors" tool." There's a lot to this statement. I've referred to Motion countless times here as offering a high floor and a low ceiling, whereas Ae has a low floor and a high ceiling. I think Herb...

4 weeks ago   read more
Re: The Next FCPX Update
by Tim Wilson in the Apple FCPX or Not: The Debate Forum
[Chris Frantz] "This will be one of the features that people will defend Apple not implementing until they do, and then championing it soon afterwards. " See also: A compressed proprietary codec that offers workflow advantages, especially over camera codecs. "Avid DNxHD? Makes no sense!" Then four years later, "PRORES...

4 weeks ago   read more
Re: The Next FCPX Update
by Walter Soyka in the Apple FCPX or Not: The Debate Forum
[Bill Davis] "And i believe the handwriting is on the wall for that way of "scarcity thinking" of digital assets." I keep trying to pass this off as Soyka's Law: "Expectations rise at the same rate as capabilities." Maybe someday it will catch on! Walter Soyka Designer & Mad Scientist...

4 weeks ago   read more
FCP X media tracking
by Oliver Peters in the Apple FCPX or Not: The Debate Forum
In case people haven't encountered it yet, FCP X (10.1 and later) is extraordinarily good about keeping track of external media. If you change externally-linked media file locations at the Finder level - including moving files to other folders or renaming host folders - FCP X is able to track...

4 weeks ago   read more
iBook on the FOCUS FCP X workflow.
by Bill Davis in the Apple FCPX or Not: The Debate Forum
On another thread someone asked me if were any articles on the FCP X workflow 1st AE Mike Matzdorff used for the about to be released Will Smith movie FOCUS that I could link for them. I emailed Mike yesterday and got a response indicating that the iBook will be...

3 weeks ago   read more
Re: Apple Photos
by Aindreas Gallagher in the Apple FCPX or Not: The Debate Forum
it has excellent sliders that provide group control over multiple adjustment parameters, with the ability to drill down and fine tune. It's not hard to imagine certain similar assistance in X with group detection. detecting primary and b-roll and that. Could prove very handy. professional editing is likely in safe...

3 weeks ago   read more
6hrs into first major FCPX project
by Tom Sefton in the Apple FCPX or Not: The Debate Forum
Got some training from Noah and Sam at FCPworks before embarking on a 10 week 4K 3D project in FCPX. I'd previously tried to make the workflow split between Adobe and Resolve for delivery. Just started editing 1 days worth of footage, which includes 2 streams of 4K red footage...

3 weeks ago   read more
Re: 6hrs into first major FCPX project
by Jeremy Garchow in the Apple FCPX or Not: The Debate Forum
Less Jaded. That used to be my radio name....

3 weeks ago   read more
Re: Looks brilliant
by Herb Sevush in the Apple FCPX or Not: The Debate Forum
I guess I shouldn't focus on the irony that a video about the art of editing contains no editing whatsoever, but is instead a lovely piece of graphic and audio design. Herb Sevush Zebra Productions --------------------------- nothin' attached to nothin' "Deciding the spine is the process of editing" F. Bieberkopf...

2 weeks ago   read more
Re: Serious X Editors needed in LA.
by Shane Ross in the Apple FCPX or Not: The Debate Forum
[Andrew Kimery] "What are the serious operations in LA? " FCPWORKS is...apparently. And they, according to Sam, are getting requests from people for broadcast/film professionals that use FCX. But so far that's the only place I've seen looking. Not to say that I haven't seen people looking for FCX editors,...

2 weeks ago   read more
Re: You wanted Color Wheels?
by Oliver Peters in the Apple FCPX or Not: The Debate Forum
I get what you are saying about Resolve, but I think it's an unfair and unrealistic comparison. Most editors, let alone FCP X editors, have no interest in using Resolve, nor have much of a clue as to how to use it once they open it up. The same was...

2 days ago   read more
Re: You wanted Color Wheels?
by Brett Sherman in the Apple FCPX or Not: The Debate Forum
[Oliver Peters] "Most editors, let alone FCP X editors, have no interest in using Resolve, nor have much of a clue as to how to use it once they open it up." Sure there are those who wouldn't have a clue as to how to use it. There are others...

2 days ago   read more
Re: In-Action Story on FCPX and Focus
by Oliver Peters in the Apple FCPX or Not: The Debate Forum
A nice article, but a HUGE puff piece. For all the discussion about a faster edit, the editing took 11 months. While that's not uncommon for a studio feature - and is likely due to all sort of things, but not due to the choice of editing systems - it...

2 days ago   read more
Re: In-Action Story on FCPX and Focus
by Simon Ubsdell in the Apple FCPX or Not: The Debate Forum
This was not really an observation about FCP X so much as an observation about this project. The directors didn't feel that an experienced feature film editor would have anything useful to offer. That's a bit surprising. Equally they didn't feel that an experienced titles designer could bring anything of...

