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Re: FCP7 workflow - 5D MIII progressive footage for interlaced broadcast

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Shane Ross
Re: FCP7 workflow - 5D MIII progressive footage for interlaced broadcast
on Oct 17, 2016 at 6:36:26 pm

[Stanislas Gazelle] "Usually I put everything in Pro res 422 and I adjust my FCP timeline in 1080i50, the final file (native, or H264) will look like its interlaced but it won't pass the channel's quality check..."

Why won't it? That's what I do. There will never be between image fields, it'll aways be two fields of the same image. What's their beef?

Shane
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