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Re: Million Cameras, One DaVinci: A Workflow Story

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Marc Wielage
Re: Million Cameras, One DaVinci: A Workflow Story
on Oct 26, 2014 at 7:44:32 am

[Brittany DeLillo] "You've confirmed my suspicions regarding 422. It seems the Red is the only format that will truly benefit from being 100% raw."
Actually, Arri Log-C works great, as does Blackmagic CinemaDNG and Canon Log. There are some advantages to keeping this it at least a log-ish format. It's the baked-in looks that kill us in post.

I sympathize with having to work with lots of different camera formats in a single one project. I did one a few years ago that had multiple 35mm film cameras, 16mm cameras, DV camcorders, HD cameras, Super 8, you name it. Quite a post nightmare, but it worked out in the end. It's a rare project these days that doesn't use at least two kinds of cameras and formats.


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