1 day ago   read more

COW Tags

#postchat
/WildChild/
1 Beyond
1000Volt
1080dots
123creative.com
2G Digital
2K
2nd Screen Society
2wcom
32TEN Studios
3ality Digital
3D
3D phone
3D-CON
3DiVi
3ivx Technologies
3net
424 Post
4:2:2
4:4:4
4K
4K London
5D Institute
7thSense
8K
99 Tigers
@radical.media
A Common Thread
A E Networks
a White Label product
A&E Networks
A-List Awards
a52
Aaton
AB-HDRF
ABC
ABC Family
ABC News
Abel Cine Tech
AbelCine
Absolute
Academy Award
Academy of Motion Picture Arts and Sciences
Accomplice Media
Accusys Inc
ACE
ACE Eddie Awards
ACNE
Acorn TV
Actifio
Active Storage
Actua Films
Actus Digital
ad creation
Adder Technology
Addy Award
Adobe
Adobe After Effects
Adobe Anywhere
Adobe Audition
Adobe Auditude
Adobe CC
Adobe Creative Cloud
Adobe Creative Suite 6
Adobe CS5
Adobe CS6 Production Premium
Adobe Director
Adobe Dreamweaver
Adobe Edge
Adobe Encore
Adobe Flash
Adobe Foundation
Adobe Foundation Creativity Scholarships
Adobe Illustrator
Adobe InDesign
Adobe Lightroom
Adobe MAX
Adobe Muse
Adobe OnLocation
Adobe Pass
Adobe Photoshop
Adobe Premiere Elements
Adobe Premiere Pro
Adobe Soundbooth
Adobe Story
Adobe Touch Apps
Adobe Ultra
Adobe Youth Voices
Adorama
Adtec Digital
Advanced Broadcast Solutions
Advanced Digital Services
advanced fiber products
Advanced Media Workflow Association
Advanced Systems Group
Advanced Television Broadcasting Alliance
Advantage Video Systems
Advertising
Aéro Film
AES Convention
AFI
AFI FEST
Aframe
AG-3DA1
AG-AC8PJ
AGELEC AGCWall
Agilent Technologies
Ah2 Music
AICE
AICP
AJA CION
AJA Control Room
AJA Corvid 88
AJA Corvid Ultra
AJA FS1-X
AJA Hi5-3D Mini-Converter
AJA Io XT
AJA Ki Pro
AJA Ki Pro Mini
AJA Ki Pro Quad
AJA Ki Pro Rack
AJA KONA
AJA KUMO 3232
AJA Mini-Converter
AJA T-TAP™
AJA Video Systems
AK-HC3800
Akama
Alembic
Alexa
ALEXA Fiber Remote Option
ALEXA High Speed mode
Alfacam
Alioscopy
Alive & Well
ALKEMY X
Allegorithmic
Allied Fiber
Allinea
ALMA MATER
Alpha Dogs
AlphaDogs
ALT Systems
Altera
Amazon Instant Video
Amazon Studios
Amazon Web Service
Amberfin
AMC
AMD
AMD FirePro V5900
AMD FirePro V7900
AMD FirePro™ SDI-Link
AMD FirePro™ V4900
Amedia
American Cinema Editors (ACE)
American Film Institute
American Society of Cinematographers
American Zoetrope
AMIA
AMIRA
AMPAS
AMWA
anamorphic lenses
Andersson Technologies
Android
AndTransfer
Anevia
Angenieux
Angry Birds
animation
Animation Mentor
Ant Farm
Antec
Anthro Corporation
Anton/Bauer
Anvato
Apace Systems
Apantac
Apogee Electronics
App Store
Appear TV
Applause Books
Apple
Apple Aperture
Apple Color
Apple DVD Studio Pro
Apple Final Cut
Apple Final Cut Express
Apple Final Cut Server
Apple GarageBand
Apple iCloud
Apple iPad
Apple iPhone
Apple iPod
Apple LiveType
Apple Logic
Apple Motion
Apple OSX
Apple ProRes
Apple Shake
Apple Soundtrack Pro
Apple Xsan
Apple Xserve
Archimedia
Archion Technologies
Archiving
Archiware
Arclight Productions
Arctic Whiteness
ArGest
Argiva
ARISE
ARRI
ARRI Alexa
ARRI ALEXA M
ARRI ALEXA Plus 4:3
ARRI Alexa ProRes
ARRI ALEXA Studio
ARRI CSC
ARRI Event System
ARRI lighting suspension solutions
ARRI Look Creator
ARRI Look Files
ARRI M40/25 - AS40/25 daylight fixture
ARRI Master Prime 135
ARRI/FUJINON Alura Zooms
ARRIMAX
ARRIRAW
ARRISCAN
ARRISCAN drying system
ARRISCAN film scanner
ARRISCAN Wet Gates
Arsenal Storage Solutions
ArsenalFX
Art Directors Guild
Art of the Guillotine
Artbeats
Artistic Image
artistic lighting
Artistry In Sound
ARTIXELS
ASC
Aspera
Asset Management
Assimilate
ASSIMILATE Store
ASSIMILATES SCRATCH® V7
ASSIMILATES’s SCRATCH® Lab
ASSIMILATES’s SCRATCH® Six
Association of Independent Commercial Producers
Astucemedia
Ataboy
ATEM Camera Control
ATEME
ATG Broadcast
Athena Studios
ATI
Atlanta Cutters
Atlas Digital
Atomic Fiction
Atomos
Atomos Connect
Atomos Samurai
ATSC
ATTO
Audez’e Reality-1
Audio
audio engineer
Audio Engineering Convention
Audio Engineering Society
Audio Network
Audiomotion Studios
Audionamix
Auralex Acoustics
Aurora Video Systems
Authority FX
Autocue
Autodesk
Autodesk Animation Store
Autodesk Cave
Autodesk Entertainment Creation Suite
Autodesk Flame
Autodesk Smoke
Autodesk Smoke 2013
AV
AV SYS
AVC
AVC-Intra
AVC-LongG
AVC-ULTRA
AVCCAM
AVCHD
AVIATE
Avid
Avid AirSpeed 5000
Avid DNxHD
Avid Interplay Pulse
Avid Motion Graphics
Avid NewsVision
Avid Symphony
Aviom
AVIWEST
Avvasi Inc.
Award winning
Axis
axle
B2FX
Back-Up
Backcountry Pictures
Backyard
Bad Robot
BAFTA Award
BAKED FX
Bakery Relight
Band Pro
Band Pro East
Bandito Brothers
Bannister Lake Software
BARABOOM!
Barco
Barix
Barking Owl
BaseCamp Entertainment
Baselight TWO
batteryPOP
BBC
BBS Lighting
