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Re: Compounds in the timeline from nowhere

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Marc Wielage
Re: Compounds in the timeline from nowhere
on Oct 10, 2014 at 7:02:21 am

What happens if you do the conform with an EDL or with the AAF?

I have encountered cases where I had to have the editor prepare a "simplified" FCP timeline where they flattened the file down to 2 or 3 layers, just to avoid complex timelines that could trip up Resolve. Projects are much, much easier to color-correct when there are no compound clips and just a couple of video tracks to worry about.

In the event of something like a large, complicated split-screen, we'd approach that as a separate problem apart from the show and build it up separately and then import the color-corrected file back into the finish show.


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