Creative COWSIGN IN :: SPONSORS :: ADVERTISING :: ABOUT US :: CONTACT US :: FAQ
Creative COW's LinkedIn GroupCreative COW's Facebook PageCreative COW on TwitterCreative COW's Google+ PageCreative COW on YouTube
APPLE COLOR:HomeApple Color TutorialsApple Color Forum

Re: Color to 16mm, Broadcast Safe?

COW Forums : Apple Color

VIEW ALL   •   ADD A NEW POST   •   PRINT
Social ShareSend Email MessageShare on FacebookShare on TwitterShare on LinkedInComment
Respond to this post   •   Return to posts index   •   Read entire thread


Arnie SchlisselRe: Color to 16mm, Broadcast Safe?
by on Oct 13, 2009 at 3:12:20 pm

As I said in your thread on the FCP forum, don't worry about broadcast safe.

Rec 709 is becoming the "plain vanilla" of color grading. It's a universal standard that anyone can pull up on an HD monitor and see the same thing.

Some large shops have their own 709-to-film LUT that they keep tailored to their chemistry. A small shop like us, we custom build the LUT for every job, regardless of where it comes from or how it's prepared. Either way, Rec 709 is an easy way for us to see what your intent is.

Only go log if the filmout house tells you to, and then do it with their LUT and specs. So if you can't have an engineer from the filmout house come over and set you up, then Rec 709 is the best way to go.

Arnie

Post production is not an afterthought!
http://www.arniepix.com/


Posts IndexRead Thread
Reply   Like  
Social ShareSend Email MessageShare on FacebookShare on TwitterShare on LinkedInComment


Current Message Thread:




LOGIN TO REPLY



FORUMSTUTORIALSFEATURESPODCASTSEVENTSSERVICESJOBSNEWSLETTERNEWSBLOGS

Creative COW LinkedIn GroupCreative COW Facebook PageCreative COW on Twitter
Social ShareSend Email MessageShare on FacebookShare on TwitterShare on LinkedInComment
© 2016 CreativeCOW.net All rights are reserved. - Privacy Policy

[Top]