| | | | Re: Pdeflector - count collisions? by Adam Trachtenberg on Sep 24, 2009 at 4:20:53 pm in the Cinema 4D Forum I don't think there's a counting node. It may be possible by way of the memory node, but that's a bit above my pay grade. ;-)
However, I did figure out a way to do it by changing the particle group upon collision and then outputting the particle | | | | |
| | | | Re: Paper blowing in the wind by Tony Silva on Sep 23, 2009 at 10:19:57 pm in the Adobe After Effects Forum there are some tutorials here about how to create a flag blowing in the wind. Should be very similar.
does the paper stay in one spot? or does it blow away off in the distance? | | | | |
| | | | Re: Tracking a travel matte by Stephen Smith on Sep 23, 2009 at 8:52:37 pm in the Motion Graphics Forum Roger,
Can you post a still grab of the video you want to work with?
[Roger] SIDE NOTE: here's a tip for Stephen re: his post on an audio forum looking into public domain clip of Wilhelm Scream:
Found this on archive.org (public domain foota | | | | |
| | | | Re: New features for CF? by kujtim ereqi on Sep 23, 2009 at 4:46:53 pm in the Synthetic Aperture Forum Having more video tutorial for Color Finesse would be much appreciated, since the interface of Color Finesse (like all CC programs) intimidates most beginners, who also are not comfort with a plugin that opens in a separate window. (At least that was | | | | |
| | | | Flash Video Introduction help by Brad LaMar on Sep 23, 2009 at 4:33:43 pm in the Adobe Flash Forum Greetings. I haven't used Flash in a few years so pardon me being a noob. I have a client that wants to create a video introduction on the home page of their website. Something like this...
http://www.landmarkeducation.com/introduction_to_the_land | | | | |
| | | | Re: Changing parameters after project is editted by Stephen Smith on Sep 23, 2009 at 3:26:26 pm in the Apple Motion Forum Motion gives you the ability to change project settings (Except for Frame Rates). Go up to Edit, Project Pane and change the settings.
If you want to change project settings and frame rates create a new project with the right settings and drag the | | | | |
| | | | Flash Video Introduction by Brad LaMar on Sep 23, 2009 at 3:23:36 pm in the Adobe Flash Forum Greetings. I'm a bit of a noob here. It's been a few years since I've done anything in Flash. A client wants me to embed a video introduction that has five individual clips that loop one after the other with the option to skip ahead on displayed sect | | | | |
| | | | Re: shadows in a room by Jeremy Fabiano on Sep 23, 2009 at 2:56:44 pm in the Adobe After Effects Forum Well hopefully this'll help, it's Bill O'Neil's shadows tutorials part 1 & 2.
http://library.creativecow.net/articles/oneil_bill/shadows.php
http://library.creativecow.net/articles/oneil_bill/shadows2.php
Good Luck!
-Jeremy | | | | |
| | | | Tutorial videos for Luminous and Shatter by Roger Bolton on Sep 23, 2009 at 5:12:32 am in the CoreMelt Plug-ins NEW ! Forum New detailed video Tutorials for Luminous and Shatter plugin packs are now online from Apple Certified Trainer Iain Anderson.
http://www.coremelt.com/products/videos/shatter---step-by-step.html
http://www.coremelt.com/products/videos/luminous-ste | | | | |
| | | | Re: AE Project Template sites by Jeremy Fabiano on Sep 23, 2009 at 2:33:01 am in the Adobe After Effects Forum There's a tutorial by someone on here for a basketball thing.. he builds his own stage setup w/ a crowd and amazing lighting mostly in AE, but some photoshop if i remember.