BCD Audio
Beamr
Beamsplitters
Beast
BEEF Films
beIN Sport
Belden
Bella Corporation
Bemis Balkind
BenQ
BET Network
Bexel
Bi2-Vision
Big Block
BIG DEAHL
Big Logo Advertising
BiG MACHiNE
Big Pic Media
Big Sky Documentary
BIGSMACK
BigStar
Bigstock
BIRTV
Biscardi Creative Media
biscuit filmworks
Bittree
Bl:nd
Black Dog Films
Black Ink
Black Swan
Black Toast Music
Blackboard 2
BlackcamSystems
Blackmagic Cinema Camera
Blackmagic Design
Blackmagic Design ATEM 1 M/E Production Switcher
Blackmagic Design ATEM 2 M/E Production Switcher
Blackmagic Design ATEM Production Studio 4K
Blackmagic Design ATEM Studio Converter
Blackmagic Design ATEM Studio Converter 2
Blackmagic Design Audio Monitor
Blackmagic Design Battery Converters
Blackmagic Design Compact Videohub
Blackmagic Design DeckLink 4K Extreme
Blackmagic Design DeckLink Mini Monitor
Blackmagic Design DeckLink Mini Recorder
Blackmagic Design DeckLink Studio 4K
Blackmagic Design Desktop Video 9.0
Blackmagic Design Desktop Video 9.5
Blackmagic Design HyperDeck Shuttle
Blackmagic Design HyperDeck Software
Blackmagic Design Intensity Extreme
Blackmagic Design Intensity Shuttle
Blackmagic Design Mini Converter
Blackmagic Design Production Camera
Blackmagic Design Smart Videohub
Blackmagic Design SmartScope Duo
Blackmagic Design SmartView HD
Blackmagic Design Studio Camera
Blackmagic Design Teranex 2D
Blackmagic Design Teranex 3D
Blackmagic Design UltraStudio 3D
Blackmagic Design UltraStudio 4K
Blackmagic Design UltraStudio Mini Recorder
Blackmagic Design Universal Videohub 3
Blackmagic Design URSA
Blackmagic Design Videohub Master Control
Blackmagic HyperDeck Studio Pro
Blackmagic MultiDock
Blackmagic Pocket Cinema Camera
Blackmagic UltraStudio Express
BlackTrax
Bleank
Blend
Blender
Blind Spot Gear
Bling Digital
Blu-ray
Blue Room Post
Blue Sky Studios
Bluefish444
BlueNet
Blueyed Pictures
Blur Studio
BMI
Bob Zelin
Bodega Studios
Boinx Software
Bonfire Labs
boom pole
Boomer Labs
Boris FX
Boris Soundbite
Boulder Digital Arts
Box Camera
Boxer Films
Boxx Communications
BOXX Technologies
Brainstorm Multimedia
Brevity
Brewster Parsons
Brickyard VFX
Bridge Technologies
Bright Technologies
Broadcast
Broadcast & Cable Exhibition
Broadcast Asia
Broadcast Consoles
Broadcast Lens
Broadcast Monitor
Broadcast Networks
Broadcast Pix
Broadcast Robotics
broadcastGEMs
BroadStream
Broadview Entertainment Arts University
Broadway Systems
BroaMan
BRW Filmland
BRW USA
BTV Post
Bullet
Bully Brothers
Bully Pictures
Bunim/Murray Productions
Business & Marketing
Buster
BusterINK
BUTCHER Editorial
Butter Music
Butter Studios
BVE North
C-Log Monitoring
Cabrio
CABSAT
Cache-A
Calabash Animation
CalDigit
Calibrated Software
Calibre UK
California Amish
Calrec Audio
camBLOCK
Cambridge Imaging Systems
Camera
Camera Corps
camera rig
Cameras
Camerimage
Camerimage Film Festival
CAMERON | PACE Group
Camtasia
Cannes Film Festival
Canon
Canon 5D Mark II
Canon C100
Canon C500
Canon EOS 60Da Digital SLR Camera
Canon EOS 7D
Canon EOS C100
Canon EOS C300
Canon EOS Rebel
Canon EOS-1D X Digital SLR
Canon PowerShot S100
Canon PowerShot SX40 HS
Canon XU-80 HD PTZ Camera
Cantina Creative
Cap Gun Collective
Capital Audio Post
Carbon VFX
Careworx, Inc.
Caringo Inc
Carousel Industries
Cartoni
Cartoon Network
Cast Software
CatDV
Cause & [Effect]
CBS
CBS Sports
CCW
Celerity Fibre Channel
CELLO
CES
Cfast
CG
Chainsaw
Chapeau FX
Character Generators
Chemical Effects
Chemistry Club
Chop House Post
Christie
CHRLX
chromakey plug-ins
ChronoSculpt
Chrosziel
CHV-electronics
CHV-Electronics, Inc.
ChyronHego
Ciclope Festival
CIMM
Cine Gear Expo
CINE-SERVO
Cine-Tal
Cine-Xenar
CineAlta
cinec
Cinecolor
Cinecomp Software
Cinedeck
Cinedeck EX
Cinedeck MX
Cinedeck RX
Cinedigm
CineForm
Cinegear Expo
Cinegy
Cineimage
Cinelab
Cinelicious
Cinelicious Take Out
Cinema
Cinema Audio Society
Cinema Five Films
Cinema Gotika
Cinemartin
Cinematography
Cineon
Cinerama
Cinesite
CineSky Aerial Filming
cineSync
CineSys-Oceana
Cineworks
Cinnafilm
Cinnafilm, Inc.
Cintel
Cintel Film Scanner
Cintel International
Ciphertex
Cisco
Citizen Pictures
Civolution
Clear-Com
Click 3X
Clio Awards
CLIPSTER
CloakWorks
Clockwork VFX
closed captioning
Cloud
Cobham
Codex ARRIRAW Onboard
Codex Digital
Codex Onboard Recorder
Color Assist
Color Calibration Utility
Color Correction
Color Grading
Colorflow
Colorfront
Colorgrading
Colorworks
Colour Grading
Colourgrading
Columbia TriStar Motion Picture Group
Comcast
Comic-Con
commercials
Company 3
Compix
Compositing
Compression
Computers
Conch Award
Contemporary Living Network
Content Migration
Content Storage Management
