Frequently I am asked to create dailies for offline. When shooting on the RED, I use REDCine-X to give everything a one light color correct and ship off ProRes Proxy files. It's quick, utilizes multicore, and keeps the in camera audio intact.
I haven't found a similar solution for the Alexa. I'm being asked to transcode ProRes 4x4 Log-C files to ProRes 422 with a LUT applied (basically a one-light color correct so the client doesn't freak out with the rough cuts before the finish).
What tool / what workflow are people doing? After hunting around the internet, I haven't found many people speaking high praise to this workflow...
----------------
FCP Guru
http://www.fcpguru.com
Reply
Like
