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HDV and Hyper deck Shuttle

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Puneet MalhotraHDV and Hyper deck Shuttle
by on Aug 5, 2011 at 12:58:58 pm

I am using sony hdv Z5 camera and want switch over to tapeless format.I come to know about a product Blacmagic hyperdeck Shuttle.It uses SSD for storage. will it work fine with my camera and which format will it store the video. is it right solution to go tapeless or is there any other way out.....


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Jeff PuleraRe: HDV and Hyper deck Shuttle
by on Aug 5, 2011 at 2:29:59 pm

The Shuttle looks to be a great product, if your workflow is suited to uncompressed video. Uncompressed HD takes up HUGE amounts of space, so that expensive SSD drive isn't going to record for very long, then you also have to consider if your edit system and hard drives are up to the task of editing uncompressed footage.

I think this will be great for those working on broadcast commercials, green screen, that type of stuff. Anything that is shorter and requires the absolute best quality. Not practical for long form/events though. Certainly not going to record 8 hours of seminars with this unit.

You might also consider the Atomos Ninja in your search. It costs more, but will work with very inexpensive laptop drives (500GB for $79) that will hold many hours of HD footage! Ninja records to the visually lossless Apple ProRes codec (LT, 422, or HQ modes). Also has a color touchscreen/monitor for monitoring and playback, comes as a full kit with batteries, charger, drive caddies, caddy dock to interface to computer, and carry case.

Jeff Pulera
Safe Harbor Computers


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Puneet MalhotraRe: HDV and Hyper deck Shuttle
by on Aug 5, 2011 at 3:51:25 pm

thanks Jeff, but someone told me that shuttle records in H.264 compression so it takes lesser space. can you be more helpful in getting me understand the tecnical aspects of shuttle in more deatail as on blacmagic site the information is not satisfactory.....


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Jeff PuleraRe: HDV and Hyper deck Shuttle
by on Aug 5, 2011 at 4:49:06 pm

The HyperDeck Shuttle and HyperDeck Studio devices record 10-bit uncompressed video. Period.

The person that told you about H.264 may have been thinking of the ATEM Television Studio product, which will encode to H.264.

Thanks

Jeff Pulera
Safe Harbor Computers


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Terry MikkelsenRe: HDV and Hyper deck Shuttle
by on Aug 5, 2011 at 5:10:44 pm

Jeff, do you have or have you used the Ninja?

Tech-T Productions
http://www.technical-t.com


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Jeff PuleraRe: HDV and Hyper deck Shuttle
by on Aug 5, 2011 at 6:22:37 pm

Hi Paul,

I have used the Ninja on a couple of stage events with great results (loaner unit). Not trying to take anything away from Shuttle, but there are different tools suited to different needs. Note Ninja has HDMI only, no SDI, so that also differentiates the products and intended users.

Jeff


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Alex GerulaitisRe: HDV and Hyper deck Shuttle
by on Aug 6, 2011 at 12:14:23 am

Jeff,

What about native HDV recording? Seems like the most practical way to go tapeless on an HDV camcorder unless there is a need for higher quality (like you said - green screen, etc.).

Just curious.

Alex (DV411)


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Puneet MalhotraRe: HDV and Hyper deck Shuttle
by on Aug 6, 2011 at 9:49:12 am

hello Jeff as you said to try Ninja, I checked upon the site and read its manual and found that it supports only FCP. is it true or it supports some other NLE systems also.... i am using Premier CS5.


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Jeff PuleraRe: HDV and Hyper deck Shuttle
by on Aug 6, 2011 at 3:48:08 pm

External recorders for HDV have been around for years. Why spend hundreds of dollars on one of those, if the quality (or lack of) is still the exact same as recording to tape?

Ninja and Shuttle both take the HDMI feed from the camera BEFORE it gets compressed! Shuttle records uncompressed, and Ninja uses Apple ProRes.

ProRes is 10-bit, with 4:2:2 color, while HDV uses only 8-bit 4:2:0. ProRes is FAR less compressed than HDV. Yes, this creates a larger file, but still far smaller than uncompressed, while being visually lossless.

