| | | | Frame by Frame Productions inc.
by Lukkee Chong on Oct 28, 2010 at 12:02:26 pm
in the Forum
Production of travel related, music festival related, infomercials, commercials, documentaries, in South Florida through the Caribbean, for broadcast, web, corporate uses. We match production teams to specific needs. Company has been in existence sin | | | | |
| | | | Tiny Stereoscopic Rigs - Big Pictures
by Bernie Laramie on Jun 2, 2009 at 10:15:45 pm
in the Stereoscopic 3D Forum
In this article from the Stereoscopic 3D issue of The Creative COW Magazine, Bernie Laramie, co-founder of Stereoscope, discusses rigs and stereoscopic hardware used in creating high-end 3D movies. | | | | |
| | | | Re: can't rotoscope seperate fields
by Laurie Turner on Oct 28, 2008 at 7:43:43 pm
in the Adobe After Effects basics Forum
AVC-Intra http://en.wikipedia.org/wiki/AVC-Intra
I had to download an AVC-Intra update into FCP to make it useable. With that download I don't have to render it. I think half my problem is that AE doesn't support this kind of codec. This is probably | | | | |
| | | | Re: Facilis Terrablock San System Feedback good?
by Mark Raudonis on May 1, 2008 at 4:47:56 am
in the Apple Final Cut Pro Forum
Robert,
Stow the cynicism, please. Do you really mean to say that just 'cause you didn't see it or hear about it from your "friends" it can't be any good? Close minded, are we?
It just so happens that Videography magazine gave "Lairdshare" one | | | | |
| | | | Don't Miss Your Shot
by Todd McMullen on Oct 18, 2007 at 10:45:28 am
in the Cinematography Forum
How making friends with trash cans and other objects can improve your career. In a conversation with highly respected cinematographer Todd McMullen (Casino, The Green Mile), he talks about how to break into Hollywood, and what it takes to be successf | | | | |
| | | | Service: OneRiver Media
by Marco Solorio on Oct 4, 2007 at 6:38:15 pm
in the COW - Services Forum
Post Production Animation Audio Editing Motion Graphics Audio Post ProductionWalnut Creek California United StatesOneRiver MediaMarco Solorio has been in the media production business since 1991 including the ownership of OneRiver Media | | | | |
| | | | OneRiver Media
by Marco Solorio on Oct 4, 2007 at 11:38:15 am
in the Forum
Marco Solorio has been in the media production business since 1991 including the ownership of OneRiver Media , a post-production facility located in the San Francisco bay area. He's a published writer from the likes of DV Magazine, Videography Magazi | | | | |
| | | | Re: Baggage Size Restriction
by Paul Thurston on May 26, 2007 at 1:27:22 am
in the Event Videographers Forum
It's true,
Videography Magazine had suggested that putting your tripod into a golf bag, the type that has a hard shell inside is the cheapest, safest way to ship your tripod on an airplane.
-Paul | | | | |
| | | | Re: HD upconvert Teranex Mini
by Oliver Peters on May 21, 2006 at 12:01:16 am
in the HD High-End Forum
Hi,
I wrote the review for Videography magazine:
http://www.siliconoptix.com/contentEngine/contentDocuments/Teranex_Mini1.pdf
Specifically I tested it against upconversions with Kona2, FCP and Avid DS (software scaling & rendering). The Kona2 was | | | | |
| | | | News: SmartSound
by Cow News Droid on May 10, 2006 at 5:18:45 pm
in the NEWS: Product News Releases Forum
Music scoring technology honored for its innovative new Mood Mapping feature with awards from film and video professionals and the media, including the coveted NAB AIM
(NORTHRIDGE, CA – May 10, 2006) SmartSound Software, Inc., the leading provider o | | | | |
| | | | Re: Which camera is the best for the Price?? Need advice.
by Del Holford on Dec 13, 2005 at 4:57:16 pm
in the HDV Format Forum
Several video trade magazines have articles on the JVC GY-HD100. Video Systems has a Steve Mullen article that had an extensive rundown on features in the latest issue.
