HPX Camera choices

Hi I need to purchase a new camera to shoot primarily sports using tripod and handheld work. with some corporate jobs as well. Output to SD bulk of work DVD and web for now. I tried the 170 and found the lens on the short side and the LCD/viewfinder tough to pick up the ball. I have heard many complaints of bad rolling shutter on the 300. The HPX 500 is nice but more costly and not sure there is much issue since it doesnt do full raster like the EX3 from Sony. Bottom line My biggest concern is the turnaround time for basically a 45 min game to SD DVD in FCP6 and now 7. I have searched and asked about a good workflow that would produce good results in a reasonable time but haven't gotten much of a response.

Im actually in Pennsylvania. I rented the 170 last yr, nice camera, but I found the LCD and viewfinder tough to follow the ball. the wide lens doesnt help me at 13X for sports. I realize you have to compromise though. My biggest question is more about real workflow in finalcut to down convert to SD DVD. 45mins of footage to DVD. How many hours on P2 or XDCAM?

I think handheld sports screams, full size cameras, for lens and steadiness. The EX3 is also a CMOS so it would have the rolling shutter effect also.

I think the 500 for the money cannot be beat. Don't worry too much about the "not full raster" the bigger chip, better lens more than make up for that. Full Raster is nice but we have worked in the Thin Raster world for years,

Chuck,

You are right about only lens being 13x only, I'm finding it a bit short after 20x Canon lens for years...

But, you asked about workflow; I'm using 170 and the workflow is simple;

Shooting 1080i (or 720p if you want to save space on your cards - 16 GB card gives 42 minutes in 720p) then importing that in my FCP 5.0.4. Once edited, export from your DVCPRO HD timeline to Quick Time (current settings).
Resulting .mov file drop in Compressor and submit it to encoding to mpeg2 (best quality, 90 min setting) and .ac3 audio file.
Import that mpeg 2 file (.m2v) and audio (.AC3) to DVD Studio Pro, build your menu and burn it.

The resulting standard def DVD looks absolutely spectacular.

Mio




http://www.digitalvideovault.com.au

Chuck-

We shoot 90% of our projects with the 500. We spent more than a year testing XDCAM, EX1 and HPX cameras before choosing the 500. You can load it with (1) 32GB P2 card, shoot at 720p 24PN and get 84 minutes out of the card. Or shoot 720p 30PN. If you are down converting to SD there is no reason to shoot in 1080.

I have been a shooter for 15 years and while I like the little cameras, the full size ENG/EFP cameras are hard to beat. Especially for shooting sports.

Workflow:
1) Log and transfer your footage.
2) Put into a ProRes or DVCPRO HD timeline and export with Compressor (Dual pass it if you have the time with the higher quality settings)
3) You are ready to take the files to DVD Studio Pro and burn your DVDs.

The down convert is effortless and the SD files will be beautiful.

Timing is all going to depend on:
*Your hardware and computer (for example: are you transferring from the camera or a capture device)

We shoot 90% of our work at 720p. Unless you're shooting for broadcast there really is no reason to worry about the 1080. (Especially since you are going to SD DVD.

Final thoughts on the 500:
1) Full size 2/3"
2) EXCELLENT buy for the money
3) 4 Independent Audio Channel
4) Flexible formats
5) Holds (4) P2 cards
6) Works seamlessly with FCP

We're down in Washington, DC. If you're ever down from PA fee free to hit us up.





Ryan Pratzel
Executive Producer
Creative Liquid Productions
http://www.CreativeLiquid.com

Chuck-

On multi-camera shoots we often use a second 500 (freelancer or rental).
But we also use the HVX200 or 170. Both are excellent B cameras and more cost effective.

If you can get the day rate and get the use out of it, the 500 is a great work horse.



Ryan Pratzel
Executive Producer
Creative Liquid Productions
http://www.CreativeLiquid.com