ContentAgent
Contour Design
Control Monitoring System
Convergent Design
Cooke Optics
COPA
CoreCG
Corel
CoreMelt
CoreVault
Corporate Video
Cortex Dailies
Cosmic Post Inc
Cospective
Course Technology PTR
COWmunications
Craft Animations
CRASH SUES
Createasphere
Creation Effects
Creative Asylum
Creative Commons
Creative COW
Creative District
Creative Science
Creative Skillset
Creative Social
Crowd Funding
Crystal Vision Ltd.
CS6
CSS Studios
CUDA
CueScript
Custom Consoles
Custom EFX
Cut + Run
Cutters
Cutting Edge
Cutting Room
CW3PR
CyberLink
Cycore
Cynthia Kay and Company Media Production
D4D
da Vinci
dailies
Dalet
DAMMY Award
Dan Technologies
Dances With Films
Danetracks, Inc.
Danmon Systems
Dante Spinotti
Dark Light Pictures
Dashwood Cinema Solutions
Data Robotics
DataDirect Networks
Dataton
Datos Media Technologies
Dave Matthews Band
DAVID-INC
DaVinci
DaVinci 3D
DaVinci Resolve
DaVinci Resolve for Microsoft Windows
DaVinci Resolve Linux
DAW
DAX
Daystrom Technology Group
DAZ 3D
DE:Noise
Decimator
Decks, DDRs, Recorders
Dell
DELTACAST
Deluxe Creative Services Group
Deluxe Digital Studios
Delvcam
Demo Reels
denoiser
Desktop Video 9.2
Devil & Demon
DFt Digital film Technology
DI facility
Diaquest
DIGIC 5 image processor
Digidesign
DigiEffects
Digimania
Digital
Digital Anarchy
Digital Art Zone
Digital Arts NY
Digital asset management
Digital Cinema Society
digital dailies
Digital District
Digital Domain
Digital Film Tools
Digital Graffiti
Digital Heaven
digital imaging
Digital Intermediate
Digital Juice
Digital Motion Picture Center
Digital Nirvana
Digital Pulse
Digital Rapids
Digital Rebellion
digital restoration
Digital Storm
Digital Vision
Digital-Tutors
DigitalFilm Tree
DigitalGlobe
Dilated Pixels
Dirac
Directors Cut
Directorz
DirectShow
DIRECTV
Discovery Channel
DISH Network
Disk Warrior
Disney
Disorderly Conduct
DIT Station
DIVE
DK-Technologies
DLP Cinema
DMON-4S Converter
DMPC
DNA
DNA Evolution
documentary
doddlePRO
Dolby
Dolby Atmos
domed Helical Antenna
Douglas Trumbull
DPA Microphones
Drawn By The Light
DreamWorks
Drive Thru
Drobo
drone videography
DSC Labs
DSLR
DTS, Inc
DTS, Inc.
DTS-HD High Resolution Audio™
DTS-HD Master Audio™
DuArt
Dulce
DVCPRO
DVcreators.net
DVD
DVEO
DVFilm
DVGarage
DVS
Dwarf Labs
East Pleasant
Eastwest
Echo Express
Echolab
Echostreams
Eclipse VFX
EcoSet
Eddie Awards
Eden FX
Edit1
Editec
EditFest
Editors’ Lounge
EditShare
EditStor
Edius
EFILM
Eight VFX
Elastic
Electric Pictures
Electric Rain
Element Technica
Elias Arts
Eliot Spitzer
EMA
Emmy Award
Emotion Systems
emotion3D
Encodacam
Encoder
Encoding.com
Encore
Endo Music
Engine
Engine Room
Enhance Technology
Ensemble Designs
Entertainment Technology Consultants
Entity FX
Envision Media Arts
ENVOY
EOS 5D Mark II Digital SLR
EOS 5D Mark III Digital SLR
Epic Games
Epoch
eSATA
Escher
Eskimo
Ethernet
EUCON Media Workflow Partners
Euphonix
Europa Sound & Vision
Evertz Dreamcatcher
Evil Eye Pictures
EVO
Evolve Digital Cinema | IMG
EVS
ExCeL
Extensis
Exterity
External Display Monitor
Eye Scream Factory
eyeball
Eyeheight
eyeon
eyevis
EZQuest
Fabric Engine
Faceware Technologies
Facial Motion Capture
Facilis
Fairlight
Fake Love
Fast Cuts
Fast Forward Video
Fast Track C600
Fast Track® C400
FBmn Software
FCC
FCPX
Fearless Films
FIAT/IFTA
fiber routing switcher
Fibre Channel
field production
FIFA
Film
Film history
Film Independent
Film Integration
film noir
Film Processing
film restoration
film scanner
FilmConvert
Filmlab
FilmLight
FilmLight Encore
Filmmaker Junction
Filmmaking
FilmOn
FilmSkills
Filmworkers
Final Frame
Finish
Firefly Cinema
FireShoot
FirmTek
First Wave TV
FirstRun.tv
Flame Premium
Flanders Scientific, Inc.
Flash Media Server
Flavor
FLOATCAM
FLOVEL
FLUID
Flywheel Ventures
FOCAL International
Focal Press
Focus FS-250WF
FocusVision
Foley
Follow Focus
Footage.net
FootageHub
FOR-A
Forbidden Technologies
Fotodiox
FotoKem
Foundation Content
Four K
Fox
Frame.io
Framestore
Frances Ratliff
Frankie
Fraunhofer IIS
Freedom-1
Freefly Systems
Fresnel
Friendshop!
Front Porch Digital
Frost Cutlery
FSI
FT-ONE
FUJIFILM Optical Devices U.S.A
Fujinon
Fujinon TS-P58A image stabilizer
Fujinon ZA17x7.6BE HD ENG lens
Fujitsu
Full Sail University
FuseFX
Fusion ioFX
Fusion-io
Future Media Concepts
Futuristic Films
FUZE
Fuze Box
FX Group
FXFactory
FXhome
G-Technology
Gaikai
Galaxy 61
Gallery SIENNA
Game Developers Conference
Game of Thrones
gaming technology
Gasket Studios
GatesAir
GB Labs
GDC
Geevs
Gemini 4:4:4
GenArts
GenArts Solution
General Dynamics
General Gau
Genson Entertainment
Gentleman Scholar
Geography Club
Geomerics
Getty Images
Giannini Creative
