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Re: Cutting a major Hollywood Feature on FCPX

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Michael Aranyshev
Re: Cutting a major Hollywood Feature on FCPX
on Oct 6, 2014 at 10:19:03 pm

[Jeremy Garchow] "How would you do it?"

I frankly have no idea. I'll probably have to go through all clips naming individual tracks and muting all except the production mix. Charge the producer an extra week or two. There're usually 4 to 10 tracks in production audio. A boom, a few lavs and a production mix. You're going to use the mix for your edit. It is pretty decent most of the time. The order they come in a BWF-P is the same for a single production. With a track-based NLE you just mute the tracks unneeded mics fall to and go ahead. Then it's time to export you unmute all tracks and you're done.


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