I've taped school plays and dance recitals and simultaneously recorded to HDV tape and Ninja. Comparing the two formats in Premiere Pro CS5.5 using a split screen, and then further comparing frame grabs in Photoshop, there is a BIG difference.

The HDV often exhibits very blocky compression in areas of the same color (think skies, curtain background, any solid color area), lacks detail, and motion also creates a lot of compression problems. The ProRes footage looks great though! Having 10-bit color means more latitude in color grading also, eliminating banding.

ProRes is NOT just for Final Cut - having the free QuickTime installed on a PC means you already have the ProRes playback capability, so it should work in any NLE. Works great in Adobe CS5 and CS5.5 for me on the PC.

Jeff Pulera
Safe Harbor


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Alex GerulaitisRe: HDV and Hyper deck Shuttle
by on Aug 6, 2011 at 9:13:22 pm

Jeff... didn't mean to start a discussion on the merits of color sampling and intra- vs. interframe compression. Well aware of the quality differences and wasn't trying to be confrontational.

Let me rephrase the question.

If HDV quality and editing workflow already work for the OP, then is a native (file format) tapeless recorder the most practical way to go tapeless?

Alex (DV411)


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Michael PalmerRe: HDV and Hyper deck Shuttle
by on Aug 6, 2011 at 11:18:09 pm

"then is a native (file format) tapeless recorder the most practical way to go tapeless?"

YES, going tapeless opens the door to much better video quality . HDV was a good idea at the time and now it is IMHO a complete waist of time, speaking to the added time it takes to capture a tape. Those who have cameras with a digital output (HDMI or SDI) can still use their HDV cameras with external recorders and I would suggest the Convergent Design Nano Flash digital recorder would be a major improvement over the HDV tape quality. The BM unit is like adding a jet engine to a VW and finding SSD's that may or may not keep up the write speed of Uncompressed video is up to the end user to find.

Good Luck
Michael Palmer


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Puneet MalhotraRe: HDV and Hyper deck Shuttle
by on Aug 7, 2011 at 4:42:41 am

thanks Michael , I study nano flash recorder and found that it is a costly product, as I am not into a broadcast industry so what could be second option for me which should give good quality also and not make a hole in my pocket....


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Terry MikkelsenRe: HDV and Hyper deck Shuttle
by on Aug 7, 2011 at 12:41:21 pm

Michael,
I've been looking into a replacement to my tapeless recorder for quite some time. The nano is about 3x the price of the ninja. I can't really find anything in the specs that justify the price difference, other than the nano has both hdmi & sdi inputs. There are two things about the ninja that make me hesitant:
1. it is a newer company and I don't know about quality and support after the sale
2. Im a little unsure about having soft buttons on a production machine. I would rather have hard buttons and switches.
But those two things definitely don't justify the cost difference.
What am I missing?

Tech-T Productions
http://www.technical-t.com


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Michael PalmerRe: HDV and Hyper deck Shuttle
by on Aug 7, 2011 at 4:52:38 pm

"But those two things definitely don't justify the cost difference."

With any professional product you will get what you pay for, I can tell you first hand that the Nano Flash is a rock solid professional digital recorder that is small and extremely dependable. I think you should ask a Ninja owner about usability and dependability. I have heard they don't play back properly but this is second hand hear say. I can only recommend what I have used and the Nano works great for me.

As to Puneet's question about an affordable alternative recorder, one way would be to find an I/O device to connect the camera to a Mac and record to Pro Rez. I would suggest the Matrox MXO-2 to connect via express 34 slot to a Mac Book Pro.

Good Luck
Michael Palmer


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Puneet MalhotraRe: HDV and Hyper deck Shuttle
by on Aug 7, 2011 at 7:32:31 pm

Thanks Michael for your advice for matrox, but it is a capture card I think and again I will have to use tapes. i want to go tapeless format.
i am using Sony Z5 camera and premier CS 5 for editing. what could be best solution for me to go tapeless.


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