HD monitoring in field and studio

	Re: HD monitoring in field and studio by Russell Lasson on Apr 14, 2009 at 3:25:18 am What camera are you using? Also, what capture card do you have in your edit system. -Russ Russell Lasson Universal Post Ridgeline Digital Cinema Mastering Salt Lake City, UT Respond to this post   •   Return to posts index

	Re: HD monitoring in field and studio by David Roth Weiss on Apr 14, 2009 at 5:53:21 am Bob, You might want to read the following article by Nick Griffen. http://library.creativecow.net/articles/griffin_nick/flanders_sci_lcd.php Nick specifically discusses using one of the Flanders monitors as a field monitor. David Roth Weiss Director/Editor David Weiss Productions, Inc. Los Angeles POST-PRODUCTION WITHOUT THE USUAL INSANITY ™ A forum host of Creative COW's Apple Final Cut Pro, Business & Marketing, and Indie Film & Documentary forums. Respond to this post   •   Return to posts index

	Re: HD monitoring in field and studio by Shane Ross on Apr 14, 2009 at 5:58:10 am And I'll attest to the Flanders 17" in the edit bay. Very nice. Very close to my HD CRT...better than the Sony for DARN sure, and better than the JVC I have seen. Shane GETTING ORGANIZED WITH FINAL CUT PRO DVD...don't miss it. Read my blog, Little Frog in High Def Respond to this post   •   Return to posts index

	Re: HD monitoring in field and studio by walter biscardi on Apr 14, 2009 at 11:55:58 am [Shane Ross] "And I'll attest to the Flanders 17" in the edit bay. Very nice. Very close to my HD CRT...better than the Sony for DARN sure, and better than the JVC I have seen. " I'm pushing Bram to add the ND Filter to the 1760W now, but we are using that monitor right now on a new series for Discovery Science and it is working perfectly. Be sure to stop by the FSI Booth while you're in Vegas. The 2450W now has the 3D LUT all set and Bram was showing me the new ND Filter setup for the 2450W. It is absolutely stunning. We get ours in two weeks and I cannot wait! Still not sure what to do with the old CRT's but we'll figure out something. Walter Biscardi, Jr. Biscardi Creative Media HD and SD Production for Broadcast and Independent Productions. Read my Blog! STOP STARING AND START GRADING WITH APPLE COLOR Apple Color Training DVD available now! Respond to this post   •   Return to posts index

	Re: HD monitoring in field and studio by walter biscardi on Apr 14, 2009 at 11:23:39 am [Bob Cole] "I realize that a 17" is kind of small as an editing suite HD monitor, but I wouldn't mind using two HD monitors in the edit suite (a 17" "reference" monitor for color correction, and a big prosumer one). " Click on the yellow banner to the left for FSI / Flanders Scientific. They make the only 17" color accurate monitor I know of and you can also use it in the field on battery with a free adapter. 1760W is $2,495 list price. We're using it as the reference monitor in one of our suites right now and we are installing two of their 2450W's in our other two suites in two weeks. I have seen the Panasonics, even the new 2550 and these FSI monitors are even better. They're a local company right up here in Suwannee, Georgia so all the support and parts are local too. http://www.flandersscientific.com or http://www.shopFSI.com They're running a 5% off special for Creative Cow users through April 15th Walter Biscardi, Jr. Biscardi Creative Media HD and SD Production for Broadcast and Independent Productions. Read my Blog! STOP STARING AND START GRADING WITH APPLE COLOR Apple Color Training DVD available now! Respond to this post   •   Return to posts index

	Re: HD monitoring in field and studio by gary adcock on Apr 14, 2009 at 12:53:32 pm [walter biscardi] "They make the only 17" color accurate monitor I know of and you can also use it in the field on battery with a free adapter." Panasonic has had 12v on the 17in display since it began shipping 4 years ago, This is actually common for production monitors. Companies like Astro and Marshal also ship medium size displays with 12v xlr power taps and are considered the best for onset/on camera use. For a true grading monitor- Cine-Tal has announced 10bit Ref displays at 19, 32,and 42in that offer the users the DCI 2.6 gamma, XYZ color space along with built in LUT creation, dual link/2K playback and they have Omnitek waveform and vectorscope built into the display. gary adcock Studio37 HD & Film Consultation Post and Production Workflows Inside look at the IoHD http://library.creativecow.net/articles/adcock_gary/AJAIOHD.php Respond to this post   •   Return to posts index