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Re: Digitising Varicam 25fps / 60fps into PAL project
by Terence Curren on Sep 24, 2009 at 11:14:33 pm
in the AVID Editing Forum
Just tried it and you are correct. Thought it would work if the effect was promoted and then removed, but no dice. The painful option, which you might want to wait until the offline is finished for, would be to send out a QT reference of the clips
Re: Digitising Varicam 25fps / 60fps into PAL project
by Bruce Law on Sep 24, 2009 at 10:50:35 pm
in the AVID Editing Forum
Hi Terence, Are you sure you're able to do this? We were told by our post facility (as per my posting) that removing the effect was impossible??? If that's not the case, our problem would be solved.
Re: Damaged Varicam
by Noah Kadner on Sep 24, 2009 at 10:44:43 pm
in the Panasonic VariCam Forum
Have you inquired with the service center in L.A.? They probably have more of those sitting around than anyone. Noah Check out my book: RED: The Ultimate Guide to Using the Revolutionary Camera!. Unlock the secrets of the 24p, HD and Final Cut St
Re: Digitising Varicam 25fps / 60fps into PAL project
by Terence Curren on Sep 24, 2009 at 9:53:31 pm
in the AVID Editing Forum
As long as you have V4... Set up a 60P project. Capture your footage. Go to your 25P project. Open the bins with footage from your 60P project. Cut that into your timeline. It will apply a motion effect to adjust the speed. Just delete the effect.
Re: Digitising Varicam 25fps / 60fps into PAL project
by Bruce Law on Sep 24, 2009 at 9:15:57 pm
in the AVID Editing Forum
Thanks, Job. We've now tried out MC4... alas to no avail. We had our post production facility check out the new version 4 of MC. They attempted to digitse footage in at 60fps and play it in a PAL/25fps project. What happened was that all 60fps foo
Re: Panasonic Varicam HD to SD
by Ernie Santella on Sep 23, 2009 at 1:19:28 pm
in the Panasonic VariCam Forum
All formats have their use. Frame size and field/progressive (720p vs 1080i) isn't as important as frame rates. 24fps for a more theatrical, film-like look with motion blur vs. 60fps for crisper action and better slow-mo (if needed). Resizing either
Re: Panasonic Varicam HD to SD
by Bill Seville on Sep 23, 2009 at 3:23:11 am
in the Panasonic VariCam Forum
Sorry Noah...didn't mean "best" in terms of the downconvert. I think I meant "preferred" - as if you had to choose a mode on the Varicam to shoot in and then downconvert to SD, what mode would you shoot in?
Re: Panasonic Varicam HD to SD
by Noah Kadner on Sep 22, 2009 at 11:32:11 pm
in the Panasonic VariCam Forum
Best in terms of? Noah Check out my book: RED: The Ultimate Guide to Using the Revolutionary Camera!. Unlock the secrets of the 24p, HD and Final Cut Studio. Now featuring the Sony EX1 Guidebook, Panasonic HVX200, and Panasonic DVX100. http://
Panasonic Varicam HD to SD
by Bill Seville on Sep 22, 2009 at 7:30:03 pm
in the Panasonic VariCam Forum
Have an odd issue, shooting tomorrow using the Panasonic AJ-HPX2700 Varicam and unfortunately the end result is going to be SD. Since the 2700 doesn't shoot SD, trying to figure out the best mode to shoot in to make the downcovert best. 720p60, 1080?
Re: Digitising Varicam 25fps / 60fps into PAL project
by Job ter Burg on Sep 22, 2009 at 5:29:09 am
in the AVID Editing Forum
Just saying: MC v4.0.2 is live now.
Re: VariCam 3700 vs Canon 7D HDSLR for Theatrical Release
by Jeremy Garchow on Sep 22, 2009 at 4:37:50 am
in the Panasonic VariCam Forum
Add a depth of field adapter to the 3700 and the only reason you might want the 7D will now be moot.
Re: Tape Varicam in P2 Workflow
by Jeremy Garchow on Sep 22, 2009 at 4:35:16 am
in the Panasonic VariCam Forum
Why not check out an HGP20? Please forgive the long link: http://catalog2.panasonic.com/webapp/wcs/stores/servlet/ModelDetail?displayTab=O&storeId=11201&catalogId=13051&itemId=327735&catGroupId=34402&surfModel=AG-HPG20 It turns your non p2 c
Re: Over/Undercrank VeriCam and the AJA
by Tim Kolb on Sep 22, 2009 at 12:36:15 am
in the AJA Xena Forum
I've liked the P2 equipment that I've worked with... It's a mature technology and it works pretty well. The 500 is a lot of camera for the money, however if you put one beside a 2700 or a 3700, I suspect you won't want to setle for a 500. The 27
Damaged Varicam
by David Linstrom on Sep 21, 2009 at 8:23:24 pm
in the Panasonic VariCam Forum
The CCD block on my Varicam 'H' was destroyed recently so I'm looking at possibly replacing it with a used block. If anyone knows of a used Varicam 'H' for sale that had the boards or the heads destroyed but the block is intact, please let me know.
Re: Digitising Varicam 25fps / 60fps into PAL project
by Bruce Law on Sep 21, 2009 at 8:14:22 pm
in the AVID Editing Forum
In the end things are not as bas as I thought they would be. I met with the post production facility today and this is the upshot: - They are able to digitise our 60fps material into the Avid at 25fps without any FRC. This is a massive relief to m
Re: Digitising Varicam 25fps / 60fps into PAL project
by Terence Curren on Sep 21, 2009 at 3:04:49 pm
in the AVID Editing Forum
I saw that on the page I linked to, but I'm not sure if that is true or not. As I said, I have never used this box. Check with Panasonic. Renting that box for your digitizing days wouldn't be too painful. Terence Curren www.alphadogs.tv www.digita
Re: VariCam 3700 vs Canon 7D HDSLR for Theatrical Release
by Fermin Branger on Sep 21, 2009 at 2:14:25 pm
in the Panasonic VariCam Forum
