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Workflows for editing Magic Lantern RAW Video /Lightroom/AfterEffects/Premiere/Resolve

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Petar Manov
Workflows for editing Magic Lantern RAW Video /Lightroom/AfterEffects/Premiere/Resolve
on Jul 19, 2013 at 7:42:58 am

advance I must admit that I do myself extremely difficult with the workflow for RAW edit. This is partly due to the lack of experience with raw footage and probably also the missunderstanding of it: (So have some leniency for the suggestions and the video here :)))

with the attempt, I had three aims:

1 find a workflow that goes directly and only with the DNG from the cam and consumed as minimal space.
2 a workflow that is not tied to Resolve
3 a workflow that I can do the edit in PP







Workflow 01:
ML RAW - DNG - Lightroom - After Effects - (premiere - no proxy)

If you are familiar with Lightroom, you can very quickly create some excellent look here. The nice thing with a click, the metadata are stored and you can add the material already in AE and edit Premiere or give further.

Advantage: fast and space-saving
Disadvantage: it is the reverse "normal workflow," because it's almost pointless to make color correction and colro grading, without having it created a Raw cut.

Workflow 02:
ML RAW - DNG - After Effects (premiere - no proxy)

It is a step less than the above but in the end the same work and is more like a video workflow.

Advantage: a little faster
Disadvantage: the adobe dynamic link is useless here, because Premiere can not deal with the DNGs
Edit: You can leave the After Effects composition in 8bit. so the direct link will work again but for me it makes no sense to film 14-bit RAW and then edit into an 8-bit space.

Workflow 03 (optional):
ML RAW - DNG - Resolve - Proxies - Premiere - XML - Resolve

Actually, the best workflow of all. The will work out pretty well, but you have to really know what you're doing here.

Advantage: it is the "right" way...
Disadvantages: ... but only if you can

if you have any suggestions, bring it on


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