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Clipfinder 2.5, Cine-X 194, FCP studio 3

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Aaron Neitz
Clipfinder 2.5, Cine-X 194, FCP studio 3
on Apr 27, 2010 at 3:52:53 pm

Can someone kindly look at this workflow (I'll be doing a test tomorrow when I can get some r3d files in hand)

Shooting greenscreen and plates on RED:

1) Edit with Proxies on set to confirm plates and greenscreen elements line up well enough.

2) Generate ProRes with Clipfinder 2.5

3) Edit with ProRes in FCP

4) Generate XML of final edit and send to Clipfinder

5) Clipfinder generates a script for Redcine-X

6) Redcine-X transcodes final plates as DPX to send to Flame for 1080 finishing

**we're going back to Redcine-X as opposed to making ProRes4444 and exporting because I've been told on very good authority that's the best way to get the greenscreen as optimized as possible***



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Noah Kadner
Re: Clipfinder 2.5, Cine-X 194, FCP studio 3
on Apr 27, 2010 at 5:10:08 pm

Sure the only part that might get crunchy is the Clipfinder to derive the REDCineX files at the end I'd test carefully there. The rest sounds fine.

Noah

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Aaron Neitz
Re: Clipfinder 2.5, Cine-X 194, FCP studio 3
on Apr 27, 2010 at 10:11:17 pm

thanks noah! I'll test tomorrow and come back with some results



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David Battistella
Re: Clipfinder 2.5, Cine-X 194, FCP studio 3
on Apr 28, 2010 at 4:59:51 am



you could also consider using Apple Color to generate your DPX from the R3D files.

It will put each shot in it's own folder for your import.

David



Peace


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