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Re: Resolve XII...

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Andrew Kimery
Re: Resolve XII...
on Jul 30, 2015 at 4:03:04 pm

[Walter Soyka] "FCP, Color, STP, Motion, etc. are all fundamentally applications that store and process information about creative decisions with media clips and effects over time. If they could all "understand" their own parts of the same timeline and refer to media based on a centrally-organized database -- instead of each application creating its own separate interpretation of the original editorial timeline -- we could have all the power and flexibility that the separate apps provide without all the pain of round-tripping. This would create entirely new workflows and offer new possibilities.

Would Adobe's DynamicLink and DirectLink be examples of what you are talking about? Or at least examples of things headed in the direction of what you are talking about?

Bonus points if the database is multi-user. The necessity of picture lock before audio sweetening and color grading could disappear entirely. Editorial would be the hub, and the other departments could work on their shots or their scenes throughout the process.""

To a degree but if editing is still going full throttle then audio and grading will be doing a lot of needless work since the edit will be in constant flux. Even if editing is really close to locked you'll still have to have a conform process of some sort so that the editing changes can be non-destructively passed along to audio and grading.

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