I can't remember what it was called.. but it's on here somewhere.. maybe g | | | | |
| | | | Re: Best WEB 1080p Compression Settings? by Brian Alexander on Sep 23, 2009 at 1:59:23 am in the Compression techniques Forum Here's a good reference, although it seems that the Apple Trailer dept doesn't seem to adhere to these guidelines.
http://www.apple.com/quicktime/tutorials/h264.html
Remember that the trailers are running 24 fps (23.98) which is only 80% of a 3 | | | | |
| | | | Re: Spatially smoothing Position Curves by Dave LaRonde on Sep 22, 2009 at 10:35:31 pm in the Adobe After Effects Forum [Chris Arnold] "All the curves in the front and top view stretch so far beyond the next keyframe for keyframes that are close together."
If I'm reading this correctly, your motion path would then do this wild gyration between the closely-spaced ke | | | | |
| | | | Re: Motion Crosshairs by Stephen Smith on Sep 22, 2009 at 8:43:41 pm in the Apple Motion Forum Don't move the map and the text and they will always stay lined up with no need to motion track them together. Create all of the map movement with a camera.
Stephen Smith
Lone Peak Productions
Check out my Motion Tutorials
Stephen Smit | | | | |
| | | | Re: Snow Leopard and Final Cut by David van Akkeren on Sep 22, 2009 at 8:39:27 pm in the UG: Arizona FCP Forum Jay,
there are some really good free tutorials about the new functions in FC Studio 3 on http://rippletraining.com/engine/free_tutorials.html?cms=e36a9f5686b71e5136c9a97d7cc2a66f | | | | |
| | | | Stabilizing Motion - Head Movements by David Robertson on Sep 22, 2009 at 2:32:04 pm in the Adobe After Effects basics Forum Hello,
I'm trying to standardise a set of talking head videos and have had a few goes at motion stabilization using some tutorials, but I can't do what I'm trying to do.
My films were filmed from a tripod, so there is no camera motion, but ther | | | | |
| | | | Re: Adding 3D object in a footage by Gary Walker on Sep 22, 2009 at 12:05:09 pm in the Motion Graphics Forum Im not sure about Poser, but with other 3d packages you can use Voodoo Camera tracker quite successfully:
http://www.digilab.uni-hannover.de/docs/manual.html
Maybe have a quick look on YouTube, there are some examples of using Voodoo, and also a fe | | | | |
| | | | Creating an Animated 3D Motion Graphics Logo by Carl Larsen on Sep 22, 2009 at 8:44:39 am in the Forum In this tutorial, Telescope Media Group's Carl Larsen shows you how to create a motion graphics logo using an array of 3D particles, built with Trapcode Form. He'll show you how you can do in After Effects what, under most circumstances, must be done | | | | |
| | | | moving flag on a moving ship by Martin Woodward on Sep 21, 2009 at 10:40:58 pm in the Cinema 4D Forum Hi
Can anyone help guide me in the right direction. I have a ship with a flag on it. The ship moves along the z axis rotates once and then fades out. It then reappears later in the animation. I basically just want the flag to flap in the wind whi | | | | |
| | | | Re: Shooting for the composite by Mark Suszko on Sep 21, 2009 at 9:01:15 pm in the Cinematography Forum More pixels=better for keying, always. You can shoot them near the camera, but full-screen/full-body, then the keyed composite of their bodies will look better and better as it gets scaled down to fit the scale of the eventual comp. Your question on | | | | |
| | | | Re: I want to learn but where do I start by Curtis Thompson on Sep 21, 2009 at 3:16:59 pm in the Web Design Forum hello...
we get this question often, so also search the archives, but as always, it depends what you want to do - do you want to do this for fun or do you want to start to offer web design/development services for potential clients?
you can bec | | | | |
| | | | Trapcode Suite Reviewed by Jim Harvey on Sep 21, 2009 at 1:55:00 pm in the Trapcode Forum In this article, CreativeCOW's Jim Harvey takes a look at Trapcode Suite from Red Giant Software--nine plug-ins that will get a workout in any studio. | | | | |
| | | | Motion Presets - Preview not available by Lorin Pace on Sep 21, 2009 at 4:06:17 am in the Adobe Flash Forum Hi Folks,
They were there earlier today. Now they're gone.