You might google the websites for DV magazine, Videography magazine, Video Sy | | | | |
| | | | Re: Blue
by Anne Renehan on Apr 25, 2005 at 3:26:10 pm
in the Boris FX Forum
We showed Blue at NAB and we're selected as a Vidy Award winner form videography magazine.
The cost of Blue will be $1995; Red users can add Blue for $999. The first release is standalone Windows-only version. A Macintosh version will follow. Ther | | | | |
| | | | Re: Avid Editor Salary
by mark Raudonis on Apr 3, 2005 at 4:10:53 am
in the AVID Forum
Mr MPE,
You've got me mixed up with that other guy named Mark...as in Burnett.
I work for Bunim-Murray productions. We're the folks that bring you MTV's "The Real World", "Road Rules, "The Simple Life" for FOX, "Starting Over for NBC", and mu | | | | |
| | | | Re: JVC ProHD
by Bill Sepaniak on Mar 2, 2005 at 3:07:07 pm
in the HDV Format Forum
Could this the camera? I am looking at the December, 2004 issue of "Videography" Magazine and on page 33 there is a photo of a "full size" JVC camcorder with the letters "HDV" on the side of the camera (it appears that the camera has an interchangeab | | | | |
| | | | Re: Handwriting titles with avid?
by oakmozart on Feb 24, 2005 at 4:51:07 am
in the AVID Forum
After Effects, Boris Red/FX or discreet combustion will all work for this, as they have animatable vector-paint capabilities. However, if you're using a "higher-end" Avid system (Media Composer, Symphony, DS), you've got access to the Avid Paint Eff | | | | |
| | | | Re: and the winner is:
by oakmozart on Jan 12, 2005 at 3:40:21 am
in the AVID Forum
844x isn't dead. Its development schedule has received a "setback" (told to me by the M100 reps today). HD-support got shelved for now, but that's still speculation and not fact as of current. V4 was supposed to be announced/demo'd this April at N | | | | |
| | | | Re: G4, G-Raid, and FCP3
by Roger Mabon on Nov 9, 2004 at 5:00:00 am
in the G-Tech Forum
FYI,
Here is an excerpt from Todd Sali's review of G-RAID and CineWave in the September 2004 issue of Videography Magazine. Read the full article at http://www.g-technology.com.
I tested G-RAID using CinéWave RT Pro 4.6. I started with one 500G | | | | |
| | | | Avid Express Pro support for DVCPRO100 codec?
by Bruce Schultz on Oct 28, 2004 at 8:59:46 pm
in the Panasonic VariCam Forum
I have been out of town and off-forum for most of the month, but something I just read caught my eye.
In the Oct 2004 Videography magazine, an Avid spokesman (Tom Wilson or Watson, I believe) is quoted as saying that the DVCPRO 100 codec is "now | | | | |
| | | | Why HDV is a home movie format
by Bob Hudson on Sep 24, 2004 at 2:43:27 pm
in the Canon Cameras Forum
"its just that offering a $3800 toy camera for shooting low-budget documentaries, commercials and home-movies, is not exactly the kind of clandestine marketing move that would make-or-break their quota for Big-Screen home theater sales. "
If you r | | | | |
| | | | Re: 8 or 10 bit 4:4:4 cards
by Luke Maslen on Aug 30, 2004 at 5:38:58 am
in the Apple Final Cut Pro Forum
Hi Jerry,
Interesting points and the DeckLink HD Pro won the following three best of show awards at NAB 2004:
* TV Technology's Star of NAB 'Superior Technology Award'
* Videography Magazine's Vidy Award 'For Advancement in the Art and Science o | | | | |
| | | | 24P HD
by Todd Astill on Jul 28, 2004 at 5:41:06 pm
in the HD High-End Forum
Has anyone heard of a 24P HD camera out there? I read a short article in an old Videography Magazine about a short shot on 24 P HD but it failed to mention what camera?
Does anyone know if this camera exists?
Thank you. | | | | |
| | | | 24P hd?
by Todd Astill on Jul 28, 2004 at 5:37:20 pm
in the HDV Format Forum
I read an old article in Videography Magazine about a short film shot on 24P HD but the short article did not say which camera. Does anyone know the camera used to do this?
I was not aware there was a 24 P HD camera.
