on Feb 19, 2016 at 2:13:16 pm Last Edited By David Fulde on Feb 19, 2016 at 2:26:14 pm
I'm starting to get a bit frustrated, both myself and another colorist at the company I work for are running into thew issues. Exporting from resolve to Avid (AAF roundtrip) is resulting in illegal colours (We think) and the reds clamping down to a really ugly green (Pic attached) - this is really annoying since neither of us can find anything regarding a safe colour filter for exporting - it doesn't really show on the scopes (Even my coworker's hardware scope), and it seems to only happen in DNXHR, not in ProRes.
Is there a way to prevent this? I tired bringing the saturation down in the reds on a timeline basis but that results in ugly purples and lots of noise, and detaturating the whole show/shot looks bad. We are assuming that this is illegal colours but it might be something else.
Long story short - overexposed and oversaturated red are breaking out exports and we don't know what to do