zoom lens
COW Tag
| | | | First Music Video
by James Houghtaling on May 29, 2012 at 5:24:54 am
in the Sony Vegas Forum
Some of you may remember my post from a few months back seeking tips for shooting one's first music video. The shoot was a week ago Sunday. The original plan to shoot in their recording studio fell through after I told them I couldn't actually sho | | | | |
| | | | Re: HPX250 Backfocus Issue?
by Phil Yunker on May 13, 2012 at 11:42:22 pm
in the Panasonic HVX - HPX (P2) Forum
I'm having the same focus issue with the HPX250 and I'm not happy about this at all. I can not go out of focus on a image while zooming out (not that I like zooms, but some times you have to use it) this is not acceptable at all. Is Panasonic going t | | | | |
| | | | Re: Pick My Camera For Me
by Jason Jenkins on May 9, 2012 at 6:48:37 pm
in the Cinematography Forum
[christopher pupillo] "So much of corporate video seems to demand a servo zoom lens. The ubiquitous "pull from the corporate sign out front" or "push onto a worker's face" has been the stock-in-trade for most corporate video work."
I guess you can | | | | |
| | | | Re: Pick My Camera For Me
by christopher pupillo on May 6, 2012 at 8:41:13 pm
in the Cinematography Forum
Peter, you've put into words exactly what I was struggling over - the lens. So much of corporate video seems to demand a servo zoom lens. The ubiquitous "pull from the corporate sign out front" or "push onto a worker's face" has been the stock-in-t | | | | |
| | | | Re: Pick My Camera For Me
by Peter J. DeCrescenzo on May 6, 2012 at 8:06:48 pm
in the Cinematography Forum
Hi Christopher: Your instinct is correct, and as Shakespeare once said, "The lens' the thing!"
One of the most fundamental choices you need to make is: Servo zoom lens, or no servo zoom lens?
There are a zillion traditional camcorders both larg | | | | |
| | | | Pick My Camera For Me
by christopher pupillo on May 5, 2012 at 1:41:11 am
in the Cinematography Forum
Here's my situation. I'm a 48-year old jack of all trades - graphic designer, producer, director, editor and occasional cameraman - who has worked largely outside the video biz as a corporate communications director for the past 7 years. Like many | | | | |
| | | | NAB 2012: JVC
by Debra Kaufman on Apr 30, 2012 at 10:36:47 am
in the JVC cameras/decks Forum
JVC had a dynamic year for cameras and monitors. The company released the new GY-HM650 handheld mobile news camera, the result of its intention to support the Advanced Media Workflow Association "AS-10: MXF for Production" project. The comp | | | | |
| | | | Service: Grant Fergus
by Grant Fergus on Apr 28, 2012 at 4:30:21 pm
in the COW - Services Forum
Freelance video producer/cinematographer working on a variety of projects including live music performances and promotional videos. Film Diploma at SAE Media Institute ( www.SAE.edu )
FULL KIT LIST:
Panasonic AF101
Panasonic Lumix 14-140 Z | | | | |
| | | | Grant Fergus
by Grant Fergus on Apr 28, 2012 at 9:30:21 am
in the Forum
Freelance video producer/cinematographer working on a variety of projects including live music performances and promotional videos. | | | | |
| | | | Re: Best way to get 8mm into FCP
by Mark Suszko on Apr 16, 2012 at 11:24:01 pm
in the Apple Final Cut Pro basics Forum
Projectors are very cheap to obtain at the local thrift store or ebay. First we need to know just what kind of budget and what kind of use this footage will be put to. If this is going to wind up a a significant project, then you want to have a pro t | | | | |
| | | | NAB 2012: Canon Unveils 4K Cameras
by Debra Kaufman on Apr 12, 2012 at 6:00:45 am
in the NAB Expo Forum
At NAB 2012, Canon jumps to 4K resolution with the release of two new cameras. The Cinema EOS C500 is the next step up from the Cinema EOS C300, introduced last November, and comes in both PL-mount and EF-mount versions. Also new is the 4K EOS-1D C D | | | | |
| | | | @Jeremy Garchow
by Jeremy Garchow on Apr 10, 2012 at 5:53:06 pm
in the COW - Blogs Forum
This:
http://blog.abelcine.com/2012/04/09/fujinons-new-19-90-t2-9-cabrio-35pl-zoom-lens/#more-16514 | | | | |
| | | | Re: Upgraded to Pro 11, now need to upgrade Camcorder.
