Hi, a project that I graded needs to go out to DCP.
Up until now I have been grading with Resolve 9 and a Decklink 4K card on a FSI BM230, monitoring in REC709 space and everything has been good and consistent. Now the producers have asked me to output 16-bit TIFFs in XYZ colorspace, which Resolve lets me do, but the image appears very different, much more grey/green.
How do I set up my BM230 to interpret XYZ correctly? Or should I just export it in RGB and let the DCP engineer worry about color space conversion?
I tried exporting a test TIFF sequence in XYZ and then putting it in Premiere Pro to have it play back on my BM230, but the colors aren't right there either. How do I get an image on the Fladers that I can trust will look similar to that in XYZ? Or is this a limitation of the cheaper BM series monitors? Thanks!