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Re: Best Workflow for DSLR - Premiere Pro - After Effects?

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Michael Kellam
Re: Best Workflow for DSLR - Premiere Pro - After Effects?
on Apr 2, 2014 at 12:03:38 am

Thanks, Lance.

So is converting to ProRes better than cutting native h.264 if you're planning on doing color grading?

I am unclear - One you convert to ProRes, does it stay ProRes all the way through the process or do you then have to convert it to something else once the edit is complete? I keep hearing it called an "intermediate" codec, which suggests that the end product is something else.

Thanks again for answering.

Michael

Michael Kellam
http://www.kellammedia.com


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