by Chas Smith on Apr 5, 2012 at 6:28:31 pm
in the Sony Vegas Forum
Found this link to the new Sony PMW-100 XDCAM, just a few highlights:
- 1/2.9-inch Exmor CMOS sensor
- 10x zoom lens
- full HD video at 1080i, 1080p and 720p
recording at up to 50Mbps MXF, based
on the MPEG HD422 codec using MPEG HD422
| | | | |
| | | | FUJIFILM to Bring Two HDTV Lenses to NAB 2012
by Debra Kaufman on Mar 19, 2012 at 3:57:41 am
in the NAB Expo Forum
Two lenses, which expand their respective product lines, the HA19x7.4BERM/BERD 2/3-inch Premier Series high-performance HD ENG/EFP production lens and the XA19x7.4BESM-D8 compact, HDTV studio and field box-style lens, will be presented at NAB 2012 by | | | | |
| | | | News: Canon Intros New XU-80 HD PTZ Camera
by Cow News Droid on Mar 7, 2012 at 7:36:23 pm
in the NEWS: Product News Releases Forum
Compact, Integrated Full-HD Robotic Camera Features 20X Optical Canon HD Zoom Lens, HD CMOS Sensor, Low-Light/Night Mode, Microphone, and Open Control Protocol
(Lake Success, New York--March 7, 2012) As the worldwide transition to HD imaging conti | | | | |
| | | | Re: How many M100 users are we?
by Larry Evey on Mar 4, 2012 at 4:40:18 pm
in the Media 100 Forum
I was the first in the state of Michigan back in 1993 to edit with Media100. Several schools, both High School's and the University's here in West Michigan were M100. Most all switched to FC when M100 was mismanaged by it's new owners in the late 90' | | | | |
| | | | Re: Best lens options for shooting interviews
by Errol Lazare on Mar 1, 2012 at 9:20:45 pm
in the DSLR Video Forum
If it is brighter you will be able to stop down the lens a bit which will give you a bit more room for your plane of focus. For run and gun I woul recommend using a zoom lens. A 16-35 2.8 may be good for you on the cropped sensor camera or you can al | | | | |
| | | | Re: Mixing Cheap and Expensive Lenses on Same Project?
by John Young on Feb 6, 2012 at 8:32:35 pm
in the DSLR Video Forum
Don't think you have to spend $1000 to get good quality glass. They have been making high quality photography lenses for a long time, which means their are a lot of them out there, which means that they are fairly inexpensive. I have two Nikon manu | | | | |
| | | | Mixing Cheap and Expensive Lenses on Same Project?
by Jake Huddleston on Feb 5, 2012 at 9:24:20 am
in the DSLR Video Forum
Hi there. I am getting ready to buy a new lens for my Canon 550D/T2i. All I have now are two cheapie kit lenses that came with it, and I'm looking to upgrade my optical quality for both video and photography work. What I'm trying to do is determin | | | | |
| | | | Canon T2i / 550D - get a wide DOF (Depth of field)
by Namo Safideen on Feb 1, 2012 at 1:43:55 pm
in the DSLR Video Forum
Hey guys,
I'm playing around with the F-stop/aperture on my 17-70 mm canon zoom lens. So im basically trying to get that Wide DOF by choosing high F-stop values like (ex. 16-22). And I've googled my way through parts of the solution.
As I unde | | | | |
| | | | Basic(ish) Question about Aperture
by Dave George on Jan 30, 2012 at 12:27:00 am
in the Canon EOS DSLR Forum
There's something that confuses me about f/stop and aperture. If the f/stop is a ratio relative to focal length, why is it constant on a zoom lens? (Or is it?)
When I calculate the area of the aperture on, say, a 24mm lens at f/2.8, I get...
24 | | | | |
| | | | Re: Why are camcorders with DSLR sensors not available?
by Micah McDowell on Jan 25, 2012 at 5:26:09 pm
in the DSLR Video Forum
One more thing keeping those big sensors out of little Vixia camcorders is that they're diametrically opposed to the needs of the consumer market.
Pros like us that frequent this website generally understand how to manually focus, swap lenses, use | | | | |
Podcasts | | | | dslr video podcast
Zooms Vs. Primes
In this episode of the DSLR Podcast Richard and Robbie discuss when Zoom Lenses are appropriate vs when Prime Lenses work better. | | | | |
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