| | | | Menu Starting after loop point by Anthony Jacoway on Sep 15, 2009 at 9:48:37 pm in the Adobe Encore DVD Forum Hello guys, hopefully some of you guys can help me shine light on an issue i have been trying to crack in encore.
I am creating a DVD menu in which the background is a video file, and the menu is a PSD with just the buttons. I have built the video | | | | |
| | | | Re: time remap instances by Dave LaRonde on Sep 15, 2009 at 9:40:57 pm in the Adobe After Effects Forum [Gonçalo Perdigao] "...i work in a company that everything is solve in post production, and my boss arrives and give me this job to do...."
The fools! Did they at least give you a clean background plate, or can you build one out of bits and piece | | | | |
| | | | Re: Media Composer to AfterEffects HD workflow by David Braswell on Sep 15, 2009 at 9:35:32 pm in the AVID Editing Forum I've done few of these now so I'll offer a few observations in hopes it will help.
1- For some reason my AE (CS2) never interprets the fielding of Avid QT ref movies correctly. So number one I'd check the interpretation of video clips after you im | | | | |
| | | | Re: Enhanced 16x9 Encoding Software by Michael Sacci on Sep 15, 2009 at 9:31:07 pm in the DVD Authoring Forum Yeah, no such thing as "Enhanced" 16:9.
But what most people don't realize that quality does not start with the encode, it ends there. If you are starting with DV footage, all you can hope for is a good encode, it will never be great. Is your foot | | | | |
| | | | Re: Apect Ratio Problem by Christopher Smith on Sep 15, 2009 at 9:22:35 pm in the Apple DVD Studio Pro Forum Select a track in the Outline panel
Go to the General tab of the Inspector
Set the Display Mode pulldown to 16:9 Letterbox.
This setting will automatically letterbox your video on television sets which display 4:3, and fill as much of the screen | | | | |
| | | | RE: need a new SAN solution-facilis by Matt Geier on Sep 15, 2009 at 9:16:43 pm in the SAN - Storage Area Networks Forum Michael,
What Nate told you, really is true, if you can afford and really want the management overhead for traditional Fibre Channel SAN implementations for your video editing. (Or pay someone a lot of money to do this for you...)
Don't be afr | | | | |
| | | | Re: time remap instances by Dave LaRonde on Sep 15, 2009 at 9:11:18 pm in the Adobe After Effects Forum Let's see... you shot video --in HD, no less -- with an effect in mind, but you had absolutely no idea of how to do the effect. Is that correct? In English we say, "It sounds like you put the cart before the horse."
Read on:
Dave's Stock Answ | | | | |
| | | | Re: tv light effect by Dave LaRonde on Sep 15, 2009 at 9:03:14 pm in the Adobe After Effects Forum Forget After Effects and start thinking about renting or borrowing some hardware. A practical effect will be the most convincing BY FAR. You won't get AE to realistically follow lighting contours on a human face without a TON of work... and I someh | | | | |
| | | | Decklink issues by Sean Davison on Sep 15, 2009 at 8:41:59 pm in the Blackmagic Design Forum I have an intel running 10.5,7 with a Decklink HD pro card connected to a Broadcast Video hub.
The problem is when ever I re-patch the card with a different input using the videohub, FCP (3) wont change the input with out shutting down and restart | | | | |
| | | | Re: Prores codec by Dave LaRonde on Sep 15, 2009 at 8:33:55 pm in the Adobe After Effects Forum [David Johnson] "I think of PNGs for stills and image sequences, but I'll have to give it a try for video."
Todd Kopriva says that Best-quality PNG Quicktimes will have smaller file sizes that their Animation codec counterparts.... IF it's a compl | | | | |
| | | | Blur when rendering low FPS source by Alec Bennett on Sep 15, 2009 at 8:28:45 pm in the Sony Vegas Forum I'm having an odd problem: I made a video out of camera stills, sort of a stop motion, and its 5fps. When I import it into Vegas, it plays perfectly in the preview. However when I render it, I get a blur between frames. In other words, when it change | | | | |
| | | | Re: Motion tracking by Ben Heusner on Sep 15, 2009 at 7:55:04 pm in the Adobe After Effects Forum Here's a thought... Is your track type set to Stabilize? If so, change it to Transform and you'll be able to pick your Null layer up.
