I'm finishing a project and want to make sure I'm not throwing away bit depth in my exports from After Effects.
I'm working with Alexa LOG C footage 12 bit, in a project with color management turned off and in 32 BPC. I've been exporting to ProRes4444 with the color set accidentally to "millions of colors". However, if I bring that export back into After Effects, its interpreted as "trillions of colors".
Am I throwing away colors by selecting "millions of colors"? Or does ProRes444 default to "trillions". I'm wondering if the distinction matters with this codec, source material, and working space.