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Re: Is this why the new Mac Pro has been taking so long?

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Michael Gissing
Re: Is this why the new Mac Pro has been taking so long?
on Apr 3, 2017 at 5:36:02 am

[Tony West] "Because most people will have to ultimately deliver in that anyway right?"

You can transcode to whatever you want if you are doing a proxy edit/ reconnect to camera originals workflow for grading. Once you transcode from a camera RAW codec to ProRes you have baked in colour temp, ISO and gamma. This may limit you in grading so transcoding has potential penalties. If you use Resolve to transcode and do a basic correction from the RAW you may be able to minimise those compromises.

Delivery can be multiple codecs for different viewing environments. ProRes is a bit of a nuisance as many consider it a bit of a standard. Compared to DNx it is far from useful as a standard as it is proprietary and not open to encoding on any platform or NLE.


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