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Transcoding RED to ProRes 422 in Final Cut

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Andrew Kasch
Transcoding RED to ProRes 422 in Final Cut
on Aug 25, 2011 at 7:32:51 pm

Hello!

I am in a bit of a weird situation where I am going to be getting nearly a dozen drives with a project shot entirely on the RED. Here's the kicker: I need to transcode this to ProRes 422 and these will be used as my master files. Due to legal entanglements, I CANNOT go back to these RED files - and I have 10 days to transcode it all into something I can create my finished product with before these drives are reclaimed.

I'm cutting in Final Cut 7. What's the best workflow to use for this?


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Everest Mokaeff
Re: Transcoding RED to ProRes 422 in Final Cut
on Aug 25, 2011 at 8:17:24 pm

Use native tools from RED: Redcine-x for 1st light color correction and ProRes 422 HQ conversion.

Sony PMW-EX3, Canon Mark II 5D, FCS3 in Moscow
http://www.mokaeff.com


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