GigaSpaces
Gimpel3D
GizMac
Global Cinematography Institute
globalSAN
GlobalStor
GLOOKAST
Glue Tools
Glyph Production Technologies
Gnarlynow Entertainment
GO
Go Robot!
Goetz Brothers
Goldstein Douglas Entertainment
Goodpenny
Google
GoPano Plus
GoPro
GPU Technology Conference
Gracie Award
Grammy Awards
Grammy® Awards
Grand Large Inc
Granite Switcher
GraniteSTOR
Graphics
Grass Valley
Grass Valley Ignite
Grass Valley Stratus
Gravity
Gravity Collection
Gravity Media Asset Management
Great Pacific Media
Green Dot Films
GreenScreen Animals
GridIron Software
Gridstore
Griffin Communications
Grinder
GTC
GunMetal Industries
gyro
H.264
Hackenbacker
Haivision Network Video
Hal Leonard Books
Hal Leonard Cinema Arts
Halon Entertainment
Hamburg Pro Media
Hammer Creative
Hard Drives
Hardware
Harkness Screens
Harmonic Inc.
Harpoon Pictures
Harris Corporation
Harvest Films
Hatch Studios
Havok
Hawthorne Direct
HBO
HD
HD Lens
HDBaseT
HDK-77EX
HDM850
HDMI
HDTV lens
HELLO!
HēLō
HFR
Hiccup Media
HiFi Project
high frame rate cinema
high-speed camera
HighPoint Technologies
Hiltron
Hitachi
Hitachi-LG Data Storage, Inc.
HitFilm
Hoax Films
HOBO Audio
Hocus Products
Hollywood Center Studios
Hollywood Heart
Hollywood Post Alliance
Hollywood-DI
Holomatix
Holophone
Hooligan
Hostage Films
House of Moves
Howling Music
Hoxton Redsox
HP
HPA
Huawei Symantec
Hula Post Production
humble
Hummingbird
HUSH
HXR-NX5U
Hybrid
Hybride
Hydraulx
Hype
HyTRON
I-MOVIX
I/O
IABM
iAnimate.net
iartists
IATSE
IBC
IBM
Icon Imaging Studio
Iconix Video
Icontent
Ideacodes
IdeaWork Studios
IDENTITY
IDS Products
IEC Group
IFTA
IK Multimedia
IKA Collective
ikan
Ikegami
IKinema
illuminate Hollywood
Illumination Dynamics
ILM
IM Innovations Pte Ltd
Image Engine
Image Matters
Image Metrics
Image Stabilization
Image Systems
ImagenCloud
Imaginary Forces
Imagination Technologies
Imagine Products
Imagineer
Imaging
IMAX
IMAX Corporation
Impact Entertainment
IN2CORE
Inca Series
Independent Film & Television Alliance
Independent Film Spirit Awards
Indie Fest USA
Indie film
IndiPRO
Industrial Light & Magic
IndustryWorks
InfoComm International
Infostrada
Ingenuity Engine
Inhance Digital
Inlet Technologies
Inner-City Arts
Innocean Worldwide
Innovision
Insomniac Games
Intel
Intel Solutions Summit
Intel® Channel Alliance
InterBEE
Interlude
International Cinematographers Guild
International Datacasting Corporation
Interplay Sphere
InVision Productions
IO Industries Inc.
iOgrapher
iPad
iPad Mini
iPhone
iPi Soft
iPod
iPro Lens System
iQstor
IRIDAS
iRig PRE
IRND filters
Iron Claw
iSCSI
isovideo
iSpy Music
iStoragePro
iTunes
iZ Technology Corporation
iZotope
James Cameron
Jay Silverman
JB&A
JewelBeat Music
Jigsaw Systems
JMR
JMR Electronics
Jollyfy
JOUST
JPEG2000
jumP
Jünger Audio
Juniper Jones
JVC DT-3D24G1U
JVC DT-V21G11Z 21-inch HD monitor
JVC GY-DV500
JVC GY-HD250
JVC GY-HM150 ProHD
JVC GY-HM600
JVC GY-HM650 ProHD
JVC GY-HM70
JVC GY-HM700U ProHD
JVC GY-HM710 ProHD
JVC GY-HM750U ProHD
JVC GY-HM790 ProHD
JVC GY-HM790U
JVC GY-HMQ10
JVC KENWOOD 2D3D conversion
JVC Monitors
JVC ProHD
JVC SR-HD2500US
JVC Vérité G Series
JWT Atlanta
K-Tek
K2 Dyno
K2 Edge Smart Playout Center
K2 Summit
kaboom
Kayak
Kayenne
Keep Me Posted
Keith Gayhart
Kerner Group
Key Code Media
Key Pro
KeyBox
Keynote Systems
Kickstand
KickStarter
KiddKolor
KillerKeys
KIND
King And Country
Kirk Talent
KMP
Knox Avenue
Kodak
Kodak Entertainment Imaging
KODAK IMAGECARE Program
KONA card
KONA LHe Plus
KUMO
LA 3-D Club
LA.B Film & Content
LAC
LAIKA
LAPPG
LDK 3000
LDX Camera
Leader Instruments
LED lighting
leftchannel
Legend3D
Legendary Pictures
Leica
Leica Summilux-C
Leo Awards
Level 256 Visual Effects
Level 3 Post
Levels Beyond
Leviathan
LiberoVision
Library of Congress
Light Illusion
Light Iron
Light of Day
Lightbeam Systems
Lightcraft Technology
Lighting professionals
Lightmap Ltd
Lightstage LLC
Lightstorm Entertainment
LightWave 3D
Lightworks
Limelight Networks
LIMEY
Linux
Lionsgate
LipSync Productions
LIU Brooklyn
Live & Stage Events
Live Broadcast
Live Entertainment
Live To Air
Livestream
Local Hero Post
Location Managers Guild of America
Location Sound
Loft London
LOGAN
Logickeyboard
LogServer
London 2012 Olympic Games
London 2012 Summer Games
Lone Peak Productions
Look Effects
Looking Glass Films
LookLabs
Los Angeles Film Festival
Los Angeles Post Production Group
Loyalkaspar
LTO
LTO-6
LucasFilm
Lucky 21
Lucky Post
Luma Pictures
Luma Touch
LumaForge
Luminair
Lustre Pictures
Luxology
LVL Studios
LYNX Technik
M I S T
M&C Saatchi
M&C Saatchi/NY
M-Audio Fast Track
M. Night Shyamalan
M/C/C
Mac Pro
Mackie
MacVideo
MacWorld