Hi, Daniel. I have an hpx-3700 and I've been making documentaries and features using all kind of cameras for 15 years. If you can choose, I recommend to use the 3700 because it is a camera developed with all the needs of this bussines in mind. It
Re: Digitising Varicam 25fps / 60fps into PAL project
by Bruce Law on Sep 21, 2009 at 7:03:20 am
in the AVID Editing Forum
Thanks, Terence. Looks like it will only convert to 24fps, though?
Re: Digitising Varicam 25fps / 60fps into PAL project
by Terence Curren on Sep 21, 2009 at 1:41:07 am
in the AVID Editing Forum
I've never actually used this, but there is an external box for the Varicam deck that handles that if slomo was your intention. I believe this is the guy: http://www.abelcine.com/store/product.php?productid=20190 Terence Curren www.alphadogs.tv
Re: Digitising Varicam 25fps / 60fps into PAL project
by Bruce Law on Sep 20, 2009 at 4:01:04 pm
in the AVID Editing Forum
Hi Terence and thanks for the response. I do now, after some research, understand how Varicam works (i.e. recording 60fps but only flagging the frames you require). The reason for shooting the full 60fps was to get high quality slomos. We believed
Re: Digitising Varicam 25fps / 60fps into PAL project
by Terence Curren on Sep 20, 2009 at 3:41:17 pm
in the AVID Editing Forum
First, kill whoever told you that. Second, are you sure you understood correctly? The Varicam is ALWAYS recording 60 frames on tape. When you choose your frame rate, it just overrecords the frames. Say you are shooting 30 FPS. Then every frame is
Digitising Varicam 25fps / 60fps into PAL project
by Bruce Law on Sep 20, 2009 at 7:40:19 am
in the AVID Editing Forum
Hi there. I posted this message in the Varicam forum, but there was no response, so was hoping someone might be able to help on this forum. I'm an editor in the UK and about to start on a docu-drama shot on a mixture of HDCam (for the interviews)
Digitising Varicam 25fps / 60fps into Avid PAL project
by Bruce Law on Sep 19, 2009 at 10:09:42 am
in the Panasonic VariCam Forum
My first post here and I'm not sure if this is better suited to this forum or the Avid one. I'm an editor in the UK and about to start on a new project - a docu-drama shot on a mixture of HDCam (for the interviews) and Varicam (for the drama seque
Re: Who's buying the 3700 Varicam?
by Daniel Andreas on Sep 18, 2009 at 8:09:57 am
in the Panasonic VariCam Forum
Could you tell me where i can find some more results from that PGA/ASC Assessment Series? Would very much like to see some write ups. Daniel Andreas Director of Photography Los Angeles DVW970 DigiBetacam PAL SDX900 HDX900 www.PALHD.com
Re: KONA 3 supported up/down/cross-conversion list?
by Doug Beal on Sep 18, 2009 at 3:02:06 am
in the AJA Kona Forum
well at least you can preserve frame rate if you want to keep your 23.98 stuff 23.98. just print to HDCam and your 720P 23.98 timeline goes to 1080 23.98 Psf not much out there that can play 720P 23.98. Even the DVCProHD decks from Panasonic will no
Re: Digitsing direct from the HD-SDI of a Varicam AJ-HDC27F - 1080 or 720?
by Peter Corbett on Sep 18, 2009 at 12:01:31 am
in the Panasonic VariCam Forum
Thanks Ernie. Peter Corbett Powerhouse Productions www.php.com.au
Re: Shooting cold weather
by Dale West on Sep 17, 2009 at 3:41:00 pm
in the Panasonic HVX - HPX (P2) Forum
So a couple of things I learned on an Alaskan trip: First the battery life is easy to figure with the owners manual. Watt hours of the battery divided by the watt hours of drain in each mode. Dont have a user manual on had but should be listed i
VariCam 3700 vs Canon 7D HDSLR for Theatrical Release
by Daniel Andreas on Sep 17, 2009 at 4:03:34 am
in the Panasonic VariCam Forum
For this major theatrical documentary I have been asked to do a shoot out between the new P2 VariCam and the new Canon 7D HDSLR (which is coming out shortly). I know its like comparing a the new X6 to a Sportsbike, two completely different beasts
Re: Media Express 2
by Kristian Lam on Sep 16, 2009 at 12:26:03 am
in the Blackmagic Design Forum
Hi Leo, Lots of camera will shoot 720p24 and other non 720p60 framerates but these will only exist on file or tape. On output, the result will always be 720p60. Varicam framerates are similar as well. They may be 720p24 (or 23.98) but always o
Re: Media Express 2
by Leo Baker on Sep 15, 2009 at 11:15:54 pm
in the Blackmagic Design Forum
Hello Matt, JVC H100/200 Series, Panasonic Varicam. I can't udnerstand why these are not supported frame rates and resolutions? AJA supports all of these so I will have to go to an AJA card instead of Blakcmagic so that I can work with these forma
Re: Over/Undercrank VeriCam and the AJA
by Tim Kolb on Sep 15, 2009 at 7:57:28 pm
in the AJA Xena Forum
Everything the Varicam shoots is technically 59.94p. It doesn't matter what frame speed you're actually shooting as far as I know...the tape always moves at the same speed. That said, I've never brought in over- or under-cranked footage via HDSDI
Re: Digitsing direct from the HD-SDI of a Varicam AJ-HDC27F - 1080 or 720?
by Ernie Santella on Sep 15, 2009 at 1:28:53 pm
in the Panasonic VariCam Forum
The AJ-HDC27F Varicam only outputs 720p. The HDX900 does both formats. Ernie Santella Santella Productions Inc. www.santellaproductions.com
Digitsing direct from the HD-SDI of a Varicam AJ-HDC27F - 1080 or 720?
by Peter Corbett on Sep 15, 2009 at 11:49:57 am
in the Panasonic VariCam Forum
Just weighing up the option of a low-cost HD solution. If I connect a Convergent Design Nanoflash or AJA/Decklink card to the HD-SDI output of a tape Varicam...is the output from the camera 10-bit 1080i or 720 progressive as a live feed? Peter