NO motion presets. I try to import into Motion Presets and can't find any recognizable files.
I'm only doing Lynda Flash tutorials. Nothing fancy.
WHERE did the motion presets go | | | | |
| | | | Explosion Project by Max Jackson on Sep 21, 2009 at 2:45:04 am in the Adobe After Effects Forum Hi CC,
I'm pretty much a noobie at AE. I've got a pretty good feel for the primary architecture. I'm slow, but I tend to get exercises done.
My first goal as a motion designer is video myself run down a hallway towards the camera then spontaneo | | | | |
| | | | Scrolling Credits Question by Robert Crosby on Sep 21, 2009 at 12:42:18 am in the Adobe After Effects basics Forum Hey guys, I'm an film student, majoring in editing and I've always created my ending credits in Final Cut Pro, but they look kinda crappy on a theater screen. I am fairly new to After Effects, only messing around with the tutorials on videocopilot.ne | | | | |
| | | | Re: Countdown Expression + Fonts by Trent Armstrong on Sep 20, 2009 at 7:18:19 pm in the Adobe After Effects Expressions Forum I don't like to take away from the Creative Cow site, but I have some rough tutorials at aetutorials.net that I will be moving to The Cow soon.
This is for working out a countdown with non-fixed with fonts.
http://web.me.com/pxlguy/AEtutorials/ea | | | | |
| | | | Free After Effects Template by Gyorfi Szilard on Sep 20, 2009 at 9:30:07 am in the COW - Free Stuff Forum I would like to share my Free After Effects Template called SpinBox with the word:)
You can download it at: http://bluefx.net/store/#num=434&id=album-11
I also have a tutorial for the template:
http://www.bluefx.net/blog/category/tutorials/
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| | | | Free After Effects Template by Gyorfi Szilard on Sep 19, 2009 at 12:48:01 pm in the Adobe After Effects Forum I would like to share my Free After Effects Template called SpinBox with the word:)
You can download it at: http://bluefx.net/store/#num=434&id=album-11
I also have a tutorial for the template:
http://www.bluefx.net/blog/category/tutorials/ | | | | |
| | | | Re: Avid tutorials for Final Cut users by Dennis Bork on Sep 19, 2009 at 9:26:18 am in the AVID Editing basics Forum And here are the next 46 or so tutorials:
http://community.avid.com/forums/t/71781.aspx
Nothing especially for FCP switchers so far, but still very useful for any beginning or intermediate user. I also can recommend "Avid Editing (any edition)" f | | | | |
| | | | Need Free Vector Art by Martin Nowak on Sep 19, 2009 at 5:05:17 am in the Adobe Illustrator Forum I know nothing about Illustrator but I've tried to go throught the Illustrator Tutorials but with no luck and gorwing frustration. I am just looking for a nice circular frame I can use in After Effects like the outside ring of the Safari Icon.
He | | | | |
| | | | Re: I cant figure out something by Stephen Smith on Sep 18, 2009 at 9:32:36 pm in the Apple Motion Forum Daniel,
Seems like there are a lot of questions in this question so I'll answer the one I think you are look for. Create a subway line using the bezier shape tool, you can use the b-sline or paint as well. When you get to your last point double clic | | | | |
| | | | Re: I cant figure out something by zak peric on Sep 18, 2009 at 9:30:40 pm in the Apple Motion Forum Look to explain what you need to do will take a little bit more time than I have currently. never the less I love to help you. please see one of my video tutorials for animating lines in apple motion. I hope this will resolve your problem. http://emb | | | | |
| | | | Re: Playback Jumpy by Stephen Smith on Sep 18, 2009 at 6:53:32 pm in the Apple Motion Forum Michael, here is a link to an article that I think will help. Zak already covered some of it.
http://support.apple.com/kb/HT1885
Stephen Smith
Lone Peak Productions
Check out my Motion Tutorials
Stephen Smith
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| | | | Re: Cinema 4D to After Effects integration - Resources by Adam Trachtenberg on Sep 18, 2009 at 6:31:14 pm in the Cinema 4D Forum I think the best resource is the four-part video tutorial entitled WMXN Promo Bumper that you can find here: http://www.cineversity.com/series/index.asp?spid=56
The series is free to view but you have to register at the site.
