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Corrcet workflow for editing 720p footage alongside 576i footage in FCP

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Christopher Cook
Corrcet workflow for editing 720p footage alongside 576i footage in FCP
on Apr 17, 2012 at 2:20:22 pm

Hi

I'll soon be undertaking a shoot that produces footage from two different cameras.

One a Sony DSR-570 shooting SD DV PAL at 50i, the second a Sony EX1 shooting 720 50p

The first question is, have I got the right format on the EX1 to produce the optimum file for editing alongside the footage from the DSR?

The second is what is the correct workflow for bringing the two pieces together to create a video that will be output to a digital file, WMV and H.264 MOV, that will only be viewed on progressive screens.

Is it as simple as creating a sequence with the following settings
Apple Pro Res 422, 720x576 anamorphic, with no fields and just let it all render?

Or do I need to be more clever about it?

Thanks,

Chris


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