I need some help understanding how to maintain color efficiency throughout my projects until output to stay in best and max quality. I think im not too bright when it comes to color spaces and so on, we always work either on uncompressed 10 bit telecined footage or RED footage (usually edit in proxies)...shots fly around between Mac and PC, FCP, AFX, Color, 3dMax. We ALWAYS master our final output to SD pal 720*576.
So what about color spaces, management? is there a specific profile we need to stick to? a workflow for color profiles?
any links what will help me is greatly appreciated.