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Re: exports darker confusion

COW Forums : DaVinci Resolve

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Marc Wielage
Re: exports darker confusion
on Apr 23, 2019 at 9:38:15 am

[Enginn Heima] "You think a ProRes 422 is more likely to be my friend? I will do a test...

Joe is correct (as always). One key idea is always to export a short segment of SMPTE Color Bars prior to program and check that on scopes. If the export is identical to what you see in Resolve, then you have a color management problem and the playback engine (like QuickTime) is misinterpreting the image. This is discussed in the article I linked to.

Neither 422 or 444 is really any better or worse -- they both can be misinterpreted under some conditions, as can DNxHD and DNxHR.

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