[Scott Roberts] " I assume the Avatar sequels will be some of the most "hated out of spite" films of all time."
I don't think so. I really don't.
Using Rotten Tomatoes as a point of reference: Top Critics came in at 92% Fresh, audiences 93%.
(I use Top Critics because any ass-munch suck-up can worm their way onto Rotten Tomatoes. 300 critics actually becomes LESS statistically significant because there are so many quote-trollers who extoll crappy movies to get quoted in their crappy commercials.)
Compare Avatar numbers to a nasty sequel like the fake-ass "Episode 1 (But Not Really)," aka "Are You SURE That This Is A Star Wars Movie???" JAKE LLOYD IS NOT DARTH VADER Episode 1:": Top Critics 67%, audiences 64%. (WTF? Critics liked it better than audiences? Smaller sample size than Avatar, but still.)
I think you guys are way overthinking this. You don't go from 90% favorable and 9 Oscar nominations to "hated on principle." You just don't. I'm genuinely surprised that this is even a consideration for purposes of friendly banter. The world doesn't work like this. There weren't knives out last time, even among the 3D haters, and there won't be next time either. My prediction: the numbers go up. Potentially WAY up.
This is very much how Batman worked. First Nolan pic: 61% Top Critics (!),the second one was 91% critics, 95% audience. Frankly, a lot of that was driven by Heath Ledger, certainly for me -- otherwise, definitely not so fresh.
Then look at the bank: the second one more than doubled - roughly $200m domestic vs. roughly $500m. Avengers looks to be closing in on $650m domestic - Dark Knight HAS to be in that neighborhood, don't you think?
As much as I really, really don't like the Dark Knight movies AT ALL (very nearly hated the first one), I have tickets to an 8 AM (not a typo) showing Friday, and definitely not hating on principle.
Last but not least, I mention this now and again, but using Rotten Tomatoes just because it gathers so much information in one place, and for grins, throwing in Oscars -
Cameron is the most beloved and respected director working today, more than Spielberg, more than Scorsese. That's not even counting box office. There's never been a director who has combined bank, critical approval and prestige as chosen by working peers like Cameron, not even close.
AND he's written almost everything he's done as an original script.
AND he spends a lot of time behind the lens.
AND he was one of the editors Titanic and Avatar.
Oh yeah, and the pushing technology thing. (See also The Abyss and T2.)
There's simply nobody in his category. Nobody has ever had knives out for him, not audiences or critics, even when his stuff wasn't especially well-reviewed.
See True Lies...or don't...although once again, his original story and one of the editors. But the people who didn't like it - including me - largely didn't savage him. We saw it as a slump after Aliens, Abyss, Terminator and T2 IN A ROW. Strange Days was kind of weak, but right after that, Titanic, some awesome shorts (including the still awesome Aliens of the Deep), an episode of Dark Angel (although he produced all 42 eps), then Avatar. Not many duds in there.
Besides, watery stuff is Cameron's long suit. Nobody does it better, and to me, all the best animation in Avatar was the most ocean-like: the plants that contracted when touched, the sprites -- a whole lot of it was inspired by Cameron's aquatic experience. (Hey, and didn't Steve Ziszou look almost as much like Cameron as Cousteau?)
Watch. the Avatar saga is gonna have a Batman-style trajectory, which he already pulled off with Terminator. The man knows how to sequelize his own stuff.
Slam slam slam slam slam dunk.
Tim Wilson
Vice President, Editor-in-Chief
Creative COW Magazine
Twitter: timdoubleyou
The typos here are most likely because I'm, a) typing this on my phone; and b) an idiot.