let the vibe guide you.
that said, I now highly rely on numeric levels to tell me where I'm at.
Strange thing. Few years ago, I'm sitting, editing and grinning. My ear itches so I stick my lil finger in there and wiggle it around. Fixed it so I pulled it out and POP
daaang. Doctor said it was a ruptured blood vessel. A few surgeries later, I'm freakin deaf in one ear and I can't mix a show fer nuthin. Luckily, I had memorixed numeric audio levels in the audio mixer. 14 is up full, 28 is bed level under sot, and I always peak it between key phrases or chapter changes, if you will.
I have my left monitor 3 feel from my head aimed directly at my ear. My right monitor faces the room about 10 feet away. Closest I can get to stereo. Sometimes I can't here the music while somone is talking, I'll crank it up where it sounds fine, recheck my numeric levels and they'll be at like 20. Works for some music under some people some of the time but is hard to listen to over an extended period of time.
I guess thats the thing. If you hear it, did you want to? If ya didn't were you trying to stay below the radar?
What I do is lay the content down on a timeline. I go from the time subtractivly, ditchin' stuff I don't want. This gives me a real good sense of the vibe of the piece. I know where mood changes are happening and rearange content to the order I like.
I then hit it again from the top, cleaning stuff up on the content I am now keeping fer sure.
Again from the top, now with music. By now I have laid in filler where my swells will be and I simply backtime intros, outros, swells and transitions. Goes quick.
Then I do broll from the top, sometimes plopping in key shots when I do the audio pass.
One more time from the top with layers of lovew, graphics, sweetening and effects.
Thats not a template. It's a method of attack. There are no templates when it comes to any kind of editing.
Hopefully, the content will scream what it needs and wants and we'll all respond accordingly.