Madheart
Magazines
MagiCine
Magicsoft
Magicsoft Stream Encoder
MAM-A
MAMBA FX
Mammal Studios
Mamoworld
Manhattan Edit Workshop
Manic
Manios
MANTRICS Digital Video
Margarita Mix
Margarita Mix FotoKem
Markzware
Marquis Broadcast
Marquis Media Partners
Marquise Technologies
Marshall Electronics
Marvel
MARVIN
MARVIN Technologies
Masque Sound Company
Massive Software
MasterImage
MasterImage 3D
MASTERSFX
MatrixStore
Matrox
Matrox Avio F125
Matrox M9140
Matrox Maevex
Matrox MC-100
Matrox Mura™MPX
Matrox® Avio™ F120
Matrox® MicroQuad
Matte Painting
Matthews Studio Equipment
Mavericks
Maxell
MAXON
MAXX Digital
mDialog
Mechanism Digital
Media 100
Media Asset Management
Media City Sound
Media Composer 6.5
Media Composer 7
Media Composer 8
Media Group International
Media Links
media server
Media Technology Expo
MediaHorse
Mediajuice
MediaMine
MediAnswers
MediaPros
Mediaproxy
MediaSilo
MediaSphere
MelroseMAC
Merging Pyramix
Metalogix
Method Studios
Metro-Goldwyn-Mayer Pictures
Mettle
Metus
micro four thirds lens mount
MicroNet
Microsoft
Microway
Milk VFX
Milkt
Miller Camera Support Equipment
MindSmack
Mini Follow Focus (MFF-2)
Mini Matte Box (MMB-2)
Miraizon
Miranda
Miranda Technologies
Mirror Films
Mistika
Mixamo
mobile game development
Mobile Imagination, LLC
Mobile Production
Mobile Studios
Mobile TV
Mobile TV Group
mocap
mOcean
mocha Pro
Mode Project
Modern VideoFilm
modo 601
ModOp
Modus FX
Modus Operandi
MOG Technologies
Mokko
Molden Media
MOMA
monitor
Monitors
Mosart
Moscow International Film Festival
motama
Mothership
Motion Capture
Motion Picture Group
Motion Picture Sound Editors
Motion Theory
motion504
MotionBuilder
MotionElements
motionVFX.com
MOTU
Mountain High Maps Plus
Mountain Lion
Mousetrappe
Movi
Moviola
Moxie Pictures
MPC
MPI
MPSE
Mr. Wolf
Mr. Wonderful
Mr. X
MRB Productions
MTh
MTI Film
MTV
MTVA
MTWD Entertainment
Mudbox
multicam
Multicamp.TV
MultiDyne
MuraControl
museum
Mushroom Networks
Music Marcom
Music Production
music video
music videos
MXF
mxfSPEEDRAIL
MXL
MXO2 Dock
NAB
nailgun*
NAMM
Napoleon Group
Nathan Love
National Academy of Television Arts and Sciences
National Association of Broadcasters
National Geographic
Nattress Productions
Nattress Video Scrapbook
NBCUniversal
nDreams
Neat Video
Neglab
NEOGAMA
NEP
NetBlender
NetEx
Netflix
NetroMedia
Netstor
Netstor Technology
Network Attached Storage
Network Branding
Network Storage
Neuron Syndicate
never.no
New Antics
New Line Cinema
New Tag
NewBlue
NewsCutter
NewTek
NewTek 3Play
NewTek 3Play™ 425
Nexidia
Nexsan
NextComputing
nextLAB
Nexus
Neyrinck
Nice Shoes
Nickelodeon
Nikon D4 DSLR
NO6
NOA Audio Solutions
Noise Industries
Nola Pictures
Nomad
Nomad Factory
nonlinear editing
Northern Lights
now corporation
NTP Technology
Ntropic
Nucoda Film Master
NuContext
NUGEN Audio
Nunchaku
NVIDIA
NXT STAGE
OASYS
Object Matrix
OConnor
Oculus
Odyssey Pictures
Offhollywood
Oishii Creative
OLED
Olympics
Omneon
One Fine Day
One Nation Network
Open Effects Association
Optimo
OptiTex
OptiTrack
Optocore
Opus Visual Effects
ORAD Hi-Tec Systems
Origin Digital Studios
Original
OS X
Oscar
OTOY Inc.
Otto Nemenz International
Oxygen Network
P S Technik
P+S TECHNIK
P2 HD
P2 Media Storage
Pacific Post
Pacifica Ventures
Padcaster
PAG
Panasonic
Panasonic AE-HE50
Panasonic AG-3DA1
Panasonic AG-3DP1 3D P2 HD
Panasonic AG-AC160A
Panasonic AG-AC90
Panasonic AG-AF100
Panasonic AG-HPX250
Panasonic AG-HPX370 P2 HD
Panasonic AG-HPX600
Panasonic AJ-PCD30 P2 drive
Panasonic AJ-PD500
Panasonic AJ-PX270
Panasonic AK-HC3800
Panasonic AV-HS410 Live Switcher
Panasonic AV-HS6000
Panasonic AW-HE120 HD
Panasonic AW-HE2
Panasonic AW-HE50S
Panasonic BT-4LH310
Panasonic BT-LH1850
Panasonic BT-LH2170
Panasonic LCD Video Monitors
Panasonic P2 AJ-HPX3100
Panasonic Solutions for Business
Panavision
PandaPanther
Pandora
Panoptica
Pansonic AG-AF100A
Paramount Pictures
ParaNorman
Park Pictures
Park Road Post
Park Road Production
particle renderer
particleIllusion
PBS
Peabody Awards
PEG Bandwidth
Pegasys
Penclic
PESA
PFClean
PFMill
PFSilo
Phantom
Phantom Miro M320S
Philips
Phoenix Video
Phosphene
Photography
Photon Beard
Photoshop
Photron
PHYX
Pictorvision
Picture Head
Picture Mill
Pinnacle Studio
PipelineFX
Piston
Pixar Animation Studios
Pixel Farm
Pixel Magic
Pixel Power
Pixeldust Studios
PixelFish
Pixelution
Pixomondo
Planar Tracking
PLASA London
Platige
PlayBox Technology
Playcast Media
Plug-in
Plug-ins
Plugins
PNY Technologies
PNYA
Podcasts
Poetica
PoINT Archiver
POINT.360
Polecam rig
Pomfort
Pond5
Pony Show Entertainment
Porchlight
PortableACPower.com Inc.
Post Asylum
post facility
