Re: Color Grading by walter biscardi on Oct 22, 2009 at 1:16:07 pm
[Arnie Schlissel]"And in terms of price. I think it's next real competitor costs around $20k. "
Yep and those who paid $20k or more for their solutions need to protect their investment by trying to dumb down the cheaper solutions and insist that they are "lower quality," "Lower end," etc....
Of course most folks seem to forget (or they didn't know) that Final Touch 2k was $25,000 just a few years ago and that's the same software we all run today as Color.....
Walter Biscardi, Jr.
Editor, Colorist, Director, Writer, Consultant, Author.
HD Post and Production Biscardi Creative Media
Re: Color Grading by walter biscardi on Oct 22, 2009 at 7:04:06 pm
[Loren White]"I understand you can bounce around between the FCS app's but it'd be nice to just do it in one application. "
I'll disagree with you there too. Color is such a deep application it's best to keep it stand alone. Same with Motion.
You could bring some elements of the apps into FCP, but to incorporate everything into one large application will yield a bloated and probably slow running app that won't do everything well and would most likely be unstable. Can't imagine cutting a documentary with the 200+ hours of material that we have in a Final Cut Color Motion SoundTrack Pro application. Would probably take 20 minutes just open the application and load all the footage.
Look at Premiere, Photoshop and After Effects. There's a reason Adobe keeps them separated. They run best as individual apps that are tightly integrated. That's what Apple has to do, get better integration between the apps.
Walter Biscardi, Jr.
Editor, Colorist, Director, Writer, Consultant, Author.
HD Post and Production Biscardi Creative Media
Re: Color Grading by Ronen Pestes on Oct 23, 2009 at 8:01:03 pm
[Walter Biscardi ] "I'll disagree with you there too. Color is such a deep application it's best to keep it stand alone. Same with Motion."
I have to disagree with you Walter on that, the big advantage of the Avid Symphony is that you can color correct and edit at the same time, and clients love it. it is maybe not the preferred editing (or old fusion) work flow, but it does work.
and yes, better integration (and maybe better file naming system for render color files) can be a huge improvement. I hope that the people in apple can make it work with out slowing down the system.