Getting New HD edit system - feedback?
by david skillicorn
on
Nov 27, 2007 at 4:42:20 am
After many years with Beta SP based FCP edit system with Targa board and Medea SCSI drives, I am buying a new system which I need to handle HD uncompressed input for online edits, capturing from Panasonic HDX 900 camera or HD deck, as well as continue with Beta uncompressed capture for SD projects.
Here is what I am thinking of getting for new FCP HD mac system.... which I hope will handle ProRes 422 or 10 bit HD, as well as the SD.
Anything I'm missing? Enough horsepower here, any curve balls I'm unaware of? Any thoughts, comments appreciated. Thanks.
Re: Getting New HD edit system - feedback? by Shane Ross on Nov 27, 2007 at 6:02:52 am
The AJA I/O HD doesn't do Uncompressed HD. Compressed only, like ProRes. It will play it out, but not capture it. It is really a good PORTABLE box for use in the field with your MacBook Pro. But if you want a good edit bay setup, I suggest the Kona 3 or Decklink Multibridge Pro.
And as for the S2VR eSATA Raid...I'd push the HD PRO line really. Not much more and you get much higher speeds, and Raid 5 protection. The S2VR line is Raid 0 only.
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Re: Getting New HD edit system - feedback? by david skillicorn on Nov 27, 2007 at 1:15:45 pm
Thanks for reply.
I guess the question for me is, IS ProRes 422 good enough. I do mostly docs for myself and other clients end to end, and will want to output HD shows at some point, even though most of the stuff I shoot on HD now ends up on SD DVDs.
Is ProRes 422 a good enough quality HD product and if so, do you think the system I'm considering is plenty good enough? Otherwise I'll punt and nudge up higher end.
Re: Getting New HD edit system - feedback? by Tim Kolb on Nov 27, 2007 at 3:35:52 pm
The two principle factors at work here are file size and file processing load.
ProRes compresses the file (and the quality is very good, I'd be surprised if there were quality issues with your images due to compression using ProRes...) which makes the number of bits that the drive has to retrieve and transmit smaller, but decompressing the data to play out and compressing the data to alter and store it (when you create an effect or something that requires a different file to be "rendered" for instance) takes processor power. The system you have specified would be capable of capturing/compressing to ProRes according to Apple's recommendations.
The I/O HD is designed to take that processor load off the computer and the box does the compressing to ProRes internally and hands off the already compressed file to the computer. Since you already have a computer that appears capable enough (per Apple) to do the ProRes compression internally, I'd consider simply putting a Kone LHe in the box for about half the cost and have a little more flexibility.
As far as storage is concerned, verify what configuration the drive assembly you've spec'd will dependably keep up with your data rate requirements. Most harddrive data rate specs are calculated when the drive system is far less than half full and certainly not fragmented through intense editing operations.
Also, keep in mind that most of the more cost-conscious drive assembly manufacturers are quoting data rates based on the very vulnerable RAID 0 (or "striped") configuration. This is a deal with the devil to some extent. The drive housing you spec has 5 drives. To operate at the highest data rate, all 5 have to be striped together from what I can see by the descriptions I've read. This means that the failure of one drive corrupts the entire file inventory in the drive system.
I'd take the extra money from switching to the Kone LHe and put it into some reasonable redundant and safe-guarded storage personally.
Re: Getting New HD edit system - feedback? by mbloodgood on Nov 27, 2007 at 4:52:20 pm
In addition to RAID 5, I would also say upgrade your video card to the ATI 1900. It isn't that much more exspensive and will speed up FX effects in FCP and anything in Motion. Even if you do not plan on doing many effects, the 7300 is way, way on the side of crappy consumer card and that by itself should be reason enough. Why spend thousands on a new system only to have $60 graphics card. Why apple puts it in there "pro" system I don't know.
Re: Getting New HD edit system - feedback? by Tim Kolb on Nov 27, 2007 at 5:08:01 pm
I think Apple has Quadro series cards available as well don't they?
...I'm not familiar with ATI's model numbers, but for QuadroFX, you'd be in the 1500, 1700 range or for dual/dual-link DVI for 30" displays minimum, the higher end cards range from the 3450 (one single, one dual link DVI port) through the 5600 (serious RAM, one dual-link DVI and one dual-link DVI/HDSDI output available) range, with the top end of the range being a considerable investment.
Re: Getting New HD edit system - feedback? by paul Provost on Nov 28, 2007 at 5:05:54 am
get the kona Lhe - you'll need its analog io for betasp. kona 3 is awesome but a lot more especially with a/d converters.
unless you only want pro res - the kona io doesn't do uncompressed ; )
get the ati 9100 xt - apple requires it for color and motion.
i hear caldigit has something new coming out in a few weeks so it might be good to wait on storage if you can - we are. striping 3 interior 500gb drives in raid 0 in the mac is a good way to limp along in the meantime. (only about $130 apiece from macsales.com).
macsales also has an 8GB ram kit of apple certified ram for only $450 - we did and no problems whatsoever (just make sure you follow the matched pair installation notes carefully!