Post Haste Sound
Post Production
PostMan
postPerspective
postproduction
PostWorks New York
POV
Power SubD-NURBS
PowerProduction Software
PowerWall
Prasad Corporation
pre-production
pre-visualization
pre-viz
Preco
Presteign Broadcast Hire
Pret-a-3D
Pretend LLC
Previs
Previsualization
PrimalScream Music
Prime Focus
Prime Focus Software
Primestream
Prism Sound
Pro Sound Effects
PRO-TEK
ProAm USA
Proavio
Procera Networks, Inc.
ProConsultant Informatique
proDAD
Production
Production Design
Production Minds
Production Pipeline Expo
Production Tool Store
Professional Wireless Systems
Projection
projectiondesign
Projector
ProMAX
Promax Awards
PROMISE Technology
Prompter People
Pronology
Proof Inc.
Proprompter
ProRes 3.2K
ProRes 422
ProRes 4444
ProVideo Solutions
PS Production Services
PS-Cam X35
pubic beta
Public Domain
Pula Film Festival
Qio
QTake
QTube
Quantel
Quantel Enterprise sQ
Quantel Neo
Quantel Pablo Rio
Quantum
Qube Cinema
Qube!
QuietMan
Qumu
QuVIS
Q’ligent
Raamw3rk
Rabbit
Rack Mount Converters
Radar Studios
RadiantGrid Technologies
Radio France
Radley
RAID
RAID Storage
RAIDON
Ramy Katrib
RapcoHorizon
Rascal Films
Rattling Stick
Raxco Software
Raycom Ltd.
RE:Vision
RealD
Reality Check
Reallusion
Recon Wireless
RED
Red Couch Industries
Red Echo Post
Red Giant
Red TX
Redbear Films
REDCODE RAW
Reel FX
ReelSmart Motion Blur
Reference Monitor
Relativity Music Group
Reliance MediaWorks
Remote Camera Controller
Remote Control Dailies
Render Rocket
Renderplant Studios
Resident Creative Studio
Resolve 10
Resolve 11
Retina display
reTooled
revision
RevoStock
RevUp Render
Rhozet
Rhythm & Hues
RigWheels
Rimage
Ringer
Riptide
Rising Sun Pictures
Rising Sun Research
RLJ Entertainment
Rock Paper Scissors
Rocket Red
Rocstor Thunderbolt
RODEO FX
Roger
Roland
ROOT6 Technology
Ross Video
Royale
Royalty Free
RPA
RTT
RTW
Rubber Monkey Software
RumJungle Media
Rural Media Group
S-Log Monitoring
S3D Technologies
SaaS
Saatchi
Sachtler
Safe Harbor Computers
Saints LA
Samaserve
San Diego Film Foundation
San Luis Obispo International Film Festival
SAN Solutions
Sandblast Productions
Sapphire Edge
Sarofsky Corp.
Scaleform
Scene Change Detection
Scenios
Schneider
Scholarship
Sci-Fi Machinima
Science.D.Visions
Scientific & Technical Awards
Scrabble Entertainment
SCRATCH
Screenwriting
Script Writing
SDI
Seagate Technology
Search Party
SECO
SeeSense
seminar
Sennheiser
SENSIO Technologies
shade VFX
ShadowMachine
SHAPESHIFTER
Sharp
Sharp PN-V602
Shooters, Inc
Shooters, Inc.
ShootersINC
ShootersTV
ShortsHD
Shotgun Software
ShowEast
Showlogix
Showtime
Shutterstock
Sibling Rivalry
Side People
Sienna Integration Appliance
Sienna TARO
SIGGRAPH
SIGGRAPH Asia
Signiant
SignPost
SilhouetteFX
Silicon Imaging
Silverado Systems
Silverdraft Mobileviz
Silverlight
Silverstack LT H.264
SIM Digital
Simian
Singular Software
Sirk Productions
SketchBook Designer
SketchUp
Sky Living
Sky News
Slamdance
Slate Media Group
Small Tree
SmallHD
SmartJog
SmartSound
Smoke & Mirrors
Smoke for Mac
SMPTE
Snackhaus
Snell
Social Media
Society of Camera Operators
Soft Light
Softel
Softron Media Services
Soho Square Studios
Sohonet
Sola
Sola ENG
SoleraTec
Solid Angle
Solid State Logic
SolidAnim
SolidTrack
Solventdreams
Sonic Reality
Sonic Studio
Sonic Union
Sonicfire Pro
Sonixphere
Sonnet Technologies
Sonotechnique
Sony
Sony AXS-R5 RAW
Sony Broadcast
Sony Corporation
Sony Creative Software
Sony DADC
Sony Electronics Inc.
Sony F-5
Sony F-55
Sony F3
Sony F65 CineAlta™
SONY HDCAM SR
Sony Music Entertainment
Sony NEX-FS700
Sony Pictures
Sony Pictures Animation
Sony Pictures Digital Productions
Sony Pictures Imageworks
Sony Pictures Post Production Facilities
Sony Pictures Stock Footage
Sony Pictures Technologies
Sony PMW-200
Sony PMW-F3
Sony PMW-F5 CineAlta
Sony PVM-X300
Sony SxS PRO 64GB memory card
Sony Vegas
Sony XAVC
Sony XDCAM HD PMW-500
Sony's F65 CineAlta
Sony’s Professional Solutions of America
Sonzero Films
Sorenson Media
Sorenson Squeeze
Sound Devices
Sound Lounge
Soundelux
Soundminer HD
Southeast Creative Summit
Southpaw Technology
Spacejunk
SpectraCal, Inc.
SpectraLayers
SpeedGrade
spielberg
SPLICE
Splice Here
Sports
SPROCKIT
SPY
Square One
SquareBox
Star Wars
Stardom
Stardust Studios
StarStream Entertainment
Starz
STATE Design
Steadicam
Steele Studios
Steinberg
Stephen Arnold Music
Stereo D
Stereoscopic 3D
SterGen
SterGen High-Tech
Steven Spielberg
Stickman Sound
Stock Media
Stockeon
Stoopid Buddy Stoodios
Stop Motion
Storage
StorageDNA
StorageDNA, Inc
Storm FX
STORY
Strategy & Technology
Strato Films
STRATUS
Stream TV
StreamGuys
streaming
StreamZ Live Broadcast