There are some add | | | | |
| | | | Cinema 4D to After Effects integration - Resources by Stephen Perkins on Sep 18, 2009 at 3:19:27 pm in the Cinema 4D Forum I do a lot of compositing in After Effects CS4 and have just started to learn about the possibilities that Cinema 4D could open up in my production. There are quite a few articles talking about the wonderful integration of these two applications, but | | | | |
| | | | Autumn Movies by Eran Stern on Sep 18, 2009 at 11:04:58 am in the Zaxwerks Forum In this video tutorial, Creative Cow contributing editor Eran Stern designs a high impact motion graphics promo using Zaxwerks 3d serpentine plug-in. | | | | |
| | | | Boris FX | Boris Continuum Complete's Witness Protection Filter
In this video tutorial, we use the BCC Witness Protection filter in Apple Final Cut Pro to obscure the face of a surfer who is surfing a wave at great speed, moving across the frame from the center to exit on the right. We will use BCC Witness Protection's built-in motion tracker to automate this process. Tutorial, Video Tutorial Author: Paul Ezzy |
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| | | | Adobe After Effects | Bessie Potter
In this video tutorial, Creative Cow contributing editor Michael Park demonstrates how to make a dark, cloudy Title reveal similar to the one seen in the Movie Which Must Not Be Named. All textures and fonts are available in the project download as well as the final CS4 project file. Tutorial, Video Tutorial Author: Michael Park |
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| | | | Zaxwerks | Autumn Movies
In this video tutorial, Creative Cow contributing editor Eran Stern designs a high impact motion graphics promo using Zaxwerks 3d serpentine plug-in. Tutorial, Video Tutorial Author: Eran Stern |
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| | | | Red Giant plug-ins | Creating an Animated 3D Motion Graphics Logo
In this tutorial, Telescope Media Group's Carl Larsen shows you how to create a motion graphics logo using an array of 3D particles, built with Trapcode Form. He'll show you how you can do in After Effects what, under most circumstances, must be done in a 3D application. Get ready to learn the true power of 3D particle systems in AE. Tutorial, Video Tutorial Author: Carl Larsen |
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| | | | Trapcode | Creating a Waterfall
In this video tutorial, Creative Cow leader Michael Park demonstrates how to create a waterfall using After Effects and Trapcode Particular. This tutorial is in response to a couple of posts on the Trapcode Forum of CreativeCOW.net looking for this type of effect. This tutorial uses Particular 2.0, but the work flow and settings should work equally will with previous versions of Particular. Tutorial, Video Tutorial Author: Michael Park |
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| | | | Adobe After Effects | Color Link
In this video tutorial, Creative Cow contributing editor Eran Stern creates a colorful disco tunnel using shape layers and matching the look to a video footage using the color link effect. Tutorial, Video Tutorial Author: Eran Stern |
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| | | | Media 100 | Media 100 HD | VoiceOver Recording in Media 100 Suite
In this video tutorial, Floh Peters takes a look at Media 100 Suite's new VoiceOver Tool. The VoiceOver Tool allows direct-to-timeline audio recording while playing back timeline audio and video. Primarily designed for recording narration, the VoiceOver Tool leverages Media 100 Suite's new MultiClip architecture to allow for multiple takes nested inside a single audio clip in the timeline. Tutorial, Video Tutorial Author: Floh Peters |
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| | | | RE:Vision Effects | When to use Smart Blend in Twixtor
Things that come in and out of the frame can cause difficulties to any motion estimator. This Tutorial explains when it is appropriate to use Smart Blend and shows Twixtor and Twixtor Pro with Smart Blend and compares a panning shot slowed down 10x with and without Smart Blend. Tutorial, Video Tutorial Author: Lori Freitag |
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| | | | RE:Vision Effects | Marking Segments with Twixtor