Thank you | | | | |
| | | | Re: Powerbook Firewire Bus
by Steve Eisen on Jul 28, 2004 at 4:06:29 am
in the Apple Final Cut Pro Forum
Check out the latest issue of Videography magazine. Gary Adcock has a great article on using Firewire storage devices.
This refers to both PowerBooks and Towers. I will quote Gary. "Use more than one Firewire bus when working with video: one f | | | | |
| | | | Re: Videography Magazine Reviews Vegas 5 and Magic Bullet
by Rob Mack on Jul 26, 2004 at 9:59:58 pm
in the Sony Vegas Forum
Yes, that was what he was getting at. The work-around, as he pointed out, is to save it as a new project and then open the original in another instance of Vegas.
Some would call that a kludge but it works well enough. Granted, actual sequences mig | | | | |
| | | | Videography Magazine Reviews Vegas 5 and Magic Bullet
by David Jasany on Jul 26, 2004 at 12:50:19 pm
in the Sony Vegas Forum
The July issue of Videography has a review of Vegas 5 and Magic Bullet.
Here's the link to the Vegas review:
http://www.uemedia.net/CPC/editorsnet/article_9198.shtml
And the Magic Bullet review:
http://www.uemedia.net/CPC/editorsnet/artic | | | | |
| | | | Re: Video Monitor Choice...
by Jerry Hofmann on Apr 17, 2004 at 2:39:43 pm
in the UG: Denver FCP Forum
Neither of them have SMPTE C Phosphors (these are a lot more accurate)... so I probably would spend a bit more and get a monitor that has them if it's your main color correcting monitor... For general purpose viewing though these two would be OK and | | | | |
| | | | Re: Buyout music libraries...
by Timothy Allen on Feb 14, 2004 at 2:13:28 am
in the Forum
A great complement to the Hollywood Edge library is the videohelper library.
It has those "edgy" cuts which Hollywood Edge is missing. (How many times can I say "edge" in one post?" ;-)
The February 2004 issue of Videography Magazine has a "Musi | | | | |
| | | | Re: Cinewave and Nuendo
by todd sali on Jan 26, 2004 at 5:09:42 pm
in the Pinnacle CineWave Forum
works great - can even use up to HD movies in Nuendo. Also lets you handle 8 in, if needed. check out a review of Cinewave 4 in Videography magazine - sept issue i think.
Cheers,
Todd | | | | |
| | | | Re: Camera Crane or Jib
by Michael Munkittrick on Jan 8, 2004 at 12:10:00 pm
in the Adobe After Effects Forum
All I can tell you is to grab a Videography magazine at your local book store and read the last few pages. There are always options priced from around $2,000 all the way yp to around $15,000 presented with phone numbers for free research materials (A | | | | |
| | | | Re: 4 drive in a G5.../fix for performance?
by Randfilms on Jan 7, 2004 at 1:26:31 am
in the AJA io Forum
I wonder out loud: "Is the dip in performance as the drives fill up due to running the OS on one of the drives?"
If so, how about the solution that Todd Sali offers up in this month's Videography magazine, whereby a boot disk is run off of an ext | | | | |
| | | | Re: Real Time Artifacts
by Bob Kiger on Dec 17, 2003 at 4:14:03 pm
in the Sony Vegas Forum
Just to clear the videography point. My OCT 72 publication was upheld in 1976 in Los Angeles Superior Court as the first printed use of the word "videography" worldwide. The Case was Defendent - United Business Publications (Videography Magazine) v | | | | |
| | | | Re: pd-150 accessories
by Boyd Ostroff on May 3, 2003 at 2:14:11 pm
in the Sony DV Forum
I have the HG0758 and like it a lot. Did some shots of a test chart and couldn't see any image degradation at all. $600 CDN sounds a little high (I'm not up on the current exchange rate); I paid $300 USD two years ago for mine.
I love the NPF-960 | | | | |
| | | | Videography Magazing review of Vegas 4.0
by haze2 on Mar 30, 2003 at 12:04:31 am
in the Sony Vegas Forum
I just received my March issue of Videography Magazine and read the John Beech review of Vegas 4.0. John did a great job of writing the article and V4 came off looking terrific!
Haze | | | | |
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