Studio l'Equipe
Studio Network Solutions
Studio Technologies
STUDIOCANAL
StudioGPU
Studiotech
Stun Creative
Style4Type
Substance Redux
Sugar Film Production
Summilux
Sun Valley Film Festival
Sundance Film Festival
Sunset Vine
Super 8 mm
Super Bowl
SuperExploder
Superfad
Superlounge
Superlux
SuperMeet
Switcher
Switronix
SXSW
SXU-1
Symantec
Synacor
Synaptic VFX
Syndrome
Synthe FX
Synthetic Aperture
SynthIA
Syyn Labs
T-VIPS
Taillight
Tally-Lights
Tamajii
Tamuz
Tandberg Data
TASCAM
tax credit
Taylor James
TC Electronic
Teak
tech support
Technical Direction Company
Technicolor
Technicolor - PostWorks New York
TechSmith
Techtel
Tekserve
Tektronix
Telecast Fiber Systems
Telecine
Teledyne Microwave Solutions
Teleprompter
Telestream
Telestream ScreenFlow
Telly Awards
Tennessee Digital Video
Teradek
Teranex Systems
TerraBlock
TerraBlock 5.6
Testronic Labs
Thales
The A-List Awards Hollywood
The Academy
The Annenberg Space for Photography
The Avengers
The Bakery
The Bridge Media Training
The Camera House
The Camera Store
The Colonie
The Cortez Brothers
The COW
The Department
The Department of the 4th Dimension (The D4D)
The DreamWorks Animation Charitable Foundation, Inc.
The Exchange
The Famous Group
The Farm
The Fédération Internationale des Archives de Télévision
The Foundry
The Guild of Television Cameramen
The Hit House
The Hive
The Hollywood Post Alliance
The IABM
The Imaginarium
The Mill
The Mission
The Nation
The National Film and Television School
The Post New York Alliance
The Post Republic
The Republic Collective
The Rockefeller Foundation
The Sensorium
The Shaft
TheBDEvent
TheBlaze
theC47
thenewBlank
Therapy
ThinkB!G LearnSmart
Thinkbox Software
ThinkBreatheLive
Thinware Media
Thomson Grass Valley
Thomson Video Networks
Three of Change
Thunderbird Films
Thunderbolt
Thwak! Music
THX
THX cineSpace Partner Program
THX Ltd
Tiffen
Tiger Technology
Tightrope Media Systems
Timber
Time Warner
tin tin
Tippett Studio
TITANIUM4
TITANIUM8
TitaniumZ
title graphics
TMD
TNDV: Television
TODAILIES
Todd-AO
Todd-Soundelux
Tokyo ReAnimator
Tolis Group
Tomato
Tomboy Films
Tony Awards
Tool
Toolfarm
Toolfarm Music Store
ToolsOnAir
Toshiba
TouchEdit
Toughpad
ToughTech Duo
Toxic Traxx
trailermoon
training
Transcoder
Transcoding
Translation
Transvideo
Trapcode
Traveling Picture Show Company
Treehouse
Trendrr
Tribeca Film Festival
TriCaster™ 450 CS
TriCaster™ 450 EXTREME
TriCaster™ Rev. 3
Trilogy Communications
TRIMASTER
Tripod
Trixter
Troika
Trollbäck Co.
Troma Entertainment
Tronic Studio
TrussCam
TruZoom
TSD Video
TSL Professional Products
Tucson Film
Tunewelders
TurboSquid
Turner Studios
Tutorials
TV & Movie Appreciation
TV One
TVLogic
tvONE
Tweak Software
Twentieth Century Fox
Twist
Typekit Inc
Tyrell
UCLA/TFT
UDC Up/Down/Cross Mini-Converter
UHDTV
ULEAD
Ultimatte
UltraHD
UltraStudio 3D
UltraViolet
Unified Video Technologies
Union VFX
UnitZeroVFX
Universal Pictures
UNREEL
uplink
USC Institute for Creative Technologies
USC School of Cinematic Arts
Ustream
Utah Scientific
Utopic
UX Design
V-Ray
van gogh
Vanatoo
Vancouver Film School
Variable Frame Rate
VB-Audio
Vector 3
Venice Media District
Venture 3D
Ventuz
Versatile Distribution Services
Veset
VFX
Vicon
Vicon House of Moves
Vidcheck
VidChecker
Video
video adventures
Video Assist
Video Control Center
Video game graphics
video games
video streaming
Video Wall Graphics
VideoFlow
VIDI
VidiGo
Vidispline
VIEW Conference
Vimeo
Vinten
Vinten Vision Blue
virtual reality
Vision Research
Visual Acuity
Visual Data Media Services
Visual Effects Society
Visual Unity
Vitamin
Vitec
VITEC Multimedia
Viz MapBox 3D
Vizrt
VLSI Solution
VMI LImited
VMware
VMworld
VOLT
VOX
VXA
Wacom
WalterBiscardi.com
Wander
Warner Bros. Pictures
Warner Bros. Sound
Warner Home Video
Warner/Chappell Music
Warpaint
WASP3D
Waveform Monitor
web design
webinar
Wedding Video
Weisscam HS-2 MKII
Wellen Nöthen
West Post Digital
Weta Digital
Wexler
White Mark
Whitehouse Post
Wide Angle
Windows 7
Windows 8
Wiredrive
Wireless
Wise Buddah
WiT Media
Wohler
Women In Animation International
Women In Film
WONDROS
Workflow
Workstation
World Resource Manager
Wowza Media Systems
xaitment
XDT
XDT Catapult
XenData
XEquals
Xilinx
XMiL Workflow Tools
Xsens
Xytech
Xytech MediaPulse
Yahoo!
Yellowtec
Yospace
YoYotta
yU+co.
Zacuto
Zaxwerks
Zeiss
ZERO VFX
Zodiak Rights
Zoic Studios
Zoo Digital
zoom lens
Zylight LLC
ZYNC


FORUMSTUTORIALSFEATURESVIDEOSPODCASTSEVENTSSERVICESJOBSNEWSLETTERNEWSBLOGS

Creative COW LinkedIn Group Creative COW Facebook Page Creative COW on Twitter
© 2015 CreativeCOW.net All rights are reserved. - Privacy Policy

[Top]