I've also done some testing with the ProRes "Film" files John Brawley has posted. I'm not sure if he generated these in-camera or through Resolve. They look identical to the DNG files converted to BMD Film color/gamma using the Resolve 9 camera raw settings. They are different takes, though. In any case, I find it interesting that this log profile appears to match the ARRI Log-C profile. I've been able to apply the same LUTs and filters and grading to these as I would ALEXA footage and it looks on the money.