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Anatomy of a DaVinci Resolve Composite

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Michael Wolf
Anatomy of a DaVinci Resolve Composite
on Apr 14, 2015 at 10:26:58 pm

I recently pushed DaVinci Resolve further than I have yet. A project came in that needed a bit of compositing, and I tackled in right in DaVinci Resolve. And with a little help from Boris Continuum Complete, it all came together beautifully.

Check out the breakdown here-> http://www.vimeo.com/shinefinishing/resolvecomposite

Mike Wolf
Finishing Editor | Colorist
shinefinishing.com
310-357-7211


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Andy Winter
Re: Anatomy of a DaVinci Resolve Composite
on Apr 15, 2015 at 9:40:09 am

thanks for the nice breakdown!

occlusion shadow, very interesting... and one question: can you resample noise/grain with the
boris plug-in, or do you have to find a grain that somehow looks familiar?


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Michael Wolf
Re: Anatomy of a DaVinci Resolve Composite
on Apr 15, 2015 at 10:07:51 am

There is a BCC filter called Match Grain and, as of Resolve 11.1, the OFX plug-ins can access a secondary layer, so theoretically that will work.

However, I just used BCC Film Grain and the eyeball test.

Mike Wolf
Finishing Editor | Colorist
shinefinishing.com
310-357-7211


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Michael Gissing
Re: Anatomy of a DaVinci Resolve Composite
on Apr 17, 2015 at 2:27:44 am

Excellent breakdown. Thanks


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