Hope it's as simple as that,
Ben
Curious Turtle Pro Video
Training | Editing | Support
Out Now - Film Wash | | | | |
| | | | How has the editor created this by Stephen Pluck on Sep 15, 2009 at 7:54:30 pm in the Motion Graphics Forum Hi,
Does anyone know how the editor has created these pans in this video The footage seems to pan into the next shot, was this done in AE? I am looking to do something simliar and would like to know how they have created this.
Many thanks
S | | | | |
| | | | Re: Works in Simulator, not in DVD player by Dave Felder on Sep 15, 2009 at 7:40:45 pm in the Apple DVD Studio Pro Forum Thanks for the response, Brad.
It doesn't play properly from Apple Video Player. I have tried burning an IMG file in Roxio from a PC.
I took my assets and project file to a friends production studio. He has two MAC's with DVDStudio Pro 4, a G | | | | |
| | | | Re: Video plays faster than Audio by Dave LaRonde on Sep 15, 2009 at 7:39:32 pm in the Apple Final Cut Pro Forum It almost sounds like the duration of one of the tracks is shorter than the other.
Try this: duplicate a couple of copies of the clip in question, then use QT Pro to extract video on one, then audio on the other. Import them both into FCP and sti | | | | |
| | | | Re: After Effects 7.0 on Vista Ultimate 64bit by Ben Heusner on Sep 15, 2009 at 7:32:07 pm in the Adobe After Effects Forum I strongly doubt that a version this old has been tested and approved to work on Vista 64. In fact I don't believe that Adobe has even certified CS3 to work properly. You could try working in XP "Compatibility Mode" by changing the Properties on th | | | | |
| | | | Please help me regarding sony vegas pro 9.0 by bhushan bodkhe on Sep 15, 2009 at 7:31:05 pm in the Sony Vegas Forum I have a problem with vegas.I m trying to put some screen record video on sony vegas 9.0 .i used both camstudio & BSR screen recorder.The problem is that the imported video has a very low quality and its blurred n specially the text is not at all vis | | | | |
| | | | Re: Desktop bleeds through Premiere Workspace by Nancy L. Smith on Sep 15, 2009 at 7:00:08 pm in the Adobe Premiere Pro Forum Both you guys mentioned video cards and that sounds hugely promising as a fix, considering the 2007 computers don't do it. I will check all video cards, update drivers and get back to you. Thank you!!
Nancy L. Smith
President
Sutton Bay Media Comp | | | | |
| | | | Re: Multiclip workaround - other than exporting? by Seth Hill on Sep 15, 2009 at 7:00:05 pm in the Apple Final Cut Pro Forum You said "Ref movies work fine as long as you don't movie the source clips" I don't understand. What does it mean to "movie the source clips?"
The reason I ask, I'm also hoping to find a way to multiclip 5 video tracks which are full of gaps. | | | | |
| | | | Re: Works in Simulator, not in DVD player by Brad Elliott on Sep 15, 2009 at 6:44:00 pm in the Apple DVD Studio Pro Forum Have you tried playing your Video TS folder in Apple DVD player?
I have found that however something plays in the app is exactly how the burned DVD will play.
How are you burning the disk? From DVD SP? Toast?
I have had the most success by b | | | | |
| | | | Re: DVD Studio Pro vs. Encore - Taking Poll by Michael Sacci on Sep 15, 2009 at 6:23:08 pm in the DVD Authoring Forum In DVDSP
Burn = makes a temporary VideoTS folder that is delete after the Format is done, no access to settings before you make the disc (IMO this should never be used)
Build = just builds the Video TS folder so the project can be proofed with a | | | | |
| | | | Footage not syncing when rendered by Brian Tetamore on Sep 15, 2009 at 6:21:15 pm in the Apple Final Cut Pro Forum There's probably a better way to explain this, but here goes. I have DV footage in a viewer - set an in and out - edit into a sequence. Everything is fine. Then I render that section (it's being inserted into an HD timeline, yes painful).
BUT, af | | | | |
| | | | Cropping to 1.85? by Simon Epstein on Sep 15, 2009 at 5:21:58 pm in the Sony SRW-5500, SRW-5800 Forum Hi,
I hope someone might be able to help me here.
