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Film Festival Transfer Question (ALL CAPS edited out by admin)

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Film Festival Transfer Question (ALL CAPS edited out by admin)
by Timothy Anderson on Jun 2, 2008 at 12:20:14 am

Hello,

I have a short film in several film festivals, thus requiring format transfers to HDCAM, DigiBeta, and Mini-DV. I have already supplied the post house with an uncompressed Quicktime of the short, which was shot at 24p (16x9) 720p with the HVX-200. Now, when doing the transfer to the tapes, the guy from the post house told me I could 4x3 it or letterbox it. I chose to letterbox it to preserve aspect ratio. Now, however, I am reading about 16x9 Full Height Anamorphic Digibeta - is that a better solution for film festival projection? What is the best format of the two for festival projection onto cinema screens? The post house didn't even mention that Full Height Anamorphic 16x9 digibeta was an option? In fact, I had no idea it existed until I read about it. Is this a different kind of Digibeta tape? Or just a method for the transfer any post house should do? I got the transfer done at Sun Media in Las Vegas. Should I have the transfers re-done into this format? How can a tape format be anamorphic? Please, any advice helps.

Thanks
Tim

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Re: Film Festival Transfer Question
by Noah Kadner on Jun 2, 2008 at 8:23:05 pm

I'd go with letterbox- most festivals will botch a native anamorphic projection on tape.

Noah

My FCP Blog. Unlock the secrets of the DVX100, HVX200 and Apple Color and Win a Free Letus Extreme.
Now featuring the Sony EX1 Guidebook.
http://www.callboxlive.com

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Re: Film Festival Transfer Question
by David Roth Weiss on Jun 2, 2008 at 11:59:18 pm

[Noah Kadner] "I'd go with letterbox- most festivals will botch a native anamorphic projection on tape."

As I said in response to a similar question last week, Murphey's rule of projection states, "If it can be projected imporperly, it will be projected improperly."

David Roth Weiss
Director/Editor
David Weiss Productions, Inc.
Los Angeles

POST-PRODUCTION WITHOUT THE USUAL INSANITY ™


A forum host of Creative COW's Apple Final Cut Pro, Business & Marketing, and Indie Film & Documentary forums.


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Re: Film Festival Transfer Question
by Timothy Anderson on Jun 3, 2008 at 2:31:57 am

Hey Noah -

Thanks that's what I am leaning towards sending them, but I am wondering how letterbox will look projected onto a cinema screen - will they project in 4:3 and does that leave space on the sides of the screen or do they fit a 16:9 onto it and how would letterbox look if this is done? Poorly?

I am correct in saying that the only two aspect ratio-preserving options are 16:9 letterbox (which is 4:3), and 'squeezed' 16:9 into a 4:3 that unsqueezes if projected in 16:9, yes?

Tim

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Re: Film Festival Transfer Question
by Noah Kadner on Jun 3, 2008 at 3:09:13 pm

[Timothy Anderson] "I am correct in saying that the only two aspect ratio-preserving options are 16:9 letterbox (which is 4:3), and 'squeezed' 16:9 into a 4:3 that unsqueezes if projected in 16:9, yes?"

That is correct but the latter will rarely happen properly at most festivals.

Noah

My FCP Blog. Unlock the secrets of the DVX100, HVX200 and Apple Color and Win a Free Letus Extreme.
Now featuring the Sony EX1 Guidebook.
http://www.callboxlive.com

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Re: Film Festival Transfer Question
by Arnie Schlissel on Jun 2, 2008 at 11:04:14 pm

This will vary depending on the festival. Ideally, you would ask the projectionist, and then provide whichever version they prefer.

Arnie

Post production is not an afterthought!
http://www.arniepix.com/

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