UltraViolet
COW Tag
| | | | Restoring Jaws
by Debra Kaufman on Jul 16, 2012 at 6:09:49 pm
in the Film History & Appreciation Forum
Universal Pictures is celebrating its 100 years of filmmaking with a list of 100 of its most notable films, 13 of which it is restoring. Jaws is one of those films, and in this article, we take you back into the water to find out just how safe it is | | | | |
| | | | Re: 5d footage intercut with alexa?
by Fred Jodry on Feb 23, 2011 at 12:47:27 am
in the ARRI Forum
Todd, while what colors you see can be substituted for in display by colors mixed from sources as though you are looking at light gone through (deep of course) red, green, and, blue inkwells, what both the human eye and the color camera takes should | | | | |
| | | | Re: Using Black Lights
by Mark Suszko on Mar 24, 2010 at 8:40:32 pm
in the Lighting Design Pros Forum
You really need an ultraviolet illuminator. Painting incandescent bulbs or flo tubes purple doesn't cut it.
There was a story a while back about people in a high school gym somehow getting severe sunburn. The vapor-based lighting they used had | | | | |
| | | | Re: Matte Box for GY-HM700
by Jon Leyse on Aug 3, 2009 at 6:29:29 pm
in the JVC cameras/decks Forum
Charlie,
I just shot someone welding in a machine shop with the JVC HM-GY700. I kept my distance and used a tripod/Fuji 17x lens to get the tighter shots. I have a Formatt FOCUV82 82mm Ultraviolet Clear Hi Def Glass Filter in front of the lens. I | | | | |
| | | | Lighting design tips for a boxing match
by JaJuan Lowry on Jul 21, 2009 at 2:25:43 pm
in the Lighting Design Pros Forum
Hello All!
I have recently been hired as the LD for a military boxing match coming up in a couple of weeks and I was wondering if any of you great lighting guys have any tips/suggestions. It is not a huge budget for the show, but I do have a littl | | | | |
| | | | Re: Help lighting a chroma backdrop
by Ian MacLean on Jun 9, 2009 at 7:01:00 am
in the Lighting Design Pros Forum
"The best saturation of color is achieved by using ...green-spike lamps on green screens. It’s not as much about how much light is used to light a screen, but rather what produces the best saturation of reflected blue or green light."
Your attem | | | | |
| | | | Re: Help lighting a chroma backdrop
by Ian MacLean on Jun 9, 2009 at 12:31:43 am
in the Lighting Design Pros Forum
Hmm, turns out supersaturation works well enough for Kino Flo to sell coated bulbs. Not much different from a gel, it seems. Mr. Size has never used added green. Perhaps simply because he's never heard of it:
"For the best results the screen ne | | | | |
| | | | Re: to rent: Lowel or Arri Light kit?
by Dennis Size on May 9, 2009 at 4:23:09 am
in the Lighting Design Pros Forum
As we all know, the definition of color temperature uses a black body reflector. In physics, a black body is an idealized object that absorbs all electromagnetic radiation that falls on it. No electromagnetic radiation passes through it and none is | | | | |
| | | | Re: Lens Filters
by Steve Wargo on Aug 9, 2008 at 6:34:22 am
in the Panasonic AF100, DVX100, HMC150 Forum
You'll want Tiffen White ProMist in several densities, a Polarizer, Coral, Ultraviolet. Go to Tiffen's website and they have suggestions and samples. http://www.tiffen.com/filters.htm
Someone sells a starter kit worth 5 filters at a discount. Explor | | | | |
| | | | Re: Why isn't this, of all revolutions, being televised?
