genlock necessary for Kona LH ingest?
by Jenny L.
on
Aug 7, 2007 at 6:42:33 pm
Hi there:
I am working on a low budget indie film that is getting ready to digitize the dailies for the offline.
Our editing set up is a dual 2 Ghz PowerPC G5 tower with Mac OS 10.4.10, Final Cut Pro 5.1.4 and a Kona LH card. We're using an old playback-only deck, the Sony DSR 60, which is being controlled with RS-422. No firewire input on the deck.
(The dailies are DVcam (transferred from Super 16mm). Telecine house is providing a scene-and-take transfer and giving us Flex files, which we're bringing into Cinema Tools and using to create a batch capture list. Offlining at 29.97 fps, and eventually we will be generating an EDL, scanning the film and finishing on HDcam SR.)
The genlock on the AJA control panel is set to "Video". Is that all I need to guarantee frame accurate timecode on the batch capture? In general, I know it's a good idea to have everything genlocked to a blackburst generator, but the production does not have one and the budget is already maxed out, so there is reluctance to purchase one. The DSR 60 is the only deck hooked up to the system, which we are using for ingest only while on location; we are not doing any kind of laybacks or editing to tape at all with this equipment.
I assume I should also calibrate the capture offset in FCP as well?