Re: Getting New HD edit system - feedback? by Bob Zelin on Nov 28, 2007 at 8:05:23 pm
This will answer the question - is ProRes422 good enough. The answer is YES. This is the reason. AVID DNxHD is the standard resolution used by countless shows on network TV, and Apple ProRes422 and ProRes422HQ are the EXACT SAME RESOLUTIONS. Anyone that tells you otherwise is giving you mis-information. The AVID Nitris will do uncompressed, but it uses the AJA Xena 2K card, so in your FCP system, you could use the identical AJA Kona 3 card - but I am telling you, you do NOT NEED UNCOMRESSED HD. ProRes (and AVID DNxHD) are all anyone will ever ask for.
Re: Getting New HD edit system - feedback? by Ramona Howard on Nov 29, 2007 at 3:56:22 am
Bob,
but I am telling you, you do NOT NEED UNCOMRESSED HD. ProRes (and AVID DNxHD) are all anyone will ever ask for.
Be careful how you state that. Lots still need uncompressed and this very much depends on the job, blanket statements don't paint a true picture. Pretty much all of primetime (what's left of it at the moment) is uncompressed in the sense they are not delivering in a compressed format (yes tape is compressed but that's another topic), VFX work is still and will be for a very long time to come uncompressed and so on.......
Offline in DNxHD or ProRes is a great path but depending on what the project is, uncompressed is still very much a needed tool in this industry. What time has given us is a way to do this for less :)
Re: Getting New HD edit system - feedback? by paul Provost on Nov 29, 2007 at 4:17:28 am
is pro res hq good enough for hd color correction?
we intend to work 10 bit, but have a project coming in before we will have our big storage delivered...
Re: Getting New HD edit system - feedback? by Ramona Howard on Nov 29, 2007 at 5:02:35 am
Good enough is a judgment thing, some will say yes others no....
Only thru your own testing and comparisons will you be able to say for sure. Also source will have allot to do with any of this :)
The goal is to not loose any quality (both visually and bits) thru any step of the process, which is why most still go uncompressed, offline editing as compressed with a conform back to uncompressed. All color work staying in uncompressed if possible.
I can only speak for the workflows we aid in and not all who are producing for TV.
Re: Getting New HD edit system - feedback? by mbloodgood on Nov 30, 2007 at 5:26:46 pm
Another thing, how long can you wait? Intel just announced 45 nm process chips and have already released 18 new procs. These are "true" quad core chips (as opposed to two dual core chips on a single processor die) in addition to significant increase in cache size (like up to 16MB but the current released models are 12MB). So not only will the cores have better access to the FSB but they will have to access it less often with that bigger L2 cache. I would expect these new chips at Macworld in early January.
Re: Getting New HD edit system - feedback? by peter hitchcock on Dec 1, 2007 at 9:21:27 pm
So its probaly best to wait till January/Feb before buying a new HD edit setup. Will the new Macs work with AJA io HD?
Does Lepard work with AJA?
I'm in the same boat I have a dualG5 Mac 2.7 and will be working with P2
Peter
Re: Getting New HD edit system - feedback? by david skillicorn on Dec 2, 2007 at 4:04:11 am
"So its probaly best to wait till January/Feb before buying a new HD edit setup.
If you can wait, there should be new chips in next generation of Macs within a couple of weeks after MacWorld, if not before. Then you can decide if you that works for you, or go for existing stuff perhaps at reduced rate at that time
Re: Getting New HD edit system - feedback? by Paul Provost on Dec 2, 2007 at 4:31:27 am
we were going to wait for the new "penryn" (sp?) chips too but just couldn't wait to get a new hd finish suite started. so we just got a 3.0 intel quad - but will buy the newest greatest when it comes out - could be next week, could be June-ask steve jobs! (we have work to do in the meantime). the new storage solutions feel like they will come out a little sooner so we are waiting - to a point.
but back to the pro res hq. the job we are about to do is 35mm xferred to d5 23.98.
it is a conform and color correct short that will be projected hd in festivals.
we want to finish 10 bit, but will go pro res hq if our current storage will not handle the 10 bit.
maybe 8 bit if it is on the edge?
Re: Getting New HD edit system - feedback? by Paul Provost on Dec 2, 2007 at 4:31:27 am
we were going to wait for the new "penryn" (sp?) chips too but just couldn't wait to get a new hd finish suite started. so we just got a 3.0 intel quad - but will buy the newest greatest when it comes out - could be next week, could be June-ask steve jobs! (we have work to do in the meantime). the new storage solutions feel like they will come out a little sooner so we are waiting - to a point.
but back to the pro res hq. the job we are about to do is 35mm xferred to d5 23.98.
it is a conform and color correct short that will be projected hd in festivals.
we want to finish 10 bit, but will go pro res hq if our current storage will not handle the 10 bit.
maybe 8 bit if it is on the edge?