That, my friends, is very important.
We feel fortunate because Boris and everyone at M100 are listening us in all matters about the development of this wonderful product, but I can't understand why there is no feedback when we talk about the communication issues of M100.
I know that BorisFX have very powerful tools for a lot of people out there, but, both products belong to two different markets that haven't merged in a solid solution for a lot of people (including me and my people), that were working with AE or Color for years. I think if M100 were marketed in a different way, as a powerful editing solution for digital cinematography and TV and beyond, without force us to work trough BorisFX, many things could be different; maybe if we could work, hand by hand, with a BorisFX that could work with third party plugins, the story could be different.
The matter is that there are so many people out there that want to do their films and prime time shows for continental distribution, that associate BorisFX to a different league. It's hard and it's a contradiction, but BorisFX have saved M100, and now, when the perfect time for this well prepared and legendary tool have arrived, it is slowly drowning M100 under the shadow of BorisFX, or at least by their deficient marketing strategies.
Fermin Branger
ALFARERIA CINEMATOGRAFICA
Caracas, Venezuela.
http://www.alfareriacine.com
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