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Re: BEST WORKFLOW? Conforming 23,98 to 25 in Resolve, esport in dnx, edit in Avid and Relink to the original

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Serj Kasparoff
Re: BEST WORKFLOW? Conforming 23,98 to 25 in Resolve, esport in dnx, edit in Avid and Relink to the original
on Oct 6, 2016 at 1:13:39 am
Last Edited By Serj Kasparoff on Oct 6, 2016 at 2:26:16 am

(sorry for my poor english too)

If you satisfying with color grading DNxHD at 176 or 220, that it's safer to transcode all of them to 25p base.
If you wish to color grade original clips in Resolve, so it's needed to generate proxy in native fps.

As Glenn Sakatch said, just generate RED proxy in Resolve at native fps.
And do the same with other footage too - in Avid AMA-link and transcode them at their native fps, but each one in separate projects with different fps (23.98 video to 23.98 project, 50 video to 50 project)
Then open each bin from different projects in your main editing 25p project.

I don't know what version of Media Composer do you use, maybe updated versions have already managed the mix frame rate difficulties, but this old thread could be helpful: https://forums.creativecow.net/thread/45/898136
See the last post by Michael Phillips in that thread - he posted a workflow for older versions of Media Composer:
http://24p.com/wordpress/wp-content/uploads/2013/07/transcode-and-relink-ac...


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