Re: Morning light by Joseph Owens on Jun 25, 2009 at 8:47:23 pm
Hmmm. I've heard of "day for night"... lets see, you start out with a lit scene and make it dark, but you want to go the other way. Sounds like a "winter for summer" exercise.
Don't laugh, you think I'm making this up, don't you? We had a record low October a couple of years ago and a feature was shooting a "heat wave" movie. A few of them almost died of hypothermia. I'm not naming names.
Just how "morning"? First thing I'd try is to wipe a bunch of indigo across the upper parts of the visible sky, and try to work a band of yellow across the horizon. This may not be a COLOR project.
Re: Morning light by Mike Prior on Jun 25, 2009 at 9:24:13 pm
We don't have any sky in any of our shots, what we would really like to do is hint at it being early morning just as the sun is coming up. The widest shot is of two men sat on a sofa in front of a wall from just below the waist up and the rest is just closes of this.
Re: Morning light by Joseph Owens on Jun 25, 2009 at 10:51:44 pm
So any time of the day at all.
Normally, we associate a paler, yellower rendition with dawn or daybreak, as opposed to richer, more amber hues with the "golden hour" of the other end of the day.
