Probably when they can figure out how to gracefully match back through and to all the "container clips" that form a huge part of the FCP X design?
Shift F typically takes you to the next "reference clip level" (at the frame you're parked on in the Primary Storyline.)
Often a second Shift F takes you to the same frame in the source clip, but NOT if you've used a reference clip inside another reference clip - for example put a Sync Clip inside a Multicam.
I suspect it won't ever work precisely like a traditional Reverse Match Frame, because FCP X isn't structured like a traditional NLE. But I could be (and hope I am) wrong.
Ces't la vie.
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