Optical Flow retiming might not work well when you work with footage that has cuts in it (i.e the gloopyness effect might not be what you want). If the footage was preedited elsewhere or you precomposed a set of layers, you might see some warping artifacts as you cross a scene cut point (or even a transition like a dissolve). In this tutorial we show you how to mark such segments in Twixtor so your retiming is not affected by such issue. Tutorial, Video Tutorial Author: Lori Freitag |
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| | | | Media 100 | Media 100 HD | MultiClip Editing in Media 100 Suite
In this new video tutorial, Floh Peters of Magic Eye takes a look at Media 100 Suite's new MultiClip Editing feature. Ideal for music videos, studio and on-location television, concerts, and live events, MultiClip Editing facilitates real-time editing of multiple video and audio sources in a familiar, easy-to-use interface. A camera can be added to an existing MultiClip as its source media becomes available, allowing you to begin cutting a multicam shoot faster than ever before. Cameras can be synced via timecode, sync marks, or in-points. When syncing via timecode, additional footage can even be assigned to an existing camera - extremely helpful in situations where a camera has been stopped to change tapes or batteries. Tutorial, Video Tutorial Author: Floh Peters |
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| | | | RE:Vision Effects | Lip-Synch with Twixtor
Key framed alignment of video to audio. In this tutorial from RE: Vision Effects, Lori Freitag covers the basic concept of aligning a video track to a different audio track using Twixtor. As an example we lip-synch an outdoor shoot to a studio recording. Tutorial, Video Tutorial Author: Lori Freitag |
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| | | | Adobe After Effects | Markers Leaks
In this video tutorial, Creative Cow contributing editor Eran Stern gives an introduction to custom effects which trigger actions using layer markers inside of Adobe After Effects. Tutorial, Video Tutorial Author: Eran Stern |
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| | | | RE:Vision Effects | Frame Rate Conversion with Twixtor
Often times you need to make your edit in Premiere, Final Cut Pro or Avid and then import in After Effects to finish it or simply to do the final render, using tools such as Automatic Duck to import the project. This Tutorial demonstrates how to quickly setup large edits to do frame rate conversion with Twixtor in After Effects. In particular, we use footage from the Canon 5D Mark II that can only shoot 30 FPS and convert our edit for a 24P delivery, but this method can be applied to any frame rate conversion. Tutorial, Video Tutorial Author: Lori Freitag |
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| | | | Trapcode | Trapcode Suite Reviewed
In this article, CreativeCOW's Jim Harvey takes a look at Trapcode Suite from Red Giant Software--nine plug-ins that will get a workout in any studio. Review Author: Jim Harvey |
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Podcasts | | | | boris fx tutorials podcast Boris Continuum Complete 6 - Witness Protection Filter In this video tutorial, we use the BCC Witness Protection filter in Apple Final Cut Pro to obscure the face of a surfer who is surfing a wave at great speed, moving across the frame from the center to exit on the right. | | | | |
| | | | adobe after effects tutorials podcast Paint Strokes Morph Use paint strokes brushes to automatically morph between path shapes. | | | | |
| | | | adobe after effects tutorials podcast Markers Leaks In this AE Podcast, Eran Stern gives an introduction to custom effects which trigger actions using layer markers inside of Adobe After Effects. | | | | |
| | | | adobe after effects tutorials podcast Color Link Create a colorful disco tunnel using shape layers and matching the look to a video footage using the color link effect. | | | | |
| | | | boris fx tutorials podcast Boris Continuum Complete 6 - Cartoon Look Filter Boris Continuum Complete's Cartoon Look filter lets you easily convert images and clips into cartoon-style roto animations. The result is a look that has been popularized in films such as Waking Life and A Scanner Darkly. | | | | |
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