| Article: Stereoscopic Storm - NAB 3D Cameras
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 | Article: Stereoscopic Storm - NAB 3D Cameras
by Steven Bradford on Jun 23, 2010 at 4:52:45 pm |
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• | | | |  | Re: Stereoscopic Storm - NAB 3D Cameras
by Mike Cohen on Jun 16, 2010 at 1:22:42 am |
interesting array of cameras - and it will be interesting to see how 3D television pans out.
Me? I made a 3D surgical video in 1994 - the audience required LCD glasses.
Mike Cohen
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by Louis McLellan on Jun 16, 2010 at 1:10:55 pm |
Did they give a price on the Panasonic?
Editor, Sound Designer, Stop-Motion Animator, Lighting, and Pack Mule
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by Steve Wargo on Jun 17, 2010 at 10:40:17 am |
We just had the Panasonic Crew through here (Steven - It was McGowan and his cronies) and they had their little 3D item and the price point was $40k.
Steve Wargo
Tempe, Arizona
It's a dry heat!
Sony HDCAM F-900 & HDW-2000/1 deck
5 Final Cut (not quite PRO) systems
Sony HVR-M25 HDV deck
2-Sony EX-1 HD .
Ask me how to Market Yourself using Send Out Cards
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• | | | |  | Re: Stereoscopic Storm - NAB 3D Cameras
by Paul Pieczynski on Jul 14, 2010 at 10:06:40 pm |
I wonder how is about lighting up the scene? Is 3d working only on some keys (blue,green) or there is a chance to 3dREC the scene that is actually in real. Like a tv brodcase of talkin heads.? Finlay, how to light up? Contra light is cuting dimensions? First plan, second. Or there is some other technic.
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Not sure what your question is-- must be a language issue. Lighting is fundamentally the same, though you usually want a higher f stop for more depth of field, which means more light most of the time. One thing to watch out for is that each lens can get slightly different glare or haze from the different angles.
Steven Bradford
http://www.3dstereomedia.com 3D company I've worked with since 1990
http://www.seanet.com/~bradford/ my personal home page, find my greenscreen page there.
http://www.seattlefilminstitute.com the school I teach at.
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by clyde desouza on Jul 29, 2010 at 3:45:05 pm |
I'm surprised the screenplane rig showed Canon DSLRs on them. Was that for cosmetic look only? in absence of smaller cams such as si2k minis?
As it stands the DSLR's cannot be genlocked and even shooting at a higher fps and doing clapper sync will not assure you scanline level (cmos) sync.
So why show those cams on a rig? anything with moderate motion would show strobing.
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by Jeff Cools on Jul 29, 2010 at 9:13:24 pm |
Nice work Steven! I just wanted to add my 2 cents, 3D film factory was also at NAB and I think their mirror rig is the cheapest (cost wise) around. Also we try and shoot completely parallel when doing stereoscopic production and avoid any "toe in". This gives us a cleaner anaglyph version for the web. Also, iz3D has a 3D monitor that also uses passive glasses and isn't very expensive. More on me at http://www.jeffcools.com
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by Justin Zion on Jul 29, 2010 at 9:25:05 pm |
Great article! I had the pleasure of shooting with camera for a few weeks here in Chicago. My partner and I are thrilled with the results that it has given us. We just shot the first Bluegrass music video in 3D with this camera. This is a great camera.
You can read some press about our experience with the camera here:
http://www.reelchicago.com/story.cfm?storyID=2899
Justin Zion
Production Manager
Fred Blurton Productions
http://www.fbptv.com
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• | | | |  | Re: Stereoscopic Storm - NAB 3D Cameras
by Rob Burkhardt on Aug 1, 2010 at 2:19:50 am |
Great info on how many companies are putting money into 3D rigs.
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• | | | | | Re: Stereoscopic Storm - NAB 3D Cameras
by Rob Burkhardt on Aug 1, 2010 at 2:19:50 am |
Great info on how many companies are putting money into 3D rigs.
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• | | | | | Re: Stereoscopic Storm - NAB 3D Cameras
by Norman Mc Isaac on Aug 21, 2010 at 12:47:22 pm |
Thanks for the history and current affairs lesson.
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