Re: Panasonic Varicam AJ-HDC27 $6500
by Adam Shinsky on Sep 14, 2009 at 6:56:56 pm
in the Classifieds, For Sale Forum
E-mail me your contact info at as@mldvideo.com so I can send pics. Thanks.
Re: Panasonic Varicam AJ-HDC27 $6500
by Gautam Dutt on Sep 14, 2009 at 3:02:52 pm
in the Classifieds, For Sale Forum
HI, I AM INTERESTED IN THE CAMERA , PLEASE COMMUNICATE WITH ME FOR THE DEAL AND POSSIBLY SEND ME SOME PICTURES AS TO ASCERTAIN ITS COSMETIC CONDITION AS WELL
Re: "The Good Enough Revolution"
by Tim Wilson on Sep 14, 2009 at 3:59:32 am
in the Business & Marketing Forum
Guys, I'm kind of surprised this is coming up at all. I mean, I understand why Wired thinks it's news -- they're easily 10 years behind with regards to our business, but that's the point. If we're honest, we're ALL in the "good enough" business. O
Re: When HD really isn't HD
by Tim Wilson on Sep 12, 2009 at 4:32:15 pm
in the Business & Marketing Forum
[Chris Blair] "...shooting in HD has advantages in quality, but if a client asks you to shoot in HD and that quality advantage is completely negated by the fact that no one will see it in HD..." But I think they will notice. You don't shoot co
Panasonic HD130 DVCPROHD VTR $3000
by Adam Shinsky on Sep 12, 2009 at 4:53:53 am
in the Classifieds, For Sale Forum
Selling Panasonic's AJ-HD130DCP VTR. Great deck to use with the Varicam (which I have one for sale). Has HD-SDI, but no firewire. Takes large tapes. Great working condition. Drum hours are 2116. Asking price is $3000 or best offer. Call me at 877
Panasonic Varicam AJ-HDC27 $6500
by Adam Shinsky on Sep 12, 2009 at 4:48:19 am
in the Classifieds, For Sale Forum
I'm selling a used Panasonic Varicam AJ-HDC27 serial #I1THA0025. Asking $6500 OBO Hours: 2510 operation 1040 Drum 10250 Thread This camera is an "F" upgrade from an original "V" head. Has no dead pixels from 24p to 60p at 0db. Dead pixels
Re: Tape Varicam in P2 Workflow
by Chris Elley on Sep 10, 2009 at 7:35:47 pm
in the Panasonic VariCam Forum
It's probably a stretch, but would it work to run TC OUT from the camera to REF IN on the Kona (in addition to HD/SDI)? I doubt the Kona utilizes the REF IN when the input is set to HD/SDI, nor am I convinced the TC audio would be compatible with
Video slow down after capture
by nitin kulkarni on Sep 10, 2009 at 4:57:06 pm
in the Blackmagic Design Forum
hi i got tape shot at HDTV 720P 25/60 varicam DVCPROHD. video is getting slow down upon capture. audio is perfect. i am using blackmagic hd extreme. and FCP 6.0.4 regards nitin
Re: Tape Varicam in P2 Workflow
by Shane Ross on Sep 10, 2009 at 3:38:05 am
in the Panasonic VariCam Forum
I know that that SDI carries timecode, I just don't think that FCP references it. FCP needs deck control via firewire or RS-422...I think. I haven't had to try to capture from the camera, so I can't say for sure. I wonder if the AJA VTR Exchan
Re: Tape Varicam in P2 Workflow
by john sharaf on Sep 10, 2009 at 1:02:30 am
in the Panasonic VariCam Forum
Shane, Time code (and audio too of course) is embedded in the HD-SDI signal. Can't the Kona card figure it out? I know it asks whether it's VITC. If so it has to be coming through the video signal vs. the deck control. JS
Re: Tape Varicam in P2 Workflow
by Shane Ross on Sep 10, 2009 at 12:46:38 am
in the Panasonic VariCam Forum
Really? Well crap. But you can't get timecode out of that thing into an NLE...no RS_422. Not designed to be used as a deck. What a pickle. Shane GETTING ORGANIZED WITH FINAL CUT PRO DVD...don't miss it. Read my blog, Little Frog in
Re: Tape Varicam in P2 Workflow
by john sharaf on Sep 10, 2009 at 12:44:25 am
in the Panasonic VariCam Forum
Maybe I misunderstood, but Varicam does not have firewire. If you want to use the camera as a playback deck you have to come HD-SDI out. JS
Re: Tape Varicam in P2 Workflow
by Shane Ross on Sep 9, 2009 at 11:27:44 pm
in the Panasonic VariCam Forum
[Chris Elley] "1. Use HD/SDI to transfer from the tape Varicam to an HPX500 (P2). This won't preserve clips, will it?" Nope. Not unless you start and stop the camera manually. That device takes a feed...and the only time new clips are created is
Tape Varicam in P2 Workflow
by Chris Elley on Sep 9, 2009 at 11:08:45 pm
in the Panasonic VariCam Forum
We have been shooting a program entirely on P2 with great results. For various reasons, we will have to add a traditional tape-based Varicam to the mix for several shoots without the luxury of a deck. I am interested in the most time efficient me
Re: television camera
by Todd Terry on Sep 9, 2009 at 8:10:42 pm
in the Cinematography Forum
I believe "The Office" is Varicam, but can't 100% swear to it. T2 __________________________________ Todd Terry Creative Director Fantastic Plastic Entertainment, Inc. fantasticplastic.com
Re: Over/Undercrank VeriCam and the AJA
by Jeff Kosmicki on Sep 9, 2009 at 3:47:36 pm
in the AJA Xena Forum
I think you need to switch the frequency setting in the deck, I'm almost positive you can capture VariCam through HD-SDI, but I've only ever loaded it through FireWire or P2 myself. The problem is Preimere does not have a DVCPRO HD codec that will a
Re: Audio drift on Kona LHe
by Jeremy Garchow on Sep 8, 2009 at 8:52:09 pm
in the AJA Kona Forum
[ajay bhadresa] "The project that it is most apparent on is a Varicam project that was shot in 720, 24p but there is a lag in other projects too." 24 or 23.976?
Panasonic VariCam
HD Expo's Panasonic VariCam 'VariCamp'HD Expo's Panasonic VariCam 'VariCamp'

James Kelty has always considered himself more of a writer-director than an editor or cinematographer. But in today's ever-changing production world, like many independent producers working on project videos and/or documentaries, Jim is quickly becoming a skilled editor -- using a CinéWave system armed with Final Cut Pro. Recently, after a long career shooting film, he has begun using video in some of his projects. As part of this move, he attended HD Expo's "VariCamp" in Hollywood in January, 2004, where Jim began his exploration of High Definition using Panasonic's VariCam. Jim concludes that it offers new options to producer-directors and he found HD to have 'the types of innovations that kept making me think hi-def is selling itself short through the constant comparisons to film, and that the technology is essentially creating new visual language and production capability all its own.' Here is his report...
Review
Author: James Kelty
Panasonic VariCam
Leo Ticheli discusses the HD VariCam from PanasonicLeo Ticheli discusses the HD VariCam from Panasonic

Panasonic's VariCam HD camera is one of the most popular HD units in use today, being used in major and independent films, commercials, corporate and music videos and many other projects. In this article, Creative Cow's Leo Ticheli discusses how the VariCam is used at his company, Leo Ticheli Productions (LTP). LTP bought VariCam back in 2001 and today uses the VariCam in projects that are developed at the two company offices located in Birmingham, Alabama and Atlanta, Georgia.Leo Ticheli, (host of Creative Cow's VariCam forum), discusses his purchase reasons, the image quality, the posting process and some of the projects that the VariCam has been used on. He gives his assessment of the camera, as well as the VariCam's aptness for a broad range of assignments.
Review, People / Interview
Author: Leo Ticheli
AJA Kona
Up-Converting SD for HD Projects and HD Cross-Conversion Using AJA Kona 3Up-Converting SD for HD Projects and HD Cross-Conversion Using AJA Kona 3

Need SD upconversion for HD projects, and HD cross-conversion? Broadcast editor and Final Cut Pro community leader Shane Ross recently had a DVCPRO HD project shot with the Panasonic Varicam and HVX-200 at 23.98 that had to be converted to 1080psf 23.98 for delivery on HDCAM. After long research and experience with many FCP-compatible cards, he concluded that the AJA Kona 3 was the way to go. It even handles SD upconversion too, all in real time. Read why he chose this specific card, and how he got the job done.
Tutorial, Feature
Author: Shane Ross
Linux & Media
A Talk with SpectSoft's Jason Howard about Linux & Film ProductionA Talk with SpectSoft's Jason Howard about Linux & Film Production

Creative Cow's own Jason Howard, is helping bring Starship Troopers 2 to the big screen. His company, SpectSoft, has been working with the famed Tippett Studios to integrate SpectSoft's new RaveHD system into Tippett's workflow. Faced with creating a system that allowed customers like Tippett to work with many different formats and systems -- like accessing both Sony CineAlta's 1080p24 format and Panasonic VariCam's 720p60 -- and performing well with the very latest HD decks, etc. How well has RaveHD worked for Tippett over the last eight months of its use? Well, famed Tippett Studios used it for the HD editing workflow for Starship Troopers 2. Here's the story...
People / Interview
Author: Jason Howard
Apple Final Cut Pro
DVCPRO Frame Rate ConverterDVCPRO Frame Rate Converter

In this Final Cut Pro video tutorial, Creative Cow Leader Shane Ross discusses taking 60p footage shot with DVCPRO HD and slowing it down to 23.98 so that its slow motion. Please note that this only works if you are working in a 23.98 or 29.97 timeline.
Tutorial, Video Tutorial
Author: Shane Ross
AJA io
The long-awaited AJA Io HD!The long-awaited AJA Io HD!

Creative COW Community leader Gary Adcock has also worked closely with a number of industry manufacturers over the years, including AJA. Gary offers a guided tour through the features of the much-anticipated Io HD, and its promise of portable, hardware-supported ProRes editing in virtually every frame size and frame rate.
Review
Author: Gary Adcock
HD High-End
HDCAM, XDCAM & DVCPRO HD: Some Questions AnsweredHDCAM, XDCAM & DVCPRO HD: Some Questions Answered

Responding to questions in the Creative Cow "HD High End" forum, Cow leader and contributing editor Tim Kolb lays out key differences between Sony's XDCAM and HDCAM, as well as cameras using Panasonic’s DVCPRO HD. This look at some of the industry's hottest forums will help anyone looking to explore the world of HD production.
Feature
Author: Tim Kolb
Panasonic HVX - HPX (P2)
AVC-Intra and the Panasonic AJ-HPX2000AVC-Intra and the Panasonic AJ-HPX2000

In this Creative COW Magazine article, Jeremy Garchow discusses his experience using the AVC-Intra codec and the Panasonic AJ-HPX2000 camera on an overseas production project.
Review, Feature
Author: Jeremy Garchow
Creative COW Magazine feedback
21st Century Cinema: An indie look at Digital Cinema21st Century Cinema: An indie look at Digital Cinema

You may have heard that digital cinema is coming, and that it will be big. Both are true, and Creative Cow leader Russell Lasson is one of the people making it happen. Here is a look at how digital cinema works, and how one indie company is building their business around it. Also, a closer look at professional-strength Windows on Mac workflows.
Feature
Author: Russell Lasson
Panasonic HVX - HPX (P2)
Making History with Panasonic P2 and the HVX200Making History with Panasonic P2 and the HVX200

In this reprint from Creative COW Magazine, Creative Cow leader and broadcast editor Shane Ross uses his work for The History Channel to illustrate end-to-end workflow using P2 media and the Panasonic HVX200: from a multi-camera shoot in the middle of blazing gunfire, all the way to your living room.
Feature
Author: Shane Ross
Indie Film & Documentary
INDY FILMMAKER, Noah Kadner SHOOTS FORMOSA, VINTAGE 1950INDY FILMMAKER, Noah Kadner SHOOTS FORMOSA, VINTAGE 1950

Director Noah Kadner recently shot his debut feature, Formosa, a period comedy about a hapless group of social guidance filmmakers, with Panasonic's AJ-SDX900 DVCPRO Cinema camcorder. An independent project from High Road Productions (Los Angeles, CA), with Anita M. Cal producer, Formosa will go out to potential distributors and have a limited festival run beginning later this year.
People / Interview
Author: Noah Kadner

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