Just a little confused about some Sony f5 footage I got. Got sent a premiere 10 bit AVC.mxf export, rec 709; And I was wondering what's the best way to pull the saturation back into range and what causes it to be like this? Not sure if my understanding is right, as I haven't graded Sonys before. Is this due to the color space (sGamut) not being mapped down to rec709 properly? Is there a way in premiere to remap it to 709 range? I've only added the fast color corrector to bring the whites down.