I've got a film project, shot 1.85 (3-perf), telecined to 16x9 HD Video (Prores 422 HQ). Because of the difference between the 1.85 aspect ratio and 16x9 (1.78), we have a little bit of matting at t | | | | |
| | | | Looping DVD Architect menu by Jeff McGuire on Sep 15, 2009 at 5:13:08 pm in the Sony Vegas Forum I am finally producing my first Architect menu-based dvd.
Any tips on syncing background video, music and animated chapter icons would be helpful.
Specifically, how do I fade all of it after a minute or so?
Jeff | | | | |
| | | | Re: Kernel Panic....again by Michael Harrington on Sep 15, 2009 at 5:02:38 pm in the Apple Final Cut Pro Forum I’ve returned from my road trip and checking the settings you asked about.
Did turning off “Audio Scrubbing” in the View menu help?'>Did turning off “Audio Scrubbing” in the View menu help?
I just turned off Audio Scrubbing, although I like to us | | | | |
| | | | Video plays faster than Audio by Daniel Finley on Sep 15, 2009 at 4:49:10 pm in the Apple Final Cut Pro Forum Hello, I've been wrestling with this for a while and can't figure it out. I'm hoping someone here can help.
I have imported footage from a client's DVDs into my Mac via DVDxDV as .mov files to be edited in FCP.
After being imported, all the vid | | | | |
| | | | Re: Mixing 4:3 and 16:9 - want to finish film by Mark Suszko on Sep 15, 2009 at 4:43:37 pm in the Indie Film & Documentary Forum Another thing to do would be to composite the 4x3 into a 16x9 still or motion graqphic that could be a still pulled from the motion clip, or a "frame" made of a collage of stills done in photoshop.
You can also put the motion video off-center, like | | | | |
| | | | Opteka Lens for Sony FX1. Thoughts please... by Michael Brodner on Sep 15, 2009 at 4:19:25 pm in the HDV Format Forum Can anyone comment on this particular lens? I'm looking to purchase a new lens for my Sony FX1 and don't really know anything about glass or adapters or converters at all. I'm shooting a music video for a pop/punk band in October and thought that a f | | | | |
| | | | Re: EX1 XDCAM to AVID with down-convert by Denis O'Keefe on Sep 15, 2009 at 4:06:00 pm in the Sony EX Series XDCAM Forum I successfully did this a few weeks ago, delivered the video in Avid DV 25 codec. I got the codec online from one of the avid sites andadded it to QuickTime.
I then converted the xdcam video to mov files with Browser or Transfer, opened all of them | | | | |
| | | | Boris FX | Stabilize Shaky Video Footage with Boris Continuum Complete's Optical Stabilizer Filter
The BCC Optical Stabilizer filter enables you to stabilize shaky video footage. The filter uses optical flow technology to determine the movement of the camera and then adjusts the clip's position to compensate. Depending upon filter parameter settings, the motion in the clip will either be smoothed or completely locked down. Unlike many other image stabilization tools, the BCC Optical Stabilizer does not require you to set user-defined tracking points. This is useful for images where tracking data is unreliable. Tutorial, Video Tutorial Author: Paul Ezzy |
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| | | | Trapcode | Creating a Waterfall
In this video tutorial, Creative Cow leader Michael Park demonstrates how to create a waterfall using After Effects and Trapcode Particular. This tutorial is in response to a couple of posts on the Trapcode Forum of CreativeCOW.net looking for this type of effect. This tutorial uses Particular 2.0, but the work flow and settings should work equally will with previous versions of Particular. Tutorial, Video Tutorial Author: Michael Park |
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| | | | Media 100 | Media 100 HD | VoiceOver Recording in Media 100 Suite
In this video tutorial, Floh Peters takes a look at Media 100 Suite's new VoiceOver Tool. The VoiceOver Tool allows direct-to-timeline audio recording while playing back timeline audio and video. Primarily designed for recording narration, the VoiceOver Tool leverages Media 100 Suite's new MultiClip architecture to allow for multiple takes nested inside a single audio clip in the timeline. Tutorial, Video Tutorial Author: Floh Peters |
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| | | | Adobe After Effects | Color Link
In this video tutorial, Creative Cow contributing editor Eran Stern creates a colorful disco tunnel using shape layers and matching the look to a video footage using the color link effect. Tutorial, Video Tutorial Author: Eran Stern |
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| | | | DaVinci - NEW ! | Blackmagic & DaVinci, and What It Means
