on Dec 11, 2018 at 1:39:09 pm Last Edited By Lori Waite on Dec 11, 2018 at 1:44:30 pm
I'm definitley missing something here in Resolve's proxy workflow. I'm setting up a feature project shot in Red RAW, so naturally I will want to edit with proxies. I created Prores LT clips using the Media Mangement window from the R3D files and stored them on a different drive. I then imported these proxy clips in the media pool, then tried the Relink function to link them to the R3D files. No dice. The file names are the same (minus the .mov extension instead of .r3d, of course.)
My troubleshooting involved making an XML of a roll of dailies. Import the XML and the attending media, then tried the Relink command on these imported clips to be replaced by the Red RAW source clips. Still no dice.
Surely Resolve has a proxy workflow so that after doing the offline editing with proxies, I can 'call up' the R3D clips and color on the locked pix timeline. Please clue me in if you can.