by Steve Wargo on Oct 14, 2007 at 6:24:56 am
in the RED Camera Forum
The Red Heads were expecting a camera that would simply blow us away out of the box and everything would look like Seven or Ultraviolet or anything that is more like magic than anything else. On the HD High End forum, we were told, a year ago, to dum | | | | |
| | | | Re: Ipod Headphones
by bogiesan on Jun 28, 2007 at 9:17:22 pm
in the Adobe After Effects Forum
Haven't tried this in many years but we had great success on a 16mm film shoot back in the olden days. We sprayed the elements we needed to pull for mattes with fluorescent clear paint. It was specially formulated to be invisible until blacklight hit | | | | |
| | | | Re: make me beautiful
by Saeed Faridzadeh on Mar 23, 2006 at 2:15:37 am
in the Autodesk Combustion Forum
[Chad Briggs] "and for that matter "Ultraviolet" (the recent movie) in which is was done so much it completely took you out of the story"
On Milla of all people.... why? | | | | |
| | | | Re: make me beautiful
by Chad Briggs on Mar 22, 2006 at 9:35:38 pm
in the Autodesk Combustion Forum
and for that matter "Ultraviolet" (the recent movie) in which is was done so much it completely took you out of the story (and appeared to be done at random). Wasn't nearly as bad as the abscence of a coherent plot tho :)
chad | | | | |
| | | | Monitors Killing my eyes
by Dave Boampong on Oct 7, 2004 at 6:40:38 am
in the Windows Hardware & Software Forum
I have one PC with a Millenium G450 dual graphics card and two 17" Futura monitors and another PC with an Nvidia Gforce dual grahics card and two 19" Futura monitors. I cannot look at the screens for more than a minute without my eyes watering and hu | | | | |
| | | | Re: Considering a PD170 purchase
by Craig Seeman on Jun 5, 2004 at 2:24:19 pm
in the Sony DV Forum
Once in a great while I'll get a client who asks about the size. It's usually followed, "Hey this is great" when I shoot corporate videos and VNRs.
It's much easier to fit in a small office. They appreciate not having to have the furniture rerear | | | | |
| | | | Re: +18dB noise
by Jeff Carpenter on May 5, 2004 at 4:45:31 pm
in the Sony DV Forum
Nothing to do with ultraviolet light...but in my experience with my VX-2000
GAIN
3 db - No grain
6 db - Only a pro could see grain in the dark areas, and you'd have to tell him to look for it
9 db - A pro may notice a little grain, MOST no | | | | |
| | | | Re: Ultraviolet
by craig seeman on May 5, 2004 at 2:57:43 am
in the Sony DV Forum
I recently did a corporate video for a bio tech company. I had to shoot a test procedure in which waterborne creatures the size of a flea would glow under an ultraviolet light. The room we shot in had NO OTHER light source. I shot with a PD150 with + | | | | |
| | | | Re: Ultraviolet
by mikeh on May 4, 2004 at 10:04:29 am
in the Sony DV Forum
The `Blacklight' produces a spectrum of deep blue to violet visible light as well as invisible ultraviolet. The PD170 should not have a problem with the visible portion of the light. I don't think the ultraviolet spectrum will induce a false-color | | | | |
| | | | Ultraviolet
by David Lewis on May 3, 2004 at 10:02:54 pm
in the Sony DV Forum
Okay, I learned a lot from my last post, I'm now a COW convert and thank you to everyone who contributed! Next question....
I'm shooting in an art conservation lab and one of the tests they put a marble statue through is to place it under an ultra | | | | |
| | | | Ultraviolet
by David Lewis on May 3, 2004 at 9:59:01 pm
in the Lighting Design Pros Forum
I'm shooting in an art conservation lab and one of the tests they put a marble statue through is to place it under an ultraviolet light (blacklight) with no other light. Will this show up on a PD170? What iris or shutter or other settings should use | | | | |
| | | | Ultraviolet
by David Lewis on May 3, 2004 at 9:58:11 pm
in the Lighting Design Pros Forum
I'm shooting in an art conservation lab and one of the tests they put a marble statue through is to place it under an ultraviolet light (blacklight) with no other light. Will this show up on a PD170? What iris or shutter or other settings should use | | | | |
| | | | Re: Just Curious
by Chris Smith on Dec 8, 2003 at 1:12:30 am
in the Adobe After Effects Forum
There is a book by Digital Domain that covers how they did many of their effects. They used this technique a few times for spaceship models. An example in the book shows how they painted the ships with a florescent varnish that when lit by ultravio | | | | |
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