Blackmagic founder Grant Petty says that the company's purchase of DaVinci systems actually fits exactly what they have done all along: build the kinds of products they have needed for their own postproduction business, and being the kind of company they'd want to do business with. While important details are still being worked out, Grant has some very clear visions about how these practices can help rebuild one of the industry's most respected brands. People / Interview Author: Grant Petty |
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| | | | Media 100 | Media 100 HD | MultiClip Editing in Media 100 Suite
In this new video tutorial, Floh Peters of Magic Eye takes a look at Media 100 Suite's new MultiClip Editing feature. Ideal for music videos, studio and on-location television, concerts, and live events, MultiClip Editing facilitates real-time editing of multiple video and audio sources in a familiar, easy-to-use interface. A camera can be added to an existing MultiClip as its source media becomes available, allowing you to begin cutting a multicam shoot faster than ever before. Cameras can be synced via timecode, sync marks, or in-points. When syncing via timecode, additional footage can even be assigned to an existing camera - extremely helpful in situations where a camera has been stopped to change tapes or batteries. Tutorial, Video Tutorial Author: Floh Peters |
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| | | | RE:Vision Effects | Lip-Synch with Twixtor
Key framed alignment of video to audio. In this tutorial from RE: Vision Effects, Lori Freitag covers the basic concept of aligning a video track to a different audio track using Twixtor. As an example we lip-synch an outdoor shoot to a studio recording. Tutorial, Video Tutorial Author: Lori Freitag |
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| | | | Red Giant plug-ins | Create Cool 3D Text with Trapcode Form
In this Episode of Red Giant TV, Hypa TV's Tim Clapham shows you how to build and animate 3D text with Trapcode Form. He's also show you techniques for animating the text on and off - and while they're deceptively simple, they deliver in a really big way. Tutorial, Video Tutorial Author: Tim Clapham |
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| | | | Adobe After Effects | Markers Leaks
In this video tutorial, Creative Cow contributing editor Eran Stern gives an introduction to custom effects which trigger actions using layer markers inside of Adobe After Effects. Tutorial, Video Tutorial Author: Eran Stern |
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| | | | DaVinci - NEW ! | Cinefilm's Ron Anderson: da Vinci User Since 1986
In this article, Tim Wilson talks with da Vinci user Ron Anderson in his Part Three look at Blackmagic Design's acquisition of da Vinci Systems. Ron Anderson’s relationship with da Vinci has also taken places over several decades, starting as a customer, and evolving into demo artistry even while he continues working with da Vinci systems at Atlanta’s Cinefilm.
Editorial, Feature, People / Interview Author: Tim Wilson |
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| | | | DaVinci - NEW ! | Blackmagic Design Buys the Power of daVinci: Part 2
In this article, Tim Wilson continues his series with his Part Two look at the big news leaking from IBC 2009. Blackmagic Design has acquired da Vinci Systems and with that acquisition comes what Tim refers to as The Power of da Vinci. And for the many that have used da Vinci over the years, they know full well the power of which Tim writes. And for those who might need an introduction to this power, Tim offers these words... Editorial, Feature, People / Interview Author: Tim Wilson |
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| | | | DaVinci - NEW ! | Blackmagic Design Buys DaVinci: Part 1
In this article, Tim Wilson begins his series on the big news already beginning to leak from IBC 2009. Blackmagic Design has acquired da Vinci Systems and yes, you read that right. BMD owns and will be developing and marketing da Vinci's award-winning colorgrading technology. What's in store? Here's Part One of Tim's look at the fast-breaking news... Editorial, Feature, People / Interview Author: Tim Wilson |
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Podcasts | | | | photoshop for video tutorials podcast Video Preview In this Photoshop for Video podcast, Richard Harrington looks at the ability to export a video preview directly out of Photoshop directly to a monitor supporting SD input. | | | | |
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