I'm going to be coloring a one hour doc. The edit is coming from premiere as a flat prores file and EDL's. I'm expecting revisions(not ideal obviously). What's the best way to flow my grades downstream to the new cut. I figured I would just grab all stills and copy to the 2nd timeline. Is there a faster way? I could do a conform, but that might be a little more work than I want on this job. I thought I might colortrace. But I don't think it works with notched files. Any better solutions?
Jordan Mena | Editor | Colorist